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Raymond Watts, who performs under the name Pig, was one of the founding members of the performance art ensemble originally known as Kein Mehrheit für die Mitleid, which would only later develop a more musical focus and become known as KMFDM. He left that band in its early stages and, as Pig, released a number of albums, the first few on the Wax Trax! label, including the 1988 single "Never for Fun" and his debut LP, A Poke in the Eye...with a Sharp Stick, which also came out in 1988. The early albums represented the influences that he was under while living in Germany and doing work for bands like Einstürzende Neubauten. He would soon form a relationship with an A&R man at Alfa Entertainment, which released his albums The Swining and Red Raw & Sore. When Watts' A&R contact moved to Victor, Watts followed and issued several albums through them, including the 1995 full-length Sinsation. The music featured on Watts' albums has evolved over the years to become increasingly complex, incorporating German, British, and Japanese pop music elements and a variety of electronic idioms. His albums often incorporate three or four styles within the context of each song, alternating with works that are much more straightforward and listenable. In 1999, Cleopatra Records re-released the two Alfa albums, The Swining and Red Raw & Sore, as a single volume, resurrecting one of the strongest periods in his career. No One Gets Out of Her Alive followed in 2000. He also returned to KMFDM to play a supporting role on their Beat by Beat tour and help them record their seventh album, Nihil. ~ Stacia Proefrock, Rovi
The Voice is barely hearable and sounds like he's just grumbling. Perhaps I need to get used to ti since I like the riffs he comes up with, but for now I don't get it.
@Scott that's actually what it stands for, which is of course a typo since if you translate it it means No Majority For The Pity (Kein Mertheit Fur Da Mitleid )when it should be No Pity For The Majority (Kein Mitleid Fur Da Mertheit)but since they kept it like that it's stayed that way.
KING RAYMOND WATTS! A little tequila and lime and PIG for the day! He helped make KMFDM what it became and then did his own thing with PIG, which was just as great to listen to. A name to be remembered in this genre for sure. A founder and innovator. Praise the lard!
Yeah, but listen to the song, this sounds like KMFDM, almost identical....they guitar riff, the techno style beat, that even sounds like Sascha K singing. Is this a side project?
Wait, why do they have a pic of KMFDM up for Pig? The Pig pic was just fine; why would they go and eff it up? That is an OLD pic of KMFDM they have in Raymond's place too haha :)
Raymond Watts is an extremely talented musician, and the most creative song writer I've heard. The fact he can do most of his work solo, and still be one of the best industrial artists alive shows his skill. Not to mention his collaboratio n with KMFDM played a big role in juke joint jezebel which made the band popular. Kneel Before The Lord Of Lard!!!!!!!
Wrecked and Pigmata are phenomenal albums. To appreciate Watts is to appreciate an enigmatic talent not yet replicated or copied. I think he has a distinct sound that sets him apart from many wanna-be's.
And who writes these bio's? There are an embarrasing amount of inaccuracies in some of them- some on Raymond's here, too.
Comments
A name to be remembered in this genre for sure. A founder and innovator. Praise the lard!
Kneel Before The Lord Of Lard!!!!!!!
And who writes these bio's? There are an embarrasing amount of inaccuracies in some of them- some on Raymond's here, too.