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Portishead

Portishead may not have invented trip-hop, but they were among the first to popularize it, particularly in America. Taking their cue from the slow, elastic beats that dominated Massive Attack's Blue Lines and adding elements of cool jazz, acid house, and soundtrack music, Portishead created an atmospheric, alluringly dark sound. The group wasn't as avant-garde as Tricky, nor as tied to dance traditions as Massive Attack; instead, it wrote evocative pseudo-cabaret pop songs that subverted their conventional structures with experimental productions and rhythms of trip-hop. As a result, Portishead appealed to a broad audience -- not just electronic dance and alternative rock fans, but thirtysomethings who found techno, trip-hop, and dance as exotic as worldbeat. Before Portishead released their debut album, Dummy, in 1994, trip-hop's broad appeal wasn't apparent, but the record became an unexpected success in Britain, topping most year-end critics polls and earning the prestigious Mercury Music Prize; in America, it also became an underground hit, selling over 150,000 copies before the group toured the U.S. Following the success of Dummy, legions of imitators appeared over the next two years, but Portishead remained quiet as they worked on their second album.

Named after the West Coast shipping town where Geoff Barrow grew up, Portishead formed in Bristol, England, in 1991. Prior to the group's formation, Barrow had worked as a tape operator at the Coach House studio, where he met Massive Attack. Through that group, he began working with Tricky, producing the rapper's track for a Sickle Cell charity album. Barrow also wrote songs for Neneh Cherry's Homebrew, though only "Somedays" appeared on the record. Around the time of Portishead's formation, he had begun to earn a reputation as a remix producer, working on tracks by Primal Scream, Paul Weller, Gabrielle, and Depeche Mode. Barrow met Beth Gibbons, who had been singing in pubs, in 1991 on a job scheme. Over the next few years, the pair began writing music, often with jazz guitarist Adrian Utley, who had previously played with both Big John Patton and the Jazz Messengers.

Before releasing a recording, Portishead completed the short film To Kill a Dead Man, an homage to '60s spy movies. Barrow and Gibbons acted in the noirish film and provided the soundtrack, which earned the attention of Go! Records. By the fall, Portishead had signed with Go! and their debut album, Dummy, was released shortly afterward. Dummy was recorded with engineer Dave MacDonald, who played drums and drum machines, and guitarist Utley, who rounded out Portishead's lineup.

Both Barrow and Gibbons were media-shy -- the vocalist refused to participate in any interviews -- which meant that the album received little attention outside of the weekly U.K. music press, which praised the album and its two singles, "Numb" and "Sour Times," heavily. Soon, Go! and Portishead had developed a clever marketing strategy based on the group's atmospheric videos that began to attract attention. Melody Maker, Mixmag, and The Face named Dummy as 1994's album of the year, and early in 1995, "Glory Box" debuted at number 13 without any radio play. Around the same time, "Sour Times" entered regular rotation on MTV in America. Within a few weeks, Dummy and "Sour Times" were alternative rock hits in the U.S. Back in the U.K., the album had crossed over into the mainstream, becoming a fixture in the British Top 40. In July, the record won the Mercury Music Prize for Album of the Year, beating highly touted competition from Blur, Suede, Oasis, and Pulp.

Following the Mercury Music Prize award, Barrow retreated to Coach House to begin work on Portishead's second album. The self-titled record finally appeared in September 1997. The live PNYC followed late the next year. Portishead went on hiatus starting in 1999, and Barrow, Utley and Gibbons worked on their own projects. In 2001, Barrow formed Invada Records, an experimental label that included Koolism on its roster. Barrow and Utley also recorded a cover of the instrumental rock classic "Apache" as the Jimi Entley Sound that was released as a limited edition 7" single in 2002. The pair also worked as producers, with Barrow working under the moniker Fuzzface on Stephanie McKay's McKay album in 2003, and Barrow and Utley co-produced the Coral's 2005 album The Invisible Invasion. Gibbons collaborated with Rustin' Man, a.k.a. former Talk Talk member Paul Webb on the 2003 album Out of Season (Gibbons had also appeared on a few tracks by Webb's previous project, ORang).

Portishead reconvened in 2005, performing their first live dates in seven years, including an appearance at the Tsunami Benefit Concert in Bristol, and recording material for their next album. Their version of "Un Jour Comme un Autre (Requiem for Anna)" appeared on 2006's Serge Gainsbourg tribute Monsieur Gainsbourg Revisted, and in 2007 the band curated the Nightmare Before Christmas All Tomorrow's Parties festival. In 2008, a decade after their last album, Portishead returned with Third, the trio's most challenging, unpredictable work yet. ~ Stephen Thomas Erlewine
full bio

Selected Discography

x

Track List: Third

1. Silence

2. Hunter

3. Nylon Smile

4. The Rip

5. Plastic

6. We Carry On

7. Deep Water

8. Machine Gun

9. Small

10. Magic Doors

11. Threads

x

Track List: Roseland NYC Live

1. Humming (Live)

2. Cowboys (Live)

3. All Mine (Live)

4. Mysterons (Live)

5. Only You (Live)

6. Half Day Closing (Live)

7. Over (Live)

8. Glory Box (Live)

9. Sour Times (Live)

10. Roads (Live)

11. Strangers (Live)

x

Track List: Portishead

1. Cowboys

2. All Mine

3. Undenied

4. Half Day Closing

5. Over

6. Humming

7. Mourning Air

8. Seven Months

9. Only You

10. Elysium

11. Western Eyes

x

Track List: Dummy

1. Mysterons

2. Sour Times

3. Strangers

4. It Could Be Sweet

5. Wandering Stars

6. It's A Fire

7. Numb

8. Roads

9. Pedestal

10. Biscuit

11. Glory Box

x

Track List: Chase The Tear (Single)

Comments

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Sexy a** sultry voice with a side of course-grind blues. Gorgeous.
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My type of BEAT, real groove.....y e s I'm a child of the sixties.
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joycb527
The first time I ever heard Glorybox was while watching The Craft and I've been hooked ever since.
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Thanks Cla for given me something to believe in again
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Atmospheric with hard rock licks and 'yearning' lyrics - ok, ya got me.
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nothing like to be a woman..so she says..
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Nice. This is good.
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the reàßoñz talove loveуаً‍‍‍‌ٔ پ ث ش ت چ ت ق ، چ ت ث ج ۵ 5 ۵ ۵ ۷ ۹ 7 1 ۲ ۳
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So don't you stop, being a man
Just take a little look from our side when you can. Show a little tenderness. Don't matter if you cry.
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She sounds like Lois Griffin lol
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Station added. 10 years later and I still love Pandora.
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I like there style of music! They kind of remind me of Hooverphonic .
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Love how this glory box song is totally about her vagina (and the lack of her man giving her the D)
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mat670
Love it !
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Thumbs down....agai n . . . .
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No thanks. At one point in my life, sure, but not anymore. Too boring ��
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I love it
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This is why women need to stay in the kitchen. If you let them out, they make really bad music.
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I love Portishead. I can listen to them forever, somehow. I can't do that with many other artists. It's nice.
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And it's only you who can turn my wooden heart.... wow.
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Greatest song name "glory box".
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I get a feeling the bio writer wasn't a fan of Third.
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Fantastic Ears hannah.wisdo m . And that's one of My Best on the Radio. Felt that song, and this one, as soon as they came on the very first time. Just a nice Arrangement. Thx for the Sounds.
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Wow that's what song 'Here' sampled this is really good!!
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Catching samples always trip me the hell out
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trip hop...not hip hop
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I only know the song "Machine Gun" by Portishead and thats because it was in the show Skins UK but anyways I love that song
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Portishead got me thru heartache and loss and changed me forever..... n o w its b**ches ain't s**t but hoes and tricks lol
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first get a box; next cut a hole in the box; put your junk in the box; that your ? in a box. perfect valentines gift.
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How do you make the ? In a box?
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<?> (High five)
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✋ ( high-five )
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Few artists can sound this sad without sounding remotely whiney.
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ily.princess 1 2 3
So this is where Alessia Cara got her song "Here" from...
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I bet everyone who downs this song likes the song "here".by Alessia cara.same song
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saulburuato3 _ 4 2 0
Heard this song in lord of war with those fine a** b**ches uff
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spike. veins. tarnished death. reborn. again. again. i see you. seasons. f**k rhymes n reasons. i see you my love.
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A friend once said "Let all who have ears enjoy Portishead". . .
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Fire! One of the best tracks by them
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Smooth,,,it' s , , , , ight kinda got that jazz blues,, I can listen to this....
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neimandaraya n d
The best ever
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Been a huge fan since way back in the day still love Portishead.
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I love Portishead ! Especially the song "Over" which I'm listening to right now ��
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I love Fiona!!! Very cool and different. Got her on style for sure.
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I would have loved to have been there for this recording. Beth Gibbons is an amazing live singer.
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Dummy takes me back to a special place and time in my life
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I really, really like this band!
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maribelv.esc a l e r a
This reminds me of the song Here by Alessia Cara
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If Fantastic 4 brought you here, you suck!
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chrisbrown30 3 0 3 0
Been a fan since back in the day still love it.
Show more

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