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Public Enemy

Public Enemy rewrote the rules of hip-hop, becoming the most influential and controversial rap group of the late '80s and, for many, the definitive rap group of all time. Building from Run-D.M.C.'s street-oriented beats and Boogie Down Productions' proto-gangsta rhyming, Public Enemy pioneered a variation of hardcore rap that was musically and politically revolutionary. With his powerful, authoritative baritone, lead rapper Chuck D rhymed about all kinds of social problems, particularly those plaguing the black community, often condoning revolutionary tactics and social activism. In the process, he directed hip-hop toward an explicitly self-aware, pro-black consciousness that became the culture's signature throughout the next decade.

Musically, Public Enemy was just as revolutionary, as their production team, the Bomb Squad, created dense soundscapes that relied on avant-garde cut-and-paste techniques, unrecognizable samples, piercing sirens, relentless beats, and deep funk. It was chaotic and invigorating music, made all the more intoxicating by Chuck D's forceful vocals and the absurdist raps of his comic foil, Flavor Flav. With his comic sunglasses and an oversized clock hanging from his neck, Flav became the group's visual focal point, but he never obscured the music. While rap and rock critics embraced the group's late-'80s and early-'90s records, Public Enemy frequently ran into controversy with their militant stance and lyrics, especially after their 1988 album It Takes a Nation of Millions to Hold Us Back made them into celebrities. After all the controversy settled in the early '90s, once the group entered a hiatus, it became clear that Public Enemy was the most influential and radical band of their time.

Chuck D (born Carlton Ridenhour, August 1, 1960) formed Public Enemy in 1982, as he was studying graphic design at Adelphi University on Long Island. He had been DJing at the student radio station WBAU, where he met Hank Shocklee and Bill Stephney. All three shared a love of hip-hop and politics, which made them close friends. Shocklee had been assembling hip-hop demo tapes, and Ridenhour rapped over one song, "Public Enemy No. 1," around the same time he began appearing on Stephney's radio show under the Chuckie D pseudonym. Def Jam co-founder and producer Rick Rubin heard a tape of "Public Enemy No. 1" and immediately courted Ridenhour in hopes of signing him to his fledgling label.

Chuck D initially was reluctant, but he eventually developed a concept for a literally revolutionary hip-hop group -- one that would be driven by sonically extreme productions and socially revolutionary politics. Enlisting Shocklee as his chief producer and Stephney as a publicist, Chuck D formed a crew with DJ Terminator X (born Norman Lee Rogers, August 25, 1966) and fellow Nation of Islam member Professor Griff (born Richard Griffin) as the choreographer of the group's backup dancers, the Security of the First World, who performed homages to old Stax and Motown dancers with their martial moves and fake Uzis. He also asked his old friend William Drayton (born March 16, 1959) to join as a fellow rapper. Drayton developed an alter ego called Flavor Flav, who functioned as a court jester to Chuck D's booming voice and somber rhymes in Public Enemy.

Public Enemy's debut album, Yo! Bum Rush the Show, was released on Def Jam Records in 1987. Its spare beats and powerful rhetoric were acclaimed by hip-hop critics and aficionados, but the record was ignored by the rock and R&B mainstream. However, their second album, It Takes a Nation of Millions to Hold Us Back, was impossible to ignore. Under Shocklee's direction, PE's production team, the Bomb Squad, developed a dense, chaotic mix that relied as much on found sounds and avant-garde noise as it did on old-school funk. Similarly, Chuck D's rhetoric gained focus and Flavor Flav's raps were wilder and funnier. A Nation of Millions was hailed as revolutionary by both rap and rock critics, and it was -- hip-hop had suddenly become a force for social change.

As Public Enemy's profile was raised, they opened themselves up to controversy. In a notorious statement, Chuck D claimed that rap was "the black CNN," relating what was happening in the inner city in a way that mainstream media could not project. Public Enemy's lyrics were naturally dissected in the wake of such a statement, and many critics were uncomfortable with the positive endorsement of black Muslim leader Louis Farrakhan on "Bring the Noise." "Fight the Power," Public Enemy's theme for Spike Lee's controversial 1989 film Do the Right Thing, also caused an uproar for its attacks on Elvis Presley and John Wayne, but that was considerably overshadowed by an interview Professor Griff gave The Washington Times that summer. Griff had previously said anti-Semitic remarks on-stage, but his quotation that Jews were responsible for "the majority of the wickedness that goes on across the globe" was greeted with shock and outrage, especially by white critics who previously embraced the group. Faced with a major crisis, Chuck D faltered. First he fired Griff, then brought him back, then broke up the group entirely. Griff gave one more interview where he attacked Chuck D and PE, which led to his permanent departure from the group.

Public Enemy spent the remainder of 1989 preparing their third album, releasing "Welcome to the Terrordome" as its first single in early 1990. Again, the hit single caused controversy as its lyrics "still they got me like Jesus" were labeled anti-Semitic by some quarters. Despite all the controversy, Fear of a Black Planet was released to enthusiastic reviews in the spring of 1990, and it shot into the pop Top Ten as the singles "911 Is a Joke," "Brothers Gonna Work It Out," and "Can't Do Nuttin' for Ya Man" became Top 40 R&B hits. For their next album, 1991's Apocalypse 91...The Enemy Strikes Black, the group re-recorded "Bring the Noise" with thrash metal band Anthrax, the first sign that the group was trying to consolidate their white audience. Apocalypse 91 was greeted with overwhelmingly positive reviews upon its fall release, and it debuted at number four on the pop charts, but the band began to lose momentum in 1992 as they toured with the second leg of U2's Zoo TV tour and Flavor Flav was repeatedly in trouble with the law. In the fall of 1992, they released the remix collection Greatest Misses as an attempt to keep their name viable, but it was greeted to nasty reviews.

Public Enemy was on hiatus during 1993, as Flav attempted to wean himself off drugs, returning in the summer of 1994 with Muse Sick-n-Hour Mess Age. Prior to its release, it was subjected to exceedingly negative reviews in Rolling Stone and The Source, which affected the perception of the album considerably. Muse Sick debuted at number 14, but it quickly fell off the charts as it failed to generate any singles. Chuck D retired Public Enemy from touring in 1995 as he severed ties with Def Jam, developed his own record label and publishing company, and attempted to rethink Public Enemy. In 1996, he released his first debut album, The Autobiography of Mistachuck. As it was released in the fall, he announced that he planned to record a new Public Enemy album the following year.

Before that record was made, Chuck D published an autobiography in the fall of 1997. During 1997, Chuck D reassembled the original Bomb Squad and began work on three albums. In the spring of 1998, Public Enemy kicked off their major comeback with their soundtrack to Spike Lee's He Got Game, which was played more like a proper album than a soundtrack. Upon its April 1998 release, the record received the strongest reviews of any Public Enemy album since Apocalypse '91...The Enemy Strikes Black. After Def Jam refused to help Chuck D's attempts to bring PE's music straight to the masses via the Internet, he signed the group to the web-savvy independent Atomic Pop. Before the retail release of Public Enemy's seventh LP, There's a Poison Goin' On..., the label made MP3 files of the album available on the Internet. It finally appeared in stores in July 1999.

After a three-year break from recording and a switch to the In the Paint label, Public Enemy released Revolverlution, a mix of new tracks, remixes, and live cuts. The CD/DVD combo It Takes a Nation appeared in 2005. The multimedia package contained an hour-long video of the band live in London in 1987 and a CD with rare remixes. The new album New Whirl Odor also appeared in 2005. The "special projects" album Rebirth of a Nation -- an album with all rhymes written by Bay Area rapper Paris -- was supposed to be released right along with it, but didn't appear until early the next year. The odds-and-ends collection Beats and Places appeared before the end of 2006. Featuring the single "Harder Than You Think," How You Sell Soul to a Soulless People Who Sold Their Soul??? arrived in the summer of 2007. Public Enemy then entered a relatively quiet phase, at least in terms of recording, releasing only the 2011 remix and rarities compilation Beats & Places in the next five years. Then, the group came back in a big way in 2012, releasing two new full-length albums: the summer's Most of My Heroes Still Don't Appear on No Stamp and the fall's Evil Empire of Everything (both were available digitally before they had a physical release in November). Public Enemy also toured extensively throughout 2012 and into 2013. ~ Stephen Thomas Erlewine, Rovi
full bio

Selected Discography

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Track List: I Shall Not Be Moved (Single)

Comments

C
nicko252008
Big ups Roosevelt, Freeport, all long island!!
vertinahende r s o n
My all time fave rap group, droppin' serious knowledge! So glad I'm a 70's baby and went through my teen years listening to groups like this!
You know it Roscoe!
Wow!
One of the best rap groups of all time! !!!!!!!
Thanks PEACE! 420Dean
So you can hack us?...then get tracked by your phone unknowingly?
I mean Xbox live
If you have Xbox love send me a part gamer tag I have mods whatever you need I have that =XxXChillxRe d X x X
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If you'd like to make extra cash using your computer check out BLUDOS.COM you can make money by filling out surveys. It's free to start.
LET ME CLEAR MY THROAT jk FIGHT THE POWER!!! Follow for a follow
trueoriginal i t y
I'm real into rock but Public Enemy is one of the few rap groups that gets a righteous message across without auto tune, b**ches, and money getting in the way.
911 is a joke! Look at how at how many dead rappers we got. If you want to get away with murder drop a demo tape on your victim.
Don't read this because it actually works. You will get kissed on the nearest possible Friday by the love of your life. However if you do not post this comment on three songs you will die in two days. Now that you've started reading this don't stop. This is so scary put this on at least five songs min at least 143 minutes then press f6 and your lovers name will appear on the screen in big letters this is so scary because it actually works.
FIGHT THE POWERS THAT BE!!!
Terminator X!!
Any one from any genre can listen to them, im into punk, and there one of the few rap groups I enjoy listening to. This is when rap had a message. Now its all auto-tone an lyrics written by other people.
Follow me n I'll follow back :)
finfancarlos
Greatest Hip-Hop crew EVER. It Takes a Nation..is an landmark Hip hop album. I still remember the video that starts with Chuck & Flav getting pulled over by the cop, Yo we going to the beach gee! LOL
Seen Public Enemy with Rage Against The Machine in NYC back in the day. To this very day it was one of the best shows I've ever been to. Public Enemy 4 Life!
Respect for the old school!
I got so much trouble on my mind.. refuse to lose!! Welcome To The Terrordome is the song!!!
chocolit_124 7
....Kings of the Mic Tour!!! This group (as well as the other performers) still got it-hands down...nothi n g today can touch this (or them).
This group did it on every CD they put out and I respect this group to the fullest. These New York cats show the world REAL HIP-HOP! We need more- we waiting- PE-PE .!!!!
Public Enemy was in a class all by themselves back in the 90's! They use to JAM and from the recent Pandora postings; they still be jamming in 2013 too!!
SEEN THEM IN B-MORE AND DEY TORE DAT S**T UPPPPPPP, FLAVA FLAV IS DA BEST HYPE MAN EVA!!!!!!!!! ! ! HIS ENERGY WAS AT 200% , HE RAN THRU DA CROWD AND PPL WAS GOIN CRAZY. HIS CRAZY A** WAS THROWING DRUMSTICKS INTO DA CROWD. . . HAD ME DYING LAUGHING. HE'S A F**KIN FOOL!!!!! LOVED DA SHOW
Public Enemy ripped the stage in HALF at the King of the Mics Tour in Florida last night!!!!
Flava Flav's voice sounded so cute on Don't Believe The Hype back in the day; (no shade) then I saw him!
911 Is A Joke.....IS MY JAM!!!
mister.felto n
Don't read this because it actually works. You will be kissed on the nearest possible Friday by the love of you life. Tomorrow will be the best day of your life. However if you don't post this you will die in 2 days. Now you've started reading so don't stop. This is so scary put this on at least 5 songs in 143 minutes. When done press f6 and your lover's name will come on the screen in big letters. This is so scary because it actually works!
To the person below ...it was NWA ..wit easy E
Who sang F**k the police...N.W . A or Public Enemy??? Help me please!
YO P.E. RAPS YEEEEEEAH BOY
Old School funk!!
No
1934 called they want their music back
who is better? Public Enemy or NWA?
Public Enemy BDP and other rap pioneers ruled their messages went HARD
dougrgarrett
Chuck D is tha man PE boy !!!!
Madden
Old school jams yall
Hearin the big chuck give up those verse' is all good with flava flav droppin tha comic relief is thunder to my ears all weekend yeaaahhhh!
Surprised that they were chosen. Should've waited until they could be inducted with Anthrax.
I just seem them in concert a few days ago. Public Enemy go Tooo hard!!
The thinking mans hip hop team scaring the livin hell out of all pretenders long live public enemy nuff said !
Dr dre and eminem are to the death
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