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Red Lorry Yellow Lorry

One of England's more subtly original goth rock groups, Red Lorry Yellow Lorry were initially branded as worshipful Joy Division acolytes, but came up with enough distinct variations to break free of their main influence. Their foundation always remained icy, droning post-punk, replete with sludgy, murky guitars and mumbled Ian Curtis-style vocals. However, as the Lorries evolved, they gradually sprinkled in elements of industrial dance, early rave music, and spaghetti Western soundtracks, as well as liberal doses of inventive, acid-tinged guitar work. Taking their name from a British tongue twister, Red Lorry Yellow Lorry was formed in Leeds in late 1981 by guitarist/songwriter Chris Reed and vocalist Mark Sweeney. Reed and Sweeney had previously performed in the local bands Radio Id and Knife Edge, respectively, and added a rhythm section of bassist Steve Smith and drummer Mick Brown. Sweeney left within a year, however, and Reed took over lead vocal duties, with Martin Fagan coming onboard as a second guitarist.

Later in 1982, Red Lorry Yellow Lorry signed with the independent Red Rhino label and issued their debut single, "Beating My Head." Although it was a hit on the British indie charts, Fagan subsequently left the band and was replaced by Dave "Wolfie" Wolfenden, who became Reed's frequent songwriting partner; bassist Smith also departed in favor of Paul Southern. The band's second single, "Take It All," appeared in 1983, as did the third, "He's Read"; both helped solidify the Lorries' popularity on the indie listings. After another single, 1984's "Monkeys on Juice," the band finally got around to recording its debut album; Talk About the Weather was released in early 1985, and was a hit on the indie charts thanks to the single "Hollow Eyes." It was followed by two non-LP singles, "Chance" and "Spinning Round."

In 1986, Reed and Wolfenden regrouped with a new rhythm section of bassist Leon Phillips and drummer Chris Oldroyd. They were in place for the Lorries' second LP, Paint Your Wagon, which drew on imagery of the old American West and featured another indie hit in "Walking on Your Hands." Following one more non-LP single that year, "Cut Down," the band temporarily adopted its longtime nickname of the Lorries, and issued one single, 1987's "Crawling Mantra," under that moniker before reverting back to the original form. Later in 1987, Red Lorry Yellow Lorry signed a major-label deal with Situation Two, a subsidiary of RCA affiliate Beggars Banquet. They debuted in 1988 with the LP Nothing Wrong, which spun off the single "Only Dreaming (Wide Awake)."

On their second major-label album, 1989's Blow, the Lorries flirted with the sound and visual style of England's emerging rave culture, resulting in their clearest, most spacious production to date. There was more turnover in the rhythm section; drummer Oldroyd was replaced by Mark Chillington prior to the recording of the album, and bassist Phillips departed before the supporting tour, with his spot permanently filled by Gary Weight. Chillington, in turn, left during the tour, and George Schulz came onboard in his stead. The Lorries subsequently parted ways with Beggars Banquet and released their fifth LP, Blasting Off -- with several songwriting contributions from Weight -- in 1991, on the small Sparkhead label. The album didn't appear in the U.S. for another three years, until Relapse finally picked it up. By that time, faced with diminishing returns, Red Lorry Yellow Lorry had disbanded. Several CD retrospectives of the group's work have since been released. ~ Steve Huey, Rovi
full bio

Comments

Saw them and The Chamelons UK (sic) on the same show once back in the early 90's...WOW what a show that was
I too was a big fan of RLYL. I wish there was a bio on them. I know nothing about them except their music. I boought everything they put out all through the 80's and 90's.
I love these kinds of bands. They never last long but they're fun to listen to.
bikewizard69
Red Lorry Yellow Lorry were a fantastic textural band, often compared to Sisters of Mercy and Bauhaus for their low vocal tone. Their album "Talk About the Weather" stands out as their most formidable production. They have otherwise drifted out of the limelight.
they were also amazing live. saw them in la in(yikes)'90
GREAT BAND NEED MORE ALBUMS

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