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Robert Lockwood, Jr.

Robert Lockwood, Jr., learned his blues firsthand from an unimpeachable source: the immortal Robert Johnson. Lockwood was capable of conjuring up the bone-chilling Johnson sound whenever he desired, but he was never one to linger in the past for long -- which accounts for the jazzy swing he often brought to the licks he played on his 12-string electric guitar.

Born in 1915, Lockwood was one of the last living links to the glorious Johnson legacy. When Lockwood's mother became romantically involved with the charismatic rambler in Helena, AR, the quiet teenager suddenly gained a role model and a close friend -- so close that Lockwood considered himself Johnson's stepson. Robert Jr. learned how to play guitar very quickly with Johnson's expert help, assimilating Johnson's technique inside and out.

Following Johnson's tragic murder in 1938, Lockwood embarked on his own intriguing musical journey. He was among the first bluesmen to score an electric guitar in 1938 and eventually made his way to Chicago, where he cut four seminal tracks for Bluebird. Jazz elements steadily crept into Lockwood's dazzling fretwork, although his role as Sonny Boy Williamson's musical partner on the fabled KFFA King Biscuit Time radio broadcasts during the early '40s out of Helena, AR, probably didn't emphasize that side of his dexterity all that much.

Settling in Chicago in 1950, Lockwood swiftly gained a reputation as a versatile in-demand studio sideman, recording behind harp genius Little Walter, piano masters Sunnyland Slim and Eddie Boyd, and plenty more. Solo recording opportunities were scarce, though Lockwood did cut fine singles in 1951 for Mercury ("I'm Gonna Dig Myself a Hole" and a very early "Dust My Broom") and in 1955 for JOB ("Sweet Woman from Maine"/"Aw Aw Baby").

Lockwood's best modern work as a leader was done for Pete Lowry's Trix label, including some startling workouts on the 12-string axe (which he daringly added to his arsenal in 1965). He later joined forces with fellow Johnson disciple Johnny Shines for two eclectic early-'80s Rounder albums. He also recorded a Robert Johnson tribute album and founded his own label, Lockwood. In 1998, he signed to Verve for the Grammy-nominated album I Got to Find Me a Woman, which featured sit-in guests including B.B. King and Joe Louis Walker. He was still working a weekly gig in Cleveland until early November 2006, when he suffered a brain aneurysm. He died on November 21. ~ Bill Dahl, Rovi
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Comments

so is jimmy reed
hell no muddy waters and magic slim and the teardrops are the real deal doh
The real deal
A consummate professional . That's why he lived so long. Had the great fortune to have played and performed in his band for a three year period in Cleveland, Ohio. Loved every minute and as a young man met musicians like James Lee Hooker, Willie Dixon, Bob Dylan, Muddy Walters, Buddy Guy etc. An exciting time in Blues music. Played keyboards in his band!!!
Delta Blues is the best. unles its eric c. I,ve always beeb a fan of BBking
His name is not "Robert Lockwood, Jr."

His name is Robert Jr. Lockwood.

Look it up.
horacio78613
His voice wasn't the best, but man talk about soul. Wow, Blues artists simply amaze me. I do prefer the Delta Blues-man and Texas Blues-man over the Chicago Blues-man. But it's like comparing one's top five favorite foods, they're all great tasting!
i met Robert Lockwood jr one time in Cleveland... . . w i t h my friends Randy James a great blues guitarist himself...an d drummer "Meat"..rela t i o n i think grandson..lo v e them guys..that was a band called "Heart of Soul"

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