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Sergio Mendes

For most of the second half of the '60s, Sergio Mendes was the top-selling Brazilian artist in the United States, charting huge hit singles and LPs that regularly made the Top Five. His records with his group, Brasil '66, regularly straddled the domestic pop and international markets in America, getting played heavily on AM radio stations, both rock and easy listening, and he gave his label, A&M, something to offer light jazz listeners beyond the work of the company's co-founder, Herb Alpert. During this period, he also became an international music star and one of the most popular musicians in South America.

Born the son of a physician in Niteroi, Brazil, Mendes began studying music at the local conservatory while still a boy, with the intention of becoming a classical pianist. He was living in Rio de Janeiro as the bossa nova craze hit in the mid- to late '50s, and at age 15, he abandoned classical music in favor of bossa nova. Mendes began spending time with other young Brazilian musicians in Rio de Janeiro, absorbing the musical ferment around him in the company of such figures as Antonio Carlos Jobim and João Gilberto. Their company was augmented by the periodic visits of American jazz giants such as Stan Getz, Dizzy Gillespie, Charlie Byrd, Paul Winter, Roy Eldridge, and Herbie Mann. Mendes became the leader of his own group, the Sexteto Bossa Rio, and was heard with them by many visiting musicians. He made his first recording, Dance Moderno, in 1961 on the Philips Records label. By 1962, Mendes and his band were playing at Birdland in New York in an impromptu performance with Cannonball Adderley (who was officially on the bill). Mendes and Adderley cut an album together for Capitol Records that was released later that year.

His early music, represented on albums like Bossa Nova York and Girl from Ipanema, was heavily influenced by Antonio Carlos Jobim, on whose recording Mendes worked. Mendes liked what he had found on his visit to New York and in 1964, he moved to the United States, initially to play on albums with Jobim and Art Farmer, and formed Brasil '65 the following year. The group recorded for Capitol without attracting too much notice at first. In 1966, however, Mendes and his band -- renamed Brasil '66 -- were signed to A&M Records and something seemed to click between the group and its audience.

The group, consisting in its first A&M incarnation of Mendes on keyboards, Bob Matthews on bass, João Palma on the drums, Jose Soares as percussionist, Lani Hall (aka Mrs. Herb Alpert and A&M's co-founder) on vocals, and Janis Hansen on vocals, was successful upon the release of its first album for the label, with its mix of light jazz, a bossa nova beat, and contemporary soft pop melodies. Their self-titled debut LP rose to number six nationally, propelled by the presence of the single "Mas Que Nada." Their second album, Equinox, yielded a trio of minor hits, "Night and Day," "Constant Rain (Chove Chuva)," and "For Me," but their third, Look Around, rose to number five behind a number three single of the group's cover of the Beatles' "Fool on the Hill," and an accompanying hit with "Scarborough Fair," based on the Simon & Garfunkel version of the folk song. Crystal Illusions, from 1969, featured a version of Otis Redding's "(Sittin' On) The Dock of the Bay" and the hit single "Pretty World." Depending upon one's sensibilities, these covers -- especially "Fool on the Hill" and "Scarborough Fair" -- were either legitimate, internationalized pop versions of the originals, or they were "elevator music."

During this period, Mendes also made several recordings for Atlantic Records separate from his A&M deal, principally aimed at a light jazz audience, and several of them in association with Jobim. Art Farmer, Phil Woods, Hubert Laws, and Claire Fisher were among the jazz figures who appeared on these records, which never remotely attracted the same level of interest or sales as his records with Brasil '66. Mendes successfully walked a fine line between international and domestic audiences for most of the late '60s until the end of the decade. Ye-Me-Le was notably less successful than its predecessors, and its single, "Wichita Lineman," was only a minor hit. Mendes seemed to lose his commercial edge with the turn of the decade, and his next two A&M albums: Stillness, a folk-based collection that contained covers of Joni Mitchell's "Chelsea Morning" and Stephen Stills' "For What It's Worth," and Primal Roots, an album of traditional Brazilian music, failed to make any impression on the charts whatsoever.

The group moved to the much smaller Bell Records label in 1973, and then Mendes jumped to Elektra for his first official solo album, Sergio Mendes. He relaunched his recording career two years later with Sergio Mendes & Brasil '77 to little avail, and then, after a five year layoff from the public eye, Mendes returned to A&M in 1982. His 1983 comeback album, Sergio Mendes, was his first Top 40 album in nearly a decade-and-a-half, and was accompanied by his biggest chart single ever, "Never Gonna Let You Go," which hit number four. Since then, Mendes has had limited chart success with the single "Alibis" and the LP Confetti. He remained a popular figure internationally, even when his record sales slumped in America, as evidenced by the fact that his entire A&M catalog (and much of his Atlantic work) from the '60s has been reissued on CD in Japan. Indeed, his popularity in the rest of the world, versus America, was even the basis for a comic vignette in one episode of the television series Seinfeld.

During the '90s, Mendes performed with a new group, Brasil '99, and more recently, Brasil 2000, and has been integrating the sounds of Bahian hip-hop into his music. In 1997, A&M's British division released a remastered double-CD set of the best of Mendes' music from his first seven years on the label. Most of Mendes' back catalog was reissued as the 21st century dawned, and in 2006, Concord Records released Timeless, his first album of newly recorded material in eight years. A mere two years later, Encanto appeared, including co-productions from will.i.am of Black Eyed Peas. A third album on Concord, Bom Tempo, was released in 2010. ~ Bruce Eder, Rovi
full bio

Selected Discography

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Track List: Emorio (Paul Oakenfold Club Mix) (Single)

Comments

Lani Hall and Annie Haslam . The best voices.
Brazil 66.......... . s t i l l love this music....... l o n g time LOL
ronton617
This Song brings back so many memories of the summer of 1984. Great Song. Timeless.
They are making the Rio2 animated movie....... . I think it will be on DVD
Love......th i s music....... . . !
Brazil66.... . . . . . s e e m s like yesterday lol
rspencer107
LP, 8 Track, cassette, CD, iTunes-got 'em all and listen to each-Lani has a voice like no other.
This is REAL music not the slosh that passes itself for.
dianhow
Such Great memories...B r a s i l 66 Thanks
rjtoggles
Timeless, real music to hear and feel. Thanks for being there as part of my young life!
Brazil 66 was the best and were still listening... . . .
Sergio was great!
Mmmmm
Hey pepps
I was in country (viet )
trecia.dejea n
This is my favorite of all times, this would be the start of my Brazilian music beginnings.. . I had to get Foursider , and othen the rest is history.. love it.
Love it
Like a Lover my favorite...
Their music is like time travel to a special time in musical history.
I first heard Sergio Mendez when I was a young child. My mother loved all types of music and Brasil 66 was an album that I played over and over again. Fool on the Hill was a favorite but there were many others. I listen to this at work because I find the music and the rhythms soothing. This is the best station ever. Brings back great memories.
This song is great
I love Sergio's and Al Jarreau's version of this song. Both are magnificent!
I have followed Sergio Mendez' career since my father would listen when I was just a child. Great music, great rhythm, and above all great memories!
Don't read this because it actually works. You will be kissed on the nearest possible Friday by the love of you life. Tomorrow will be the best day of your life. However if you don't post this you will die in 2 days. Now you've started reading so don't stop. This is so scary put this on at least 5 songs in 143 minutes. When done press f6 and your lover's name will come on the screen in big letters. This is so scary because it actually works
Love it!
cndwilson
My wife is Portuguese and will often interpret the lyrics for me. I have asked her to stop. They rarely live up to the beautiful images that the music conjures in my imagination. Viva Brasil!
Love this song even though I don't understand anything he's saying lol
Love this. This is my fav Pandora station. This music is like meditation to me. Always chills me out and makes me smile.
Sergio Mendes is the SH** he's the Man
OH WHAT A WONDERFUL SONG,I LOVE IT
Dude, Sergio is DA MAN!!!
HOW I LOVE THIS SONG! IT BRINGS BACK QUITE A FEW MEMORIES.
In Love With This Song<333
BBysmael why dont you listen to me call me2405438106
I can't express how much I love Brasil 66! My father used to play them, along with a multitude of Afro-Cuban, Bossanova, and Brazilian sounds when I was a wee lad in the 70's. Then I heard Mas Que Nada on Pandora a few years ago, all the old memories came rushing back and I fell in love all over again! Truly Timeless!
When I heard his music I discovered my roots. Thanks
Sergio's music is so relaxing and washes away the stress of the day!
Very energizing music! An alternative to drinking coffee in the mornings. Try it!
525433228
WOW. I think My Pandora's turning Portuguese. That's AWESOME. LOL!~ I just love anything Portuguese that's all. That's my heritage that's why. I love my Portuguese traditions. The ones my Grandfather taught me anyway. It's part of my heart. Always will be.
I have always loved all the music of Sergio Mendes. It was the beginning of my love of the smooth and sexy jazzy sound.
glenn.lewisg r o u p
45 years ago, I nearly wore out a 33 of SM/Brasil66' s Look Around, one of best ever. Among singles-Beat l e s ' Fool on a Hill (still smile @ silky, hot pipes of Lani (Mrs. Herb Alpert) Hall on Fool), ScarboroFair , N i t e & D a y & biggest-Look of Love. Must give due to recently departed Dusty Springfield' s rendition, but fav LOL ever is Lani's version, ditto in her irresistable phrasing w/title track: all so tight w/ Mr. M's incomparable rhythm/brass magic; its just pitch perfect, ...luv 'em!!
Will always love Brasil 66
I love this sond. You guys sure rocked.
gabesenior9
One cannot stop listening to the old Brasil 66...
this is what i call wonderful music
Gosh, I miss the old Brasil 66. Every time I hear Sergio I time trip back to happy days...
First time hearing SM. Awesome
tanamont11
Well you know…back then I was into the now called classic rock..but I always liked SM as other back ground music to my life. I guess you could say I was a closet SM listener. . but still….i think they are awesome..eve n now on my back nine.
steckferr
My first exposure to Sergio Mendes was the Equinox album. I was hooked from that moment on. I never tire of those songs.
Mendes was the producer of great Brazilian pieces that are truly timeless. For me, it's always going to be Sergio and maybe Astrud that take me back to Brazil...
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