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Sviatoslav Richter

Having learned the fundamentals of music from his father, Sviatoslav Teofilovich Richter taught himself the piano and had already given public concerts before entering the Moscow Conservatory in 1937. While still a student, Richter won first prize at the All-Union Contest of Performers of 1945. His playing earned him considerable renown, and by the time of his graduation in 1947 he had devoted fans. In 1949 he garnered the coveted Stalin Prize.

Richter gave the 1942 premiere of Sergey Prokofiev's Piano Sonata No. 6 -- the composer's first work in that form for years, and the first one he did not premiere himself. This resulted in wild acclaim for both performer and composer. Thereafter, Richter was a great proponent of Prokofiev's music, premiering also the Seventh and the Ninth Sonatas, the latter of which is dedicated to him.

Though word of Richter's excellence (and occasional poor-quality recordings) had spread outside of Russia, his foreign engagements were limited to Eastern Bloc countries (and, in one case, China) where Soviet officials felt there was reduced risk of defection. However, his 1958 performance of Prokofiev's Fifth Piano Concerto with the Philadelphia Orchestra (on tour in Leningrad) generated such excitement that he was finally permitted to tour the United States, further bolstering his reputation as a virtuoso. Engagements in all of world's musical centers followed. Richter was known as a pianist of transcendent abilities, particularly adept at highlighting the nuances of different styles. Though his interests focused primarily on music of Beethoven, and Prokofiev, he was also highly regarded for his Schubert, Schumann, Bach, Debussy, and Ravel; and in the early 1960s he made a memorable recording of Benjamin Britten's Piano Concerto with the composer conducting.

Richter did not favor studio recordings; therefore, most of his recordings are from live performances. Many of them, particularly those from Soviet concerts, suffer from indifferent sound quality and excessive audience noise, but his playing had an electric quality that transcended these handicaps.

The pianist earned a reputation for being difficult and aloof. He was notoriously apt to cancel performances on whims, or arrive late without explanation or apology. However, those who heard him were rarely disappointed. He preferred intimate concert settings over big auditoriums, and thus returned many times to the Aldeburgh and Spoleto Festivals. He was the centerpiece of the Fêtes Musicales, held annually beginning in 1964 at Grange de Meslay, near Tours.

Among his greatest recordings are his Schubert sonatas, Rachmaninov and Prokofiev concertos, Liszt concertos (these have the benefits of first-rate sound), and his Schumann. He has also served as a chamber musician and accompanist, playing piano duets with Britten, and accompanying Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau, among others. ~ All Music Guide
full bio

Selected Discography

x

Track List: Bach: The Well-Tempered Clavier

Disc 1
Title: The Well-Tempered Clavier (48), Collection Of Preludes & Fugues In 2 Books, BWV 846-893 (BC L80-127)
Disc 2
Disc 3
Disc 4
x

Track List: Richter Rediscovered

Disc 1
Composer: Franz Joseph Haydn
Title: Keyboard Sonata In C Major, H. 16/50
Composer: Fryderyk Chopin
Title: Scherzo For Piano No. 4 In E Major, Op. 54, Ct. 200
Title: Ballade For Piano No. 3 In A Flat Major, Op. 47, Ct. 4
Composer: Sergey Rachmaninov
Title: Prelude For Piano No.2 In F Sharp Minor, Op. 23/1
Title: Prelude For Piano No.20 In A Major, Op. 32/9
Title: Prelude For Piano No.21 In B Minor, Op. 32/10
Title: Prelude For Piano No.23 In G Sharp Minor, Op. 32/12
Composer: Maurice Ravel
Title: Jeux D'eau, For Piano
Title: Miroirs, For Piano (Or Orchestra)
Disc 2
Composer: Sergey Prokofiev
Title: Piano Sonata No. 6 In A Major ("War Sonata 1"), Op. 82
Title: Visions Fugitives (20), For Piano, Op. 22
Title: Cinderella, Suite No. 2 For Orchestra, Op. 108
Title: Visions Fugitives (20), For Piano, Op. 22
Composer: Claude Debussy
Title: Préludes (12) For Piano, Book I, L. 117
Composer: Fryderyk Chopin
Title: Etude For Piano No. 10 In A Flat Major, Op. 10/10, CT. 23
Title: Etude For Piano No. 12 In C Minor ("Revolutionary"), Op. 10/12, Ct. 25
Composer: Sergey Prokofiev
Title: Pieces (3) For Piano (from The Ballet Cinderella), Op. 95
x

Track List: Sviatoslav Richter Plays Bach

Title: Sonata For Keyboard In D Major, BWV 963 (BC L182)
Title: Toccata for keyboard in D minor, BWV 913 (BC L144)
Title: Capriccio In Honorem Johann Christoph Bach Ii, For Keyboard In E Major, BWV 993 (BC L180)
Title: Duetto, for keyboard No. 1 in E minor (Clavier-Übung III No. 23), BWV 802 (BC J74)
Title: Duetto, for keyboard No. 2 in F major (Clavier-Übung III No. 24), BWV 803 (BC J75)
Title: Duetto, for keyboard No. 3 in G major (Clavier-Übung III No. 25), BWV 804 (BC J76)
Title: Duetto, for keyboard No. 4 in A minor (Clavier-Übung III No. 26), BWV 805 (BC J77)
Title: Italian Concerto, For Solo Keyboard In F Major (Clavier-übung Ii/1), Bwv 971 (Bc L7)
Title: Fantasia and Fugue, for keyboard in C minor (fugue incomplete), BWV 906 (BC L133, 138)
x

Track List: Tchaikovsky: Piano Music

Title: Morceaux (2) For Piano (or Piano & Violin), Op. 10
Title: Valse-scherzo, For Piano In A Major, Op. 7
Title: Morceaux (2) For Piano (or Piano & Violin), Op. 10
Title: Morceaux (6) For Piano, Op. 19
Title: Douze Morceaux (Difficulté Moyenne), Pieces (12) For Piano, Op. 40
Title: Romance, For Piano In F Minor, Op. 5
Title: Morceaux (6) For Piano, Op. 51
Title: Morceaux (18) For Piano, Op. 72
Title: Morceaux (6) For Piano, Op. 19
Title: Morceaux (6) For Piano, Op. 51
Title: Morceaux (18) For Piano, Op. 72
Title: The Seasons, For Piano, Op. 37

Comments

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One of my favorites!
Report as inappropriate
Neat!~

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