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Thea Musgrave

May 27, 1928 -
born in Barnton, Midlothian, Scotland, composed during the Contemporary period
Thea Musgrave (b. 1928) is a contemporary composer, conductor, and lecturer. She studied at the University of Edinburgh and later at the Paris Conservatory with Nadia Boulanger. She also studied composition with Aaron Copland. Her music was initially recognized in Scotland, and it was from there that she received her earliest commissions. Among these are A Suite o' Bairnsongs, A Tale for Thieves, and The Abbott of Drimrock. She has composed in many genres, but showed an early aptitude for dramatic mediums. The ballet A Tale for Thieves and the chamber opera The Abbot of Drimrock (1955), were both written on commissions from the Scottish BBC. Her early works also possess a lyrical, picturesque charm within a largely diatonic idiom, and no evidence of avant-garde explorations. However, around 1955 Musgrave began experimenting with denser chromaticism and abstract forms. In the 1960s she also embraced serialism, which infused her work with a newfound liveliness and energy. A confident, original personality emerged in her later work, which loses nothing of the lyricism and plasticity of her earlier works.

The Decision was Musgrave's major work of the 1960's, produced for the first time by the New Opera Company in 1967. A full scale opera, it deals with the grim realities of a mining accident, and confronts a variety of moral questions. It is illustrative of the changes that her compositional style was undergoing at the time, for it is imbued with a distinctive energy. Much of the immediate work that followed was derived from this stylistic transformation. Her concertos also reflect a heightened dramatic sense. They contain asynchronous passages and borrowings in the manner of Charles Ives, a composer whom Musgrave studied and emulated. Musgrave's concertos are complex, dramatic happenings in which the soloist affects different groups of instrumentalists throughout the orchestra. In her Clarinet Concerto, commissioned by the Royal Philharmonic Society, the soloist walks about the stage while interacting with different groups of instrumentalists in the orchestra. In her French horn concerto, the soloist "activates" a group, and then conducts them. The soloists in her concertos initiate interactions among various groups in an abstract dramatic medium in which the orchestra divides and recombines, and eventually unites as a tutti ensemble.

Thea Musgrave's later work has centered on the operatic. Her first major opera of this period is The Voice of Ariadne, a sophisticated tale about being haunted. Mary Queen of Scots (1977) was the first opera for which Musgrave wrote her own libretto. She has continued this practice in works such as A Christmas Carol and Harriet, The Woman called Moses.

Musgrave's compositions have been performed by most of the major symphony orchestras, and she has often conducted her works as well. She has won many awards, including the Koussevitsky award in 1973. The Voice of Ariadne was performed by the New York City Opera Company, and her Clarinet Concerto by the New York Philharmonic. She has lectured at major universities both in the United States and abroad, and in 1987 was made a distinguished professor at the City University of New York. ~ Rita Laurance, Rovi
full bio

Selected Discography

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Track List: Thea Musgrave: Choral Works

Title: For The Time Being: Advent, For Narrator & Chorus

1. For The Time Being: Advent, For Narrator & Chorus: For The Time Being: Advent, For Narrator & Chorus

Title: Black Tambourine, For Chorus, Piano & Percussion

2. Black Tambourine, For Chorus, Piano & Percussion: North Labrador

3. Black Tambourine, For Chorus, Piano & Percussion: Legend

4. Black Tambourine, For Chorus, Piano & Percussion: Black Tambourine

5. Black Tambourine, For Chorus, Piano & Percussion: My Grandmother's Love Letters

6. Black Tambourine, For Chorus, Piano & Percussion: Pastorale

7. Black Tambourine, For Chorus, Piano & Percussion: Repose Of Rivers

Title: John Cook, For Chorus

8. John Cook, For Chorus: John Cook

Title: On The Underground, Set #1: On Gratitude, Love And Madness, For Chorus

9. On The Underground, Set #1: On Gratitude, Love And Madness, For Chorus: Benediction

10. On The Underground, Set #1: On Gratitude, Love And Madness, For Chorus: Her Anxiety

11. On The Underground, Set #1: On Gratitude, Love And Madness, For Chorus: Lady "Rogue" Singleton

12. On The Underground, Set #1: On Gratitude, Love And Madness, For Chorus: Much Madness Is Divinest Sense

13. On The Underground, Set #1: On Gratitude, Love And Madness, For Chorus: Aunt Jennifer's Tigers

14. On The Underground, Set #1: On Gratitude, Love And Madness, For Chorus: Sometimes

Title: On The Underground, Set #2: The Strange & The Exotic, For Chorus

15. On The Underground, Set #2: The Strange & The Exotic, For Chorus: Dreams

16. On The Underground, Set #2: The Strange & The Exotic, For Chorus: I Saw A Peacock With A Fiery Tail

17. On The Underground, Set #2: The Strange & The Exotic, For Chorus: The Subway Piranhas

18. On The Underground, Set #2: The Strange & The Exotic, For Chorus: Dreams (Reprise)

Title: On The Underground, Set #3: A Medieval Summer, For Chorus

19. On The Underground, Set #3: A Medieval Summer, For Chorus: A Medieval Summer

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Track List: Thea Musgrave: Turbulent Landscapes

Title: Turbulent Landscapes, For Orchestra

1. Turbulent Landscapes, For Orchestra: Sunrise With Sea Monsters

2. Turbulent Landscapes, For Orchestra: The Shipwreck

3. Turbulent Landscapes, For Orchestra: Snow Storm: Hannibal And His Army Crossing The Alps

4. Turbulent Landscapes, For Orchestra: War. The Exile And The Rock Limpet

5. Turbulent Landscapes, For Orchestra: 16th October, 1834: The Burning Of The Houses Of Parliament

6. Turbulent Landscapes, For Orchestra: Sunrise, With A Boat Between Headlands

Title: Songs For A Winter's Evening, For Voice & Orchestra

7. Songs For A Winter's Evening, For Voice & Orchestra: I. Am My Mammy's Ae Bairn

8. Songs For A Winter's Evening, For Voice & Orchestra: Summer's A Pleasant Time

9. Songs For A Winter's Evening, For Voice & Orchestra: O, Whistle An' I'll Come To Ye, My Lad!

10. Songs For A Winter's Evening, For Voice & Orchestra: Ca' The Yowes To The Knowes

11. Songs For A Winter's Evening, For Voice & Orchestra: Ye Banks And Braes O' Bonnie Doon

12. Songs For A Winter's Evening, For Voice & Orchestra: Jamie Come Try Me

13. Songs For A Winter's Evening, For Voice & Orchestra: John Anderson My Jo

Title: Two's Company, For Oboe, Percussion & Orchestra

14. Two's Company, For Oboe, Percussion & Orchestra: Desolate, Lonely

15. Two's Company, For Oboe, Percussion & Orchestra: Frivolous, Playful

16. Two's Company, For Oboe, Percussion & Orchestra: Dramatic: Furious/Expressive

17. Two's Company, For Oboe, Percussion & Orchestra: Warm – Passionate – Exultant

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