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Howard Hanson
October 28, 1896 - February 26, 1981
born in Wahoo, NE, composed during the Modern period
born in Wahoo, NE, composed during the Modern period
Howard Hanson was among the first twentieth century American composers to achieve widespread prominence. In contrast to the angular Stravinskian and Americana-influenced sounds that dominated American concert music prior to World War II, Hanson wrote in an unabashedly Romantic idiom influenced by his Nordic roots. Of particular importance to the composer was the music of Sibelius; however, he also acknowledged the influence of composers such as Palestrina and Bach.
After boyhood studies on the piano, Hanson studied music at the Institute of Musical Art in New York City and Northwestern University, where he earned a degree in 1916. In 1921, he became the first American to win the Prix de Rome, which provided him the opportunity to study with Ottorino Respighi, whose colorful orchestral language was clearly an influence on Hanson's own. Upon his return to the United States, Hanson was appointed head of the Eastman School of Music at the University of Rochester at the age of 28. Under the composer's guidance over the course of more than four decades, Eastman became one of the world's preeminent educational institutions. During his tenure there Hanson continued to compose prolifically; he also embarked on a career as a conductor, in which capacity he proved himself one of the great champions of American music. At Eastman, it has been calculated, he presented some 1,500 works by 700 composers. Hanson also commercially recorded a number of modern works in a series for the Mercury label in the 1950s, drawing much attention to otherwise neglected repertoire.
Hanson's most characteristic works are undoubtedly his seven symphonies. The first of these, the "Nordic" Symphony (1922), dates from the composer's studies in Rome. The Second Symphony ("Romantic"), remains Hanson's best-known work, a characteristic realization of the lush, lyric aesthetic with which he is closely associated. Further notable among Hanson's symphonies are the Symphony No. 4 (1943), awarded the Pulitzer Prize, and the Symphony No. 7 (1977), one of a series of works inspired by the poetry of Walt Whitman. Other important works in Hanson's catalogue include The Lament for Beowulf (1925) for chorus and orchestra; the opera Merry Mount (1933), well received at its premiere and in subsequent productions, but now rarely performed; and a variety of other chamber, vocal, and orchestral works. ~ Michael Rodman, Rovi
After boyhood studies on the piano, Hanson studied music at the Institute of Musical Art in New York City and Northwestern University, where he earned a degree in 1916. In 1921, he became the first American to win the Prix de Rome, which provided him the opportunity to study with Ottorino Respighi, whose colorful orchestral language was clearly an influence on Hanson's own. Upon his return to the United States, Hanson was appointed head of the Eastman School of Music at the University of Rochester at the age of 28. Under the composer's guidance over the course of more than four decades, Eastman became one of the world's preeminent educational institutions. During his tenure there Hanson continued to compose prolifically; he also embarked on a career as a conductor, in which capacity he proved himself one of the great champions of American music. At Eastman, it has been calculated, he presented some 1,500 works by 700 composers. Hanson also commercially recorded a number of modern works in a series for the Mercury label in the 1950s, drawing much attention to otherwise neglected repertoire.
Hanson's most characteristic works are undoubtedly his seven symphonies. The first of these, the "Nordic" Symphony (1922), dates from the composer's studies in Rome. The Second Symphony ("Romantic"), remains Hanson's best-known work, a characteristic realization of the lush, lyric aesthetic with which he is closely associated. Further notable among Hanson's symphonies are the Symphony No. 4 (1943), awarded the Pulitzer Prize, and the Symphony No. 7 (1977), one of a series of works inspired by the poetry of Walt Whitman. Other important works in Hanson's catalogue include The Lament for Beowulf (1925) for chorus and orchestra; the opera Merry Mount (1933), well received at its premiere and in subsequent productions, but now rarely performed; and a variety of other chamber, vocal, and orchestral works. ~ Michael Rodman, Rovi
Selected Discography
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Track List: Hanson Conducts Hanson
Title: Symphony No. 1 In E Minor, Op 22 "Nordic"
Title: Symphony No. 2 ("Romantic"), Op. 30
Title: Song Of Democracy For Chorus & Orchestra, Op 44
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Track List: Hanson Conducts Hanson [Hybrid SACD]
Title: Symphony No. 1 In E Minor, Op 22 "Nordic"
Title: Symphony No. 2 ("Romantic"), Op. 30
Title: Song Of Democracy For Chorus & Orchestra, Op 44
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Track List: Hanson: Symphonies 2 & 4, Elegy
Title: Symphony No. 2 ("Romantic"), Op. 30
Title: Symphony No. 4, Op 34 "The Requiem"
Title: Elegy In Memory Of Serge Koussevitsky For Orchestra, Op 44
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Track List: Howard Hanson: Piano Sonata Poemes Erotiques
Title: Yuletide Pieces (2) For Piano, Op. 19
Title: Poèmes Érotiques, For Piano, No. 1, "Peace", Op. 9/1
Title: Poèmes Érotiques, For Piano, No. 2, Joy, Op. 9/2
Title: Poèmes Érotiques, For Piano, No. 3, Desire, Op. 9/3
Title: Sonata For Piano In A Minor (Completed By Thomas Labé), Op. 11
Title: Miniatures (3) For Piano, No. 1, Reminiscence, Op. 12/1
Title: Miniatures (3) For Piano, No. 2, Lullaby, Op. 12/2
Title: Miniatures (3) For Piano, No 3, Longing, Op. 12/3
Title: Études (3) For Piano, No. 1, Studio Ritmico, Op. 18/1
Title: Études (3) For Piano, No. 2, Studio Melodico, Op. 18/2
Title: Études (3) For Piano, No. 3, Poema Idillico, Op. 18/3
Title: Enchantment, For Piano
Title: For The First Time, For Piano
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Track List: Howard Hanson: Symphonies Nos. 5 & 7; Piano Concerto; Mosaics
Title: Mosaics For Orchestra
Title: Concerto For Piano & Orchestra In G, Op 36
Title: Symphony No. 5, Op 43 "Sinfonia Sacra"
Title: Symphony No. 7 "A Sea Symphony"



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