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Van Der Graaf Generator

An eye-opening trip to San Francisco's Haight-Ashbury during the summer of 1967 inspired British-born drummer Chris Judge Smith to compose a list of possible names for the rock group he wished to form. Upon his return to Manchester University, he began performing with singer/songwriter Peter Hammill and keyboardist Nick Peame; employing one of the names from Judge Smith's list, the band dubbed itself Van der Graaf Generator (after a machine which creates static electricity), eventually earning an intense cult following as one of the era's preeminent art rock groups.

Despite the early involvement of Judge Smith and Peame, the group found true success as a vehicle for Hammill, whose dark, existentialist lyrics made him the focus of considerable attention. After the release of the 1968 single "People You Were Going To," Judge Smith left Van der Graaf Generator, which by then consisted of Hammill, keyboardist Hugh Banton, bassist Keith Ellis and drummer Guy Evans. The group soon split, and in 1968 Hammill entered the studio, ostensibly to record a solo album; however, he ultimately called in his ex-bandmates for assistance, and when The Aerosol Grey Machine appeared, it did so under the Van der Graaf Generator name.

Although Ellis was replaced by Nic Potter and woodwind player David Jackson, the reconstituted group continued on for 1969's Least We Can Do Is Wave to Each Other. After 1970's H to He, Who Am the Only One, Potter departed; the Generator recorded one more LP, 1971's Pawn Hearts, before Hammill left for a solo career, putting an end to the group. After five solo efforts, however, Hammill again re-formed Van der Graaf Generator in 1975 for Godbluff. Following a pair of 1976 albums, Still Life and World Record, Banton and Jackson exited; as simply Van der Graaf, the band recorded The Quiet Zone with new violinist Graham Smith. After a 1978 live set, Vital, the group officially disbanded, although most members made appearances on Hammill's subsequent solo records.

Twice during the '90s, Van der Graaf reunited for one-off gigs, and in 2005 released a reunion album, Present. Without Jackson, the trio of Hammill, Banton, and Evans recorded Trisector, which appeared in 2008. They appeared in concert frequently during 2009, and released another studio album, A Grounding in Numbers, in 2011. An album of studio jams and outtakes, titled ALT, followed one year later. ~ Jason Ankeny, Rovi
full bio

Selected Discography

Comments

Wow! Amazing song from a group I had never heard of... thanx Pandora.
anyone want to reccommend a must-buy to aVDGGG virgin?
All Hammil's material (both solo and with VDGG) is to be treasured. The live album recorded in 2005 is first rate
All Hammil's material (both solo and with VDGG) is to be treasured. The live album recorded in 2005 is first rate
i love guy evans drumming - its like john bonham was gene spliced with michael giles.
One of the few bands that I actually pay attention to the lyrics. I love these guys
Man, what artists. Truly not the usual crap. Lucky to have seen Hammill solo with Graham in Kent Oh, then again with Nick and Graham in Toronto, again in Cleveland Oh in the 80's and acoustic solo a few years ago and finally VDG Trisector tour.
VDGG was a terrific band who has not been given the attention and respect that they so very much deserve. Hammill is a gifted lyricist and songwriter. Much of his solo work is as impressive as vdgg's stuff. Godbluff and Quiet zone are excellent!
Indeed shmog indeed!
Your Welcome Mr. Brooks! ;-)
The greatest Prog band that ever existed in the history of music and will forever be immortalized as the Gods of prog by the 10's of adoring fans... Sadly, as is true with all great artist, Hammill and indeed vdgg will most likely only be recognized after they are long dead. Plague of Lighthouse Keepers, Sleepwalkers , Scorched Earth, oh and Childlike faith in Childhoods end. are the most profound songs ever written in any genre the whole Godbluff album, Still life are tied with them.
Incredible band. Really heavy progressive rock with real density lyrically and musically. More jazzy than ELP by far and less doom laden than King Crimson's early stuff.
Very unique among the progressive rock bands. Dark and difficult listening at times. An acquired taste, but worth it!
Wow, is this who Black Bonzo is trying so hard to emulate? I may have to find some of this!
I love this band!
Massively underrated pyscho-prog, maybe the bleakest, most Poe-ish, of them all! Essential claustrophob i c listening for those who find Lizard-era Crimson too outgoing for their taste :-)

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