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folk roots
country influences
a subtle use of vocal harmony
mild rhythmic syncopation
acoustic sonority
major key tonality
a vocal-centric aesthetic
subtle use of the harmonica
subtle use of the accordion
slide guitars
acoustic rhythm guitars
These are just a few of the hundreds of attributes cataloged for this track by the Music Genome Project.
See them live! Absolutely stunning. And they're so funny -- love their conversations with the audience. Ruth's brother toured with them and he is an awesome fiddle/viola/mandolin player.
Take me to the breaking of a beautiful dawn Take me to the place where we come from Take me to the end so I can see the start There's only one way to mend a broken heart
Take me to the place where I don't feel so small Take me where I don't need to stand so tall Take me to the edge so I can fall apart There's only one way to mend a broken heart
Take me where love isn't up for sale Take me where our hearts are not so frail Take me where the fire still owns its spark
Comments
Take me to the breaking of a beautiful dawn
Take me to the place where we come from
Take me to the end so I can see the start
There's only one way to mend a broken heart
Take me to the place where I don't feel so small
Take me where I don't need to stand so tall
Take me to the edge so I can fall apart
There's only one way to mend a broken heart
Take me where love isn't up for sale
Take me where our hearts are not so frail
Take me where the fire still owns its spark