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William Moore

Half of the recordings done by this artist may have gone the way of Jimmy Hoffa's corpse, but the eight tracks that were released in the late '20s and subsequently reissued time and time again easily maintain the reputation of William "Bill" Moore as an elite country blues multi-instrumentalist in the elaborate syncopated East Coast blues or Piedmont blues style. There is also a blues conspiracy theory in which two different people named William Moore actually created the body of work more often attributed to one, yet even in this case the instrumental dexterity of half of them is never questioned.

In the '20s and '30s, many commercial record labels looked for country blues and classic blues artists to make recordings with. Representation was light on the southeastern seaboard in comparison with other areas of the nation such as Appalachia or the Mississippi Delta. Moore hailed from the so-called tidewater area of Tappahannock, VA, and was enlisted by Paramount in 1928, the project involving his traveling to Chicago in a frozen and frosted January for a single recording session. This event stood in contrast to Moore's normal life; he ran several barbershops, the inspiration for his brilliant "Barbershop Rag," and also made some income as a farmer.

Moore made the most out of his face-off with a microphone: even the most dogmatic of Delta blues devotees will admit that his music is an instance where it is actually worthwhile moving the phonograph out of the cotton fields. Like his contemporaries in the Deep South, Moore's performing circuit consisted of events such as house parties, fish fries, and community dances, his repertoire a mixture of traditional songs and ragtime material. Some of the music he performed came out of the minstrel scene, including a pair of ditties written by Irving Jones, a late-19th century black composer and entertainer. Moore's abilities on piano, guitar, and fiddle were impressive.

Moore relocated to Warrenton, VA, following the Second World War, remaining there until he died of a heart attack in the early '50s. Sherwood Cemetery is the local spot for blues fans to pay their respect to the artist whose initial series of 78s was released first under the name of William Moore, then Bill Moore. This detail along with concerns about vocal styles and what might be simple bookkeeping errors -- one of the recorded titles was copyrighted under the names Moore and Williams rather than just plain William Moore -- all gave rise to the theory that these were two, two, bluesmen in one.

Only a collection released by Document entitled Ragtime Blues Guitar (1927-1930) contains all the existing material attributed to Moore. On this and all other sets featuring his material, tracks by similar stylists are also featured, including Blind Blake, one of Moore's major influences. Minneapolis traditional blues performer Dave "Snaker" Ray recorded a piece entitled "Rappahannock" for which Moore receives songwriting credit; it is actually a reworking of motifs from Moore's recordings, but is not actually one of the titles originally released under his name. ~ Eugene Chadbourne
full bio

Selected Discography

x

Track List: Lifting The Veil: The First Bluesmen Rev. Gary Davis & Peers

4. Lost John

7. Leaving Blues

8. Slow Blues In E

9. Starvation Blues

10. Black Biting Bee Blues

11. Mountain Jack

12. I Didn't Want To Join The Band

13. Rag

14. Raggin' The Blues

15. Old Country Rock

18. Mississippi Boll Weevil Blues

19. Screamin' And Hollerin' The Blues

20. Mississippi Jail House Groan

21. Ham Hound Crave

22. Seven Sisters Blues

23. Hard Dallas Blues

x

Track List: Broadcasting The Blues: Black Blues In The Segregation Era

Disc 1

1. Baby, Please Don't Go

2. Match Box Blues

3. Yonder Come The Blues

4. Yellow Dog Blues

5. Walkin' Blues

7. My Soul Is A Witness

8. Long Hot Summer Days

9. Lucky Holler

10. Penitentiary Moan

11. Old Country Stomp

12. Dry Bone Shuffle

13. Mysterious Coon

15. You Shall

17. I Heard The Voice Of A Porkchop

18. Spike Driver Blues

20. Fare Thee Well Blues

21. Poor Boy, Long Ways From Home

22. Travelin' Blues

Disc 2

1. Chocolate To The Bone

3. Tennessee Dog

5. Washboard Cut-Out

6. Flying Crows Blues

7. Rules And Regulations 'Signed Razor Jim'

8. Ground Hog Blues

10. Wednesday Evening She Left Me

11. Lonesome Day Blues

14. Black, Brown And White

15. Pratt City Blues

16. Blues Before Sunrise

17. Blues Trip Me This Morning

18. Poor Man Blues

20. My Black Mama - Part I

21. Cotton Pickin' Blues

23. Number 29

24. Jim Crow Blues

Disc 3

1. Aunt Caroline Dyer Blues

3. Policy Dream Blues

4. North Memphis Blues

6. They Ain't Walkin' No More

7. Ice Pick Blues

9. Parchman Farm Blues

10. Shelby County Workhouse Blues

11. Working On The Project

13. Let's Have A New Deal

14. Tallahatchie River Blues

15. St. Louis Cyclone Blues

17. Fire Department Blues

18. Give Me A 32-30

20. Build A Cave

21. Crying Mother Blues

23. The Dirty Dozen

24. Three Ball Blues

25. Milk Cow Blues

26. Cool Drink Of Water Blues

27. Some Summer Day

28. Make Me A Pallet On The Floor

30. Spirit Of Boogie Woogie

31. Fifty Miles Of Elbow Room

x

Track List: Rough Guide To East Coast Blues

1. Come On Boys Let's Do That Messin' Around

2. No No Blues

3. Church Bells Blues

4. South Carolina Rag (Take 1)

5. Greasy Greens

6. Skin Game Blues

7. Old Time Blues

8. Gonna Tip Out Tonight

9. One Way Gal

10. Honey You Don't Know My Mind

11. Truckin' My Blues Away No. 2 (Take 2)

12. Ninety Nine Year Blues (Take 2)

13. I Saw The Light

14. Hard Road Blues

15. She's Coming Back Some Cold Rainy Day

16. Lord, I Want To Die Easy

17. Brownie Blues

18. O Lord, Search My Heart

19. Jealous Hearted Blues

20. DeKalb Chain Gang

21. Harmonica Stomp

22. Runaway Man Blues

23. Unfair Blues

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