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Woody Guthrie

Woody Guthrie was the most important American folk music artist of the first half of the 20th century, in part because he turned out to be such a major influence on the popular music of the second half of the 20th century, a period when he himself was largely inactive. His greatest significance lies in his songwriting, beginning with the standard "This Land Is Your Land" and including such much-covered works as "Deportee," "Do Re Mi," "Grand Coulee Dam," "Hard, Ain't It Hard," "Hard Travelin'," "I Ain't Got No Home," "1913 Massacre," "Oklahoma Hills," "Pastures of Plenty," "Philadelphia Lawyer," "Pretty Boy Floyd," "Ramblin' Round," "So Long It's Been Good to Know Yuh," "Talking Dust Bowl," and "Vigilante Man." These and other songs have been performed and recorded by a wide range of artists, including a who's who of folksingers, among them Joan Baez, Harry Belafonte, the Brothers Four, Judy Collins, Ramblin' Jack Elliott, Richie Havens, Cisco Houston, the Kingston Trio, the Limeliters, Lindisfarne, Don McLean, the Chad Mitchell Trio, Holly Near, the New Christy Minstrels, Odetta, Tom Paxton, Peter, Paul & Mary, Utah Phillips, Tom Rush, Tom Russell, Pete Seeger, Sweet Honey in the Rock, Dave van Ronk, the Weavers, and Kate Wolf; country performers such as Eddy Arnold, Chet Atkins, Gene Autry, Glen Campbell, Johnny Cash, Flatt & Scruggs, Tennessee Ernie Ford, Lee Greenwood, Merle Haggard, Waylon Jennings, Alison Krauss, the Maddox Brothers & Rose, Anne Murray, Dolly Parton, Johnny Paycheck, Jim Reeves, Tex Ritter, Red Smiley, Ernest Tubb, and Bob Wills; and rock and pop musicians like the Alarm, Paul Anka, the Band, Billy Bragg, the Byrds, Concrete Blonde, Ry Cooder, Ani DiFranco, Dion, Lonnie Donegan, Donovan, Bob Dylan, Nanci Griffith, Arlo Guthrie, Hot Tuna, Indigo Girls, Little Feat, Lone Justice, Trini Lopez, Country Joe McDonald, John Mellencamp, Natalie Merchant, Van Morrison, the New Riders of the Purple Sage, Linda Ronstadt, Doug Sahm, the Seekers, Michelle Shocked, Bruce Springsteen, the Waterboys, Wilco, and Jesse Colin Young. (For the most part, Guthrie created his songs by writing new lyrics to existing folk melodies.)

Most of those performances and recordings came after Guthrie's enforced retirement due to illness in the early '50s. During his heyday, in the 1940s, he was a major-label recording artist, a published author, and a nationally broadcast radio personality. But the impression this creates, that he was a multi-media star, is belied by his personality and his politics. Restlessly creative and prolific, he wrote, drew, sang, and played constantly, but his restlessness also expressed itself in a disinclination to stick consistently to any one endeavor, particularly if it involved a conventional, cooperative approach. Nor did he care to stay in any one place for long. This idiosyncratic individualism was complemented by his rigorously left-wing political views. During his life, much attention was given in the U.S. to whether people of a liberal bent were or had ever been members of the Communist party. No reliable evidence has emerged that Guthrie was, but there is little doubt where his sympathies lay; for many years, he wrote a column published in Communist newspapers. Such views also help explain his uncomfortable relationship with the trappings of media and financial success that he encountered fleetingly in the '40s.

Ironically, as Guthrie's health declined to the point of permanent hospitalization in the '50s, his career took off through his songs and his example, which served as inspiration for the folk revival in general and, in the early '60s, Bob Dylan in particular. By the mid-'60s, Guthrie's songs were appearing on dozens of records, his own recordings were being reissued and, in some cases, released for the first time, and his prolific writings were being edited into books. This career resurgence was in no way slowed by his death in 1967; on the contrary, it continued for decades afterward, as new books were published and the Guthrie estate invited such artists as Billy Bragg and Wilco in to write music for Guthrie's large collection of unpublished lyrics, creating new songs to record.

Woodrow Wilson Guthrie was born in Okemah, OK, on July 14, 1912, 12 days after his namesake, Governor Woodrow Wilson of New Jersey, was nominated for president at the Democratic National Convention. As this early political connection suggests, Guthrie's father, Charley Edward Guthrie, was himself a politician who, at the time, held the elective post of District Court Clerk as well as being a real estate agent. Guthrie's mother, Nora Belle (Tanner) Guthrie, had earlier given birth to his sister Clara and brother Lee Roy; another brother, George, would follow in 1918, and finally another sister, Mary Josephine Guthrie, in 1922. Guthrie's mother taught him folk songs as a child. In May 1919, when Guthrie was six years old, his sister Clara accidentally burned to death. It was the first of a remarkable number of fire-related injuries suffered by Guthrie and those around him during his life. It marked a decline in fortunes for the family, and it may have been related to the undiagnosed but increasingly apparent illness of his mother. Unbeknown to her, Nora Guthrie was beginning to suffer from the mental and physical effects of the rare, hereditary, and incurable condition known as Huntington's disease, the onset of which tends to come in middle age, with a steady decline thereafter, resulting in a loss of mental control and muscle control, eventually leading to death.

By the mid-'20s, Guthrie had begun to display an interest in music, learning to play the harmonica. On June 25, 1927, another fire incident occurred in which Guthrie's father was severely burned by a kerosene lamp. Two days later, Guthrie's mother was committed to the Central State Hospital for the Insane in Norman, OK. (She died there in 1930.) His father was taken to Pampa, TX, to stay with his aunt and recover. Guthrie, not yet 15 years old, stayed with his older brother or family friends, but went largely unsupervised. Before his 16th birthday, in June 1928, he took his first extended trip, hitchhiking around the Gulf Coast states and working at odd jobs before returning to Okemah. Although he attended high school during this period, he never got beyond the tenth grade. In the spring of 1929, he moved to Pampa at his father's invitation. There he worked in a drugstore and then became a sign painter. He also took guitar lessons from his uncle Jeff Guthrie and soon began playing professionally, teaming with Matt Jennings, who played harmonica and fiddle, and guitarist Cluster Baker in a group they called the Corncob Trio. On October 28, 1933, Guthrie married Jennings' sister, Mary Esta Jennings.

Guthrie had begun to write his own songs as early as 1932. On April 14, 1935, he found inspiration in a natural disaster, when a major dust storm hit Pampa, as drought conditions and subsistence farming across the Great Plains combined to strip off tons of topsoil and send it flying into the wind, contributing to the financial catastrophe suffered by farmers during the Great Depression. Guthrie wrote "So Long It's Been Good to Know Yuh" (aka "Dusty Old Dust"), which was full of bitingly comic observations about the troubles suffered by people in the storm. The same month, he self-published the first of a series of songbooks he would turn out during his career, Alonzo M. Zilch's Own Collection of Original Songs and Ballads.

The Guthries' first child, Gwendolyn Gail Guthrie, was born in November 1935, but that did not signal that Guthrie was settling down with his family. On the contrary, in 1936, he returned to hitchhiking or jumping freight trains to travel around the country as a hobo. In the late winter or early spring of 1937, he finally took off for good, moving to California. His wife, meanwhile, was pregnant again, and she gave birth to a second daughter, Sue Guthrie, in July. Meeting his cousin Leon Jerry "Oklahoma Jack" Guthrie in Los Angeles, Guthrie began performing with him, and the two were hired to do a radio program on the local station KFVD, launching the daily 15-minute program The Oklahoma and Woody Show on July 19, 1937. In September, Jack Guthrie dropped out, and Guthrie replaced him with singer Maxine Crissman, whom he dubbed "Lefty Lou," with the program rechristened The Woody and Lefty Lou Show. The two were popular with other expatriates from what had become known as the Dust Bowl, and Guthrie began to write more songs directed at them, such as "Do Re Mi," in which he warned potential migrants that California might not be welcoming to them if they didn't arrive with money; the nostalgic "Oklahoma Hills"; and "Philadelphia Lawyer." He also made enough money from the radio show and the sale of songbooks to send for his wife and children, who joined him in Los Angeles in November 1937.

The Woody and Lefty Lou Show continued until June 18, 1938, when Guthrie went back to traveling around the country. He returned to KFVD by himself in November. Perhaps influenced by his observations of struggling migrant workers, he began to express himself in more overtly political terms, writing songs like "Pretty Boy Floyd" (which treated the famed bank robber born Charles Arthur Floyd as if he were a modern version of Robin Hood) and "Vigilante Man," a condemnation of the police and private security forces that harried homeless workers. He also began writing a column, "Woody Sez," for the Communist newspaper People's World in May 1939. His third child, a son named Will Guthrie, was born in October. In November, he left his radio show and moved back to Texas, but he did not stay there long. In the early months of 1940, he took off again, this time to New York City to visit his friend, the actor Will Geer, who was appearing on Broadway in the play Tobacco Road. On his way across the country, Guthrie frequently heard on the radio Kate Smith's rendition of Irving Berlin's patriotic song "God Bless America," which Berlin had written during World War I, but first published in 1939, as World War II loomed. Guthrie found the song jingoistic, and when he arrived in New York he was inspired to write his own answer song, which he initially called "God Blessed America for Me." Although the song, later revised as "This Land Is Your Land," itself came to be regarded as a patriotic anthem, Guthrie's actual intended message was an attack on private property, a cornerstone of the capitalist system. His initial draft of the song is dated February 23, 1940, but he did not perform it until much later.

By the time Guthrie arrived in New York, the plight of the Okies, as the Midwestern farmers who had lost their farms and headed west to become migrant workers were known by now, had become a national cause, in part because of the success of John Steinbeck's best-selling novel The Grapes of Wrath, which had been published in April 1939 and quickly adapted into a motion picture that opened in New York on January 24, 1940. Guthrie had met Steinbeck in California, and in March 1940 he was invited to perform at a benefit for migrant workers sponsored by Steinbeck and emceed by Geer at the Forrest Theater, where Tobacco Road was running. His appearance was a sensation; with his demeanor and accent, he seemed the living embodiment of the Okies, and his songs and wry humor called to mind a combination of the country singer Jimmie Rodgers and the homespun monologuist Will Rogers. At the event, Guthrie met a number of prominent folksingers, among them Leadbelly and Aunt Molly Jackson, as well as the 20-year-old aspiring folksinger Pete Seeger and Alan Lomax, the assistant in charge of the Archive of Folk-Song at the Library of Congress. Lomax in particular proved beneficial to Guthrie's career. He quickly invited Guthrie to Washington, D.C., to interview him for the archive. The interviews took place on March 21, 22, and 27, 1940, at a studio at the Department of the Interior, where they were recorded. At this, his first-ever recording session, Guthrie discussed his life and performed many songs, including "So Long It's Been Good to Know Yuh," "Do Re Mi," "Pretty Boy Floyd," "I Ain't Got No Home," "Worried Man Blues," "Goin' Down That Road Feeling Bad," and a number of others explicitly about the conditions in the Dust Bowl. The recordings stayed in the archives for nearly a quarter of a century, until they were released commercially as a three-LP box set, Library of Congress Recordings, by Elektra Records in 1964.

Lomax had other media connections that gave Guthrie greater exposure. On April 2, 1940, he presented Guthrie on his nationally broadcast CBS radio program, Columbia School of the Air, and later in the month Guthrie made the first of several appearances on another CBS show, The Pursuit of Happiness. Lomax also talked Guthrie up to RCA Victor Records, which signed him to a contract that resulted in the release of two albums, each consisting of three 78 RPM discs, in July 1940, Dust Bowl Ballads, Vol. 1 and Dust Bowl Ballads, Vol. 2. The selections included many of the same songs Guthrie had just performed for the Library of Congress, plus the newly written "Tom Joad," a musical adaptation of The Grapes of Wrath, which had to be broken into two parts due to its length. After completing the recordings in early May, Guthrie took a trip back to the Southwest with Seeger tagging along, but he had returned to New York by August, when he began to appear on another Lomax radio show on CBS, Back Where I Come From, signing to become a regular. He also began performing in nightclubs, often in the company of his friend Cisco Houston. But he discontinued his newspaper column, which had been appearing in another Communist paper, the Daily Worker, apparently because his views were not sufficiently orthodox to suit the party. After signing to appear on another radio show, Pipe Smoking Time, he sent for his family, which moved to New York in late 1940. This level of success and, more important, conformity, did not suit him for long, however, and in early January 1941 he abruptly walked out on his radio commitments and left New York, moving back to Los Angeles with his family.

Guthrie briefly returned to his show on KFVD, but his next important activity began with a letter from the Bonneville Power Administration, part of the Department of the Interior, in Portland, OR, which requested his services to narrate and sing songs for a documentary film to be made about the building of the Grand Coulee Dam on the Columbia River running along the border of Oregon and Washington state. He drove to Portland with his family and was hired for one month as an "information consultant" to write songs. He wrote or adapted 26 of them over the next several weeks, including "Roll on Columbia" (later declared the official folk song of the state of Washington), "Grand Coulee Dam," and "Pastures of Plenty." Many of the songs were recorded, but the film project was shelved temporarily (it eventually appeared in 1949), and when the month was up on June 11, 1941, Guthrie returned to New York, leaving his family in Portland. Seeger had formed a politically oriented folk group, the Almanac Singers, with Lee Hays and Millard Lampell, and Guthrie joined them. In early July, they recorded two albums, Deep Sea Chanteys and Sodbuster Ballads, for General Records, before embarking on a national tour of union gatherings. The tour went across the country, concluding in August in Los Angeles. There, Guthrie was reunited briefly with his family, which had returned from Portland, but Mary Guthrie soon moved with the children to El Paso, TX, effectively separating from her husband, who returned to New York after performing in the Northwest with Seeger.

In New York, Guthrie lived at the communal Almanac House, where the expanding lineup of the Almanac Singers maintained its headquarters. As usual, he wrote prolifically, his compositions including "Sinking of the Reuben James," about a U.S. destroyer torpedoed by a German U-boat, and he began to get assignments for articles in magazines, starting with "Ear Players," published in Common Ground in the spring of 1942. During this period, the Almanac Singers, who had been rabidly anti-war until Germany invaded the Soviet Union in June 1941, became rabidly pro-war, a stance that coincided perfectly with the mood of the U.S. in the wake of the Japanese attack on Pearl Harbor on December 7. As a result, they began to get offers from network radio shows, reaching their commercial peak on February 14, 1942, when they appeared on a program called This Is War broadcast on all four national radio networks. Their political affiliations, however, made them unsuitable to the conventional entertainment business, just as Guthrie was individually. They turned down an offer to appear at the prestigious Rainbow Room, and their increasing recognition led to newspaper accounts of their ties to left-wing organizations including the Communist Party, which in turn led to the cancellations of other nightclub bookings and a proposed contract with Decca Records.

Guthrie, meanwhile, met Marjorie Greenblatt Mazia, a dancer with the Martha Graham dance troupe, with whom he began a romantic relationship, even though both of them were married to other people. Around the same time, he was signed by publishers E.P. Dutton to write his autobiography. While working on this book, he gradually lessened his involvement with the Almanac Singers. By the fall, he was appearing in a short-lived group he called the Headline Singers along with Leadbelly, Sonny Terry, and Brownie McGhee. Guthrie's fourth child, Cathy Ann Guthrie, was born to Marjorie Mazia on February 6, 1943. In March, Guthrie's book Bound for Glory was published to favorable reviews. The same month, Mary Guthrie signed her divorce papers, which had the effect of making Guthrie eligible for the draft. When he received his draft notice, he joined the merchant marine as an alternative to going into the army, signing on with Cisco Houston to a ship that was part of a convoy taking supplies for an invasion of Italy. The four-month trip began in June 1943; on September 13, the ship was torpedoed but managed to make it into port in Tunisia. Guthrie returned to New York in October, but could stay only 30 days before going on another merchant marine journey if he wanted to continue to avoid army service. So, there was a trip along the Eastern seaboard a month later, and then in January 1944 a second journey across the Atlantic that lasted until March.

When he returned, Guthrie showed up at the offices of the small Asch Record Company and introduced himself to its owner, Moses Asch, who agreed to record him on an informal basis. Starting on April 16, 1944, Guthrie, sometimes accompanied by one or more musical associates including Houston, Sonny Terry, Leadbelly, and former Almanac Singers member Bess Hawes, began making what eventually added up to hundreds of recordings for Asch including, for the first time, "This Land Is Your Land." The initial Asch sessions lasted at least into late April, totaling upward of 150 songs, both Guthrie originals and traditional compositions. Asch had no means of releasing such a torrent of material at the time.

In May 1944, Guthrie shipped out again on a merchant marine ship taking troops for the D-Day invasion of Europe. After the soldiers were put ashore on Omaha Beach in early July, the ship hit a mine, but made it back to England, where Guthrie appeared on the BBC before heading back to the U.S. in August. In September, Asch released the first of his Guthrie recordings on the various-artists album Folksay: American Ballads and Dances, followed by another various-artists album called Blues, and then, at the turn of the year, the solo album Woody Guthrie, consisting of three 78 rpm discs and including such songs as "Grand Coulee Dam" and "Jesus Christ." Guthrie also went back on the radio during this period, hosting a show on the local New York station WNEW called Ballad Gazette that used "This Land Is Your Land" as its theme song and working on the NBC program America for Christmas, broadcast December 25, 1944.

Guthrie continued to record extensively for Asch in the early months of 1945. In March, he was again called to the draft and found that the merchant marine's union had tightened its requirements with regard to the political affiliations of its volunteers, such that he was no longer eligible. Thus, he was inducted into the army on May 7, 1945. That was also the day that Germany surrendered, but the war against Japan was still going on. After undergoing basic training, Guthrie was posted to a series of army bases around the country. At one of them, he happened to hear on a jukebox Jack Guthrie's Capitol Records recording of "Oklahoma Hills," which peaked at number one on Billboard magazine's "Most Played Juke Box Folk Records" chart (the precursor to the country singles chart) for the first of six weeks on July 28, 1945. He discovered that Jack Guthrie had credited himself as songwriter. Legal discussions ensued, and eventually "Oklahoma Hills" was co-credited to the two Guthrie cousins, who shared the songwriting royalties. On November 13, 1945, Guthrie married Marjorie Mazie, who had obtained a divorce from her first husband. He was discharged from the army the following month.

In 1946, Guthrie played concerts under the auspices of People's Songs, an organization founded by Seeger and other folksingers as a clearinghouse to promote political folk songs. He also continued to record for Asch, who released a new album, Struggle: Documentary #1, and commissioned him to write a series of songs about Sacco and Vanzetti, the immigrant anarchists who had been convicted of a robbery in which two guards were killed and had been executed in 1927, their case long a cause célèbre of the American left. (The album was not released until 1960.) Inspired by his daughter Cathy, Guthrie also had begun writing children's songs, and he recorded these for Asch as well, starting in February 1946. After being released later in the year on Asch's Disc Records label on the album Songs to Grow On: Nursery Days, these became among Guthrie's most popular recordings, and he made more of them. Work Songs to Grow On followed in 1947. (Tragically, Cathy Ann Guthrie died in another of the bizarre series of accidental fires associated with him on February 10, 1947. He was not present when the incident occurred.)

Although Guthrie himself had faded from national attention, his persona as a rambling folksinger was already beginning to become legendary. This was suggested on January 10, 1947, when the musical Finian's Rainbow opened on Broadway for a run of 725 performances. Sonny Terry had a part in the show, which featured a certain character named Woody, a free-spirited, guitar-playing ex-merchant seaman who helped lead a labor revolt. On July 10, 1947, Guthrie's fifth child, Arlo Davy Guthrie, was born. He would go on to become a singer/songwriter like his father and do much to further Guthrie's legacy. His younger brother Joady Ben Guthrie, who also became a performer, was born on December 25, 1948. Nora Lee Guthrie, Guthrie's seventh child, was born in January 1950. Guthrie, meanwhile, had be re-recording much of the material from the Dust Bowl Ballads albums and the Columbia River songs for Asch, resulting in a Disc album called Ballads from the Dust Bowl released on a new Asch label, Folkways Records, in October 1948. He was also at work on a new book about a trip he and his father had taken in search of a goldmine in the early '30s. The book would not be published until 1976, when it appeared under the title Seeds of Man.

Moses Asch went bankrupt in 1947, an event that would have major implications for Guthrie's discography, since Asch's ex-partner, record store owner Herbert Harris of Stinson Records, held onto some of Guthrie's master recordings, as did a pressing plant that auctioned them to Pickwick Records. As Guthrie's popularity increased in the 1960s, Stinson and Pickwick's Everest label, as well as Folkways, would issue competing Guthrie titles drawn from the recordings he had made in the '40s for Asch.

Since discovering that his mother had suffered from Huntington's disease shortly after her death, Guthrie had feared that he would inherit the illness, as he confided to friends on several occasions in the 1930s and '40s. By the late '40s, he had begun to exhibit symptoms of the disease, although, since his behavior had always been idiosyncratic, they were not recognized as such by him or others, and tended to be ascribed to excessive drinking. His last major composition (for which he wrote only the lyrics with the music later added by Martin Hoffman) came in 1948 with "Deportees" (aka "Plane Wreck at Los Gatos"), an account of an incident in which a plane carrying immigrant workers crashed. Meanwhile, his earlier songs were beginning to become generally popular. The Maddox Brothers & Rose had a successful recording of "Philadelphia Lawyer," and in 1950 the Weavers, a group formed by Pete Seeger and Lee Hays of the Almanac Singers with Fred Hellerman and Ronnie Gilbert, recorded "So Long It's Been Good to Know Yuh," which peaked at number four in the pop charts in early 1951.

By late 1951, Guthrie's erratic behavior had led to his separation from his wife. On January 7, 1952, he did a recording session for Decca Records as part of proposed contract with the label, but his performing skills had deteriorated noticeably; the contract was withdrawn, and the recordings have never been released. This was Guthrie's last serious attempt to record, although there was a final session for Asch two years later that also proved fruitless. Guthrie was hospitalized on May 16, 1952, and was in and out of hospitals over the summer until a neurologist finally recognized his symptoms as Huntington's disease in September. Nevertheless, he was released and immediately moved to California, where he took up with a 20-year-old art student, Anneke van Kirk Marshall, who left her new husband for him and traveled with him back to New York and then to Florida. While staying on a friend's property there on June 10, 1953, Guthrie was severely burned in attempting to douse a campfire, crippling his right arm. Nevertheless, the couple took off again, stopping in Mexico in July so that Guthrie could be divorced. They married in December and moved to New York in January 1954. On February 22, 1954, Anneke Guthrie gave birth to Guthrie's eighth and last child, Lorina Lynn Guthrie, who would be put up for adoption after the couple separated and divorced.

On September 16, 1954, no longer able to function, Guthrie checked himself into Brooklyn State Hospital, where he had received his diagnosis two years earlier. This was a voluntary commitment that allowed him to leave the hospital on weekends, which he spent with his ex-wife Marjorie Guthrie. On May 23, 1956, Guthrie checked himself out, intending to hit the road again, but within days he was arrested for vagrancy in New Jersey and involuntarily committed to Greystone Park Hospital, where he remained for five years, until Marjorie Guthrie was able to get him moved back to Brooklyn State, an easier commute from her home in Coney Island.

As Guthrie's physical condition deteriorated, however, his career blossomed. The Weavers, who had been forced to disband due to the Communist witch hunts of the early '50s, reunited in 1955 and began performing "This Land Is Your Land," which gained enormously in popularity. On March 17, 1956, a benefit concert for Guthrie's children was held at the Pythian Hall in New York City. Guthrie himself attended, although he was of course unable to perform. The concert was one of the events that marked the start of the folk revival. By the late '50s, with Folkways releasing albums of previously unheard Guthrie recordings, his songs became necessary to the repertoires of all the emerging folk performers. For example, the Kingston Trio, the most popular folk group of the '50s, put "Hard, Ain't It Hard" on their gold-selling number one album The Kingston Trio, released in the fall of 1958, with "Hard Travelin'" appearing on Make Way in early 1961 and "This Land Is Your Land" and "Pastures of Plenty" on Goin' Places that spring; their version of "Deportee" was on their LP Sing a Song with the Kingston Trio in late 1963. The New Christy Minstrels' recording of "This Land Is Your Land" reached the pop singles chart in December 1962. Dust Bowl Ballads was reissued as an LP in 1964 along with the initial release of Library of Congress Recordings, which was nominated for a Grammy Award for Best Folk Recording. Several Guthrie songbooks were published during the early '60s, and in 1965 Born to Win, a collection of his writings edited by Robert Shelton, folk music critic for The New York Times, was published.

Guthrie was moved to Creedmore State Hospital in Queens, NY, in July 1966 and put under the care of a doctor specifically studying Huntington's disease. He died there on October 3, 1967, at the age of 55. His death did not impede his career renaissance. New albums continued to be released. On January 20, 1968, the first of two all-star tribute concerts was held in New York, with proceeds going to benefit research into Huntington's disease, its participants including Judy Collins, Bob Dylan, Arlo Guthrie, Richie Havens, Odetta, Pete Seeger, and Tom Paxton. The second concert was held September 12, 1970, at the Hollywood Bowl and featured Collins, Arlo Guthrie, Havens, Odetta, Paxton, Seeger, Joan Baez, Ramblin' Jack Elliott, Country Joe McDonald, and Earl Robinson. Albums chronicling the concerts were released in 1972 and reached the charts. Woody Sez, a book collecting his newspaper columns, was published in 1975, followed in 1976 by Seeds of Man and a film adaptation of Bound for Glory starring David Carradine with an accompanying soundtrack album. Guthrie was admitted to the Nashville Songwriters' Hall of Fame in 1977 and the Rock and Roll Hall of Fame in 1988. He was the subject of an off-Broadway musical bearing his name in 1979. After the death of Moses Asch, the archives of Folkways Records were donated to the Smithsonian Institution, and to help finance the preservation of the material, an all-star album of songs by Guthrie and Leadbelly, Folkways: A Vision Shared, was released, featuring performances of Guthrie's songs by Bob Dylan, John Mellencamp, Willie Nelson, Bruce Springsteen, and U2. It reached number 70 in the charts. "This Land Is Your Land" was inducted into the Grammy Hall of Fame in 1989. In 1990, another book of Guthrie's work, this one edited by rock critic Dave Marsh, was published: Pastures of Plenty: A Self-Portrait -- The Unpublished Writings of an American Folk Hero. Another musical based on Guthrie's life and music, Woody Guthrie's American Song, opened regionally in 1991 and produced a cast album. In 1998, Billy Bragg and Wilco combined to investigate the Guthrie files of unpublished lyrics, resulting in the release of Mermaid Avenue, their recordings of the resulting songs. A second volume followed in 2000. Both albums charted in the Top 100.

Meanwhile, Smithsonian Folkways reissued Guthrie's recordings on carefully considered and annotated CDs, and RCA Victor, or its parent company BMG, periodically reissued Dust Bowl Ballads. The Asch recordings that had escaped to Stinson and Pickwick continued to appear, licensed to a variety of labels, a problem that was superseded as of the 1990s by the 50-year copyright limit on recordings in Europe, which eventually put all of Guthrie's recordings into the public domain there, resulting in a flood of unlicensed European reissues. While some of these discs were better than others, the Smithsonian Folkways and RCA Victor releases remained superior renderings of the material.

Decades after Guthrie's death, his ragamuffin image, the blue-jean-wearing Everyman with a guitar on his back, had become an American archetype, and his songs, in some cases benignly reinterpreted, had become a permanent part of the American consciousness, whether it was a parent and child singing "Put Your Finger in the Air" without any idea who wrote it, or the Mormon Tabernacle Choir thundering "This Land Is Your Land," ignorant of its original socialist intent. In this sense, he had proved himself a true folk artist, one whose creations had passed into the culture and seemed always to have been there.

In truth, Guthrie defined an era in his Dust Bowl ballads, his outlaw tales, his work and labor songs, anti-war songs, children's songs, political songs, and a host of love songs and songs that touched on philosophy, geography and the hard work of living day to day in an emerging industrial world. He wrote constantly, a bit like a maverick beat reporter, and new poems, writings, drawings and even previously unknown songs kept turning up into the 21st century. In 2012, the centennial year of his birth, several books, anthologies and box sets of his work appeared, and Guthrie was firmly enshrined as a one-of-a-kind American icon and treasure. ~ William Ruhlmann & Steve Leggett
full bio

Selected Discography


Track List: American Radical Patriot

Disc 1

1. Lost Train Blues

2. Growing Up In Oklahoma

3. The Railroad Blues

4. More Talk Of Growing Up In Okemah

5. The Gang Of Kids Woody Hung Around With

6. Rye Whiskey

7. Old Joe Clark

8. Alan Lomax Asks For A Tune

10. Alan Asks For Another One

11. Green Valley Waltz (A.K.A.) Who's Gonna Shoe Your Pretty Feet?

12. The Troubles And Tragedies That Fractured Woody's Family In Okemah

13. Greenback Dollar

14. Lomax Asks About The Boll Weevil

15. Boll Weevil

16. Jailhouse Songs

17. The Midnight Special

18. When The Great Dust Storm Struck

19. American Radical Patriot_track_19

Disc 2

1. The End Of The World

2. So Long, It's Been Good To Know Yuh

3. Dust Storms Devastate The Farmland

4. Talking Dust Bowl

5. Migrants Arrive In California

6. Do Re Mi

7. Hard Times

8. Songs About Hard Times

9. Bring Back To Me My Blue

10. Songs About Outlaws

11. Billy The Kid

12. Billy The Kid And Pretty Boy Floyd

13. Pretty Boy Floyd

14. Jesse James

15. Jesse James And His Boys

16. Takin' It From The Rich And Givin' It To The Poor

17. Jesus Christ

18. Songs About Bankers

19. The Jolly Banker

20. Another Song About The Depradations Of The Bankers

21. I Ain't Got No Home

22. Hundreds Of Thousands Made Homeless

23. Dirty Overhauls

24. The Story Of Mary Fagan

25. Mary Fagan

26. The Origins Of The Song

Disc 3

1. American Radical Patriot_track_1

2. American Radical Patriot_track_2

3. American Radical Patriot_track_3

4. American Radical Patriot_track_4

5. American Radical Patriot_track_5

6. American Radical Patriot_track_6

7. American Radical Patriot_track_7

8. American Radical Patriot_track_8

9. American Radical Patriot_track_9

10. American Radical Patriot_track_10

11. American Radical Patriot_track_11

12. American Radical Patriot_track_12

13. American Radical Patriot_track_13

14. American Radical Patriot_track_14

15. American Radical Patriot_track_15

16. American Radical Patriot_track_16

17. American Radical Patriot_track_17

18. American Radical Patriot_track_18

19. American Radical Patriot_track_19

20. American Radical Patriot_track_20

21. American Radical Patriot_track_21

Disc 4

1. Breathing In Dust

2. Dust Pneumonia Blues

3. Leaving The Dust Bowl

4. California Blues

5. Jimmie Rodgers

6. Migrants Arriving In California

7. Do Re Mi

8. Refugees Pouring Into California

9. Dust Bowl Refugee

10. California As One Of The 48 States

11. Will Rogers Highway

12. The Flood That Took Over 100 Lives

13. Los Angeles New Year's Flood

14. A Good Horse

15. Stewball

16. Interlude

17. Stagger Lee

18. Interlude

19. One Dime Blues

20. Interlude

21. Git Along Little Dogies

22. Interlude

23. The Trail To Mexico

24. Gypsy Davy

25. Introducing An Old Song

26. Hard Ain't It Hard

Disc 5

1. Introduction

2. Pastures Of Plenty

3. Oregon Trail

4. Roll On Columbia

5. New Found Land

6. Talking Columbia

7. Roll, Columbia, Roll

8. Columbia's Waters

9. Ramblin' Blues

10. It Takes A Married Man To Sing A Worried Song

11. Hard Travelin'

12. The Biggest Thing That Man Has Ever Done (A.K.A. The Great Historical Bum)

13. Jackhammer Blues

14. Song Of The Grand Coulee Dam

15. Grand Coulee Dam

16. Washington Talkin' Blues

17. Ramblin' Round

18. Pastures Of Plenty

19. End Of My Line

20. Sinking Of The Reuben James

21. Takin' It Easy

22. Reckless Talk

Disc 6

1. The Girl In The Red, White, And Blue

2. Labor For Victory

3. Farmer

4. Jazz In America, No. 93

5. Whoopy Ti

6. Jazz In America, No. 116

7. Sally, Don't You Grieve

8. Narrator

9. Dig A Hole

10. Vd Avenue

11. Intro

12. The Veedee Blues

13. Intro

14. Blessed And Curst

15. A Case Of Vd

16. Vd Seaman's Letter

17. Vd City

18. Vd Day

19. A Child Of Vd

20. V.D. Gunner's Blues

21. Brooklyne Towne

22. Narrator

23. The Biggest Thing That Man Has Ever Done (A.K.A. The Great Historical Bum)

24. The Old Cracked Looking Glass

25. Hard Times In The Durant Jail

26. Empty Boxcar, My Home

27. The Biggest Thing That Man Has Ever Done

Disc 7
Disc 8

Track List: Woody At 100

Disc 1

1. This Land Is Your Land (Alternate Version)

2. Pastures Of Plenty

3. Riding In My Car (Car Song)

4. The Grand Coulee Dam

5. Talking Dust Bowl

6. So Long, It's Been Good To Know Yuh (Dusty Old Dust)

7. Ramblin' Round

8. Philadelphia Lawyer

9. Hard Travelin'

10. Pretty Boy Floyd

11. Hobo's Lullaby

12. Talking Columbia

13. The Sinking Of The Reuben James

14. Jesus Christ

15. Gypsy Davy

16. New York Town

17. Going Down The Road (Feeling Bad)

18. Hard, Ain't It Hard

19. The Biggest Thing That Man Has Ever Done (The Great Historical Bum)

20. This Land Is Your Land

21. Jarama Valley

22. Why, Oh Why?

23. I've Got To Know

Disc 2

1. Better World A-Comin'

2. When That Great Ship Went Down (The Great Ship)

3. A Dollar Down And A Dollar A Week

4. Talking Centralia

5. 1913 Massacre

6. Dirty Overalls

7. My Daddy (Flies A Ship In The Sky)

8. Worried Man Blues

9. Hangknot, Slipknot

10. Buffalo Skinners

11. Howdi Do

12. Jackhammer John

13. The Ranger's Command

14. So Long, It's Been Good To Know You (WWII Version)

15. What Are We Waiting On?

16. Lindbergh

17. Ludlow Massacre

18. Bad Lee Brown (Cocaine Blues)

19. Two Good Men

20. Farmer-Labor Train

21. The Jolly Banker

22. We Shall Be Free

Disc 3

1. I Ain't Got No Home (In This World Anymore)

2. Them Big City Ways

3. Do Re Mi

4. Skid Row Serenade

9. Reckless Talk

10. All Work Together

11. My Little Seed

12. Goodnight Little Cathy


Track List: The Live Wire: Woody Guthrie In Performance 1949

1. Intro: How Much? How Long? (Live)

2. Black Diamond (Live)

3. I Was There And The Dust Was There (Live)

4. The Great Dust Storm (Live)

5. Folk Singers And Dancers (Live)

6. Talking Dust Bowl Blues (Live)

7. Tom Joad (Live)

8. Columbia River (Live)

9. Pastures Of Plenty (Live)

10. Grand Coulee Dam (Live)

11. Told By Mother Bloor (Live)

12. 1913 Massacre (Live)

13. Quit Sending Your Inspectors (Live)

14. Goodbye Centralia (Live)

15. A Cowboy Of Some Kind (Live)

16. Dead Or Alive (Live)

17. Jesus Christ Has Come! (Live)

18. Jesus Christ (Live)


Track List: Some Folk

Disc 1

1. Lost Train Blues

2. Railroad Blues

4. Greenback Dollar

5. Boll Weevil Song

6. So Long It's Been Good To Know You

7. Talking Dust Bowl Blues

8. Do-Re-Mi

9. Hard Times

10. Pretty Boy Floyd

11. They Laid Jesus Christ In His Grave

12. Jolly Banker

13. I Ain't Got No Home

14. Dirty Overalls

15. Chain Around My Leg

16. Worried Man Blues

17. Goin' Down That Road Feeling Bad

18. Dust Storm Disaster

19. Foggy Mountain Top

20. Dust Pneumonia Blues

21. California Blues

22. Dust Bowl Refugee

23. Will Rogers Highway

24. Los Angeles New Year's Flood

25. Baltimore To Washington

Disc 2

2. Talkin' Dust Bowl Blues

3. Pretty Boy Floyd

4. Dusty Old Dust

5. Dust Bowl Blues

6. Blowin' Down This Road

7. Tom Joad Part 1

8. Tom Joad Part 2

9. Do-Re-Mi

10. Dust Bowl Refugee

11. I Ain't Got No Home

12. Vigilante Man

13. Dust Can't Kill Me

15. Oregon Trail

16. Roll On Columbia

17. New Found Land

18. Talking Columbia

19. Roll Columbia Roll

20. Columbia's Waters

21. Ramblin' Blues

23. Hard Travelin'

24. The Biggest Thing That Man Has Ever Done

25. Grand Coulee Dam

Disc 3

1. Song Of The Coulee Dam

2. Jackhammer Blues

3. Washington Talkin' Blues

4. Ramblin' Round

5. Pastures Of Plenty

6. The Biggest Thing That Man Has Ever Done

7. End Of The Line

8. I Ride An Old Paint

9. House Of The Rising Sun

10. Hard Ain't It Hard

12. Ida Red

13. Muleskinner Blues

14. What Are We Waiting On

15. Ship In The Sky

16. The Biggest Thing That Man Has Ever Done

17. Talking Sailor

18. New York Town

19. Who's Gonna Shoe Your Pretty Little Feet

20. Chisholm Trail

21. Sowing On The Mountain

22. Sally Don't You Grieve

23. Philadelphia Lawyer

24. Little Darling

25. Baltimore To Washington

Disc 4

1. Bed On The Floor

2. Dead Or Alive

3. Billy The Kid

4. Stackolee

5. Take A Whiff On Me

6. Buffalo Gals

8. Talking Fish Blues

9. Jesse James

10. Sinking Of The Reuben James

12. Stepstone

13. Hobo's Lullaby

14. Slipknot

16. When The Yanks Go Marching In

17. Keep My Skillet Good And Greasy

18. Little Black Train

19. Gypsy Davy

20. Cowboy Waltz

21. 1913 Massacre

22. Ludlow Massacre

23. Ramblin' Round

24. When The Curfew Blows

25. New Found Land


Track List: Worried Man Blues: The Best Of Woody Guthrie

1. Worried Man Blues

2. Hard, Ain't It Hard

3. Buffalo Skinners

4. Pretty Boy Floyd

6. Gypsy Davy

7. Blowing Down That Old Dusty Road

8. John Henry

9. More Pretty Girls Than One

10. Rangers Command

11. Danville Girl

13. Lonesome Day


Track List: The Best Of The War Years

1. Hey Lolly Lolly

2. Buffalo Skinners

3. John Henry

4. Gypsy Davy

5. Worried Man Blues

6. More Pretty Girls Than One

7. Going Down The Road (I Ain't Going To Be Treated This Way)

8. Ranger's Command

9. Poor Boy

10. Lonesome Day

11. Pretty Boy Floyd

12. Hard, Ain't It Hard

13. Stackolee

14. Cumberland Gap

15. Sourwood Mountain

16. Lost John

17. Columbus Stockade

18. Bury Me Beneath The Willow

19. Chain Gang Special

20. Red River

21. Rock Me Momma

22. Pick A Bale Of Cotton

23. Ezekiel Saw The Wheel


Track List: Dust Bowl Ballads

1. The Great Dust Storm (Dust Storm Disaster)

2. Talking Dust Bowl Blues

3. Pretty Boy Floyd

4. Dusty Old Dust (So Long It's Been Good To Know Yuh)

5. Dust Bowl Blues

7. Tom Joad-Part 1

8. Tom Joad-Part 2

9. Do Re Mi

10. Dust Bowl Refugee

11. I Ain't Got No Home

12. Vigilante Man

13. Dust Can't Kill Me

14. Dust Pneumonia Blues


Track List: Buffalo Skinners: The Asch Recordings, Vol. 4

1. Ranger's Command

2. Buffalo Skinners

3. Billy The Kid

4. Cowboy Waltz

5. Pretty Boy Floyd

6. Along In The Sun And The Rain

7. Whoopie Ti Yi Yo, Get Along Liittle Dogies

8. Froggie Went A-Courtin'

9. Buffalo Gals

10. I Ride An Old Paint

11. Dead Or Alive

12. Slipknot

13. Cocaine Blues

14. Go Tell Aunt Rhody

15. Chisholm Trail

16. Stewball

17. Wild Cyclone

18. Train Blues

19. Red River Valley

20. Fastest Of Ponies

21. Stewball

22. Snow Deer

23. When The Curfew Blows

24. Little Darling

25. Blowing Down That Old Dusty Road

26. The Return Of Rocky Mountain Slim And Desert Rat Shorty


Track List: Hard Travelin': The Asch Recordings, Vol. 3

1. Hard Travelin'

2. Farmer-Labor Train

3. Howdjadoo

4. Ship In The Sky

5. I Ain't Got No Home In This World Anymore

6. Mean Talking Blues

7. Better World A-Comin'

8. Miss Pavlichenko

9. So Long, It's Been Good To Know You

10. New Found Land

11. Oregon Trail

12. Vigilante Man

13. 1913 Massacre

14. Talking Columbia

15. Two Good Men

16. Sally, Don't You Grieve

17. Talking Sailor

18. What Are We Waiting On?

19. Railroad Blues

20. Ludlow Massacre

21. Ladies Auxiliary

22. Miner's Song

23. When The Yanks Go Marching In

24. Union Maid (Excerpt)

25. Rubaiyat (Excerpt)

26. The Many And The Few

27. Hanukkah Dance


Track List: Muleskinner Blues: The Asch Recordings, Vol. 2

1. Muleskinner Blues

2. Wreck Of The Old 97

3. Sally Goodin'

4. Little Black Train

5. Who's Gonna Shoe Your Pretty Little Feet

6. Baltimore To Washington

7. Rubber Dolly

8. 21 Years

9. Sowing On The Mountain

10. Bed On The Floor

11. Take A Whiff On Me

12. Stepstone

13. Put My Little Shoes Away

14. Hen Cackle

15. Poor Boy

16. Stackolee

17. Johnny Hart

18. Worried Man Blues

19. Danville Girl

20. Gamling Man

21. Rye Straw

22. Crawdad Song

23. Ida Red

24. Keep My Skillet Good And Greasy

25. Train 45


Track List: Long Ways To Travel: The Unreleased Folkways Masters, 1944-1949

1. Hard Travelin'

2. Talking Centralia

3. Farmer-Labor Train

4. Harriet Tubman's Ballad

5. Warden In The Sky

6. Train Narration

7. Seattle To Chicago

8. Rain Crow Bill

9. Along In The Sun And The Rain

10. Budded Roses

11. Train Ride Medley (Part 1)

12. Girl I Left Behind Me

13. Wiggledy Giggledy

14. Kissin' On

15. Rocky Mountain Slim And Desert Rat Shorty

16. Train Ride Medley (Part 2)

17. Long Ways To Travel


Track List: Struggle

1. Struggle Blues

2. A Dollar Down And A Dollar A Week

3. Whoopie Ti-Yi-Yo, Get Along Little Dogies

4. Hang Knot

5. Waiting At The Gate

6. The Dying Miner

7. Union Burying Ground

8. Lost John

9. Buffalo Skinners

10. Pretty Boy Floyd

11. Ludlow Massacre

12. 1913 Massacre


Track List: Library of Congress Recordings, Vols. 1-3

Disc 1

1. Lost Train Blues

2. Railroad Blues

3. Rye Whiskey

4. Old Joe Clark

5. Beaumont Rag

6. Texas Oil Field

7. Greenback Dollar

8. Boll Weevil Song

9. So Long, It's Been Good To Know You

10. Talking Dust Bowl Blues

11. Do-Re-Mi

Disc 2

1. Hard Times

2. Pretty Boy Floyd

3. They Laid Jesus Christ In His Grave

4. Jolly Banker

5. I Ain't Got No Home

6. Dirty Overalls

7. Chain Around My Leg

8. Worried Man Blues

9. Lonesome Valley

10. Walking Down That Railroad Line

Disc 3

1. Goin' Down That Road Feeling Bad

2. Dust Storm Disaster

3. Foggy Mountain Top

4. Dust Pneumonia Blues

5. California Blues

6. Dust Bowl Refugees

7. Will Rogers Highway

8. Los Angeles New Year's Flood


Track List: Woody Guthrie Sings Folk Songs, Vol. 2

1. Keep My Skillet Good And Greasy

2. Talking Hard Work

4. A Picture From Life's Other Side

5. Hen Cackle

6. Danville Girl

7. Put My Little Shoes Away

8. Sally Goodin'

9. Hard, Ain't It Hard

10. Poor Boy (Coon Can Game)

11. The Wreck Of The Old 97

12. Take A Whiff On Me

13. Bed On The Floor

14. Buffalo Gals

15. Going Down The Road Feeling Bad


Track List: The Early Years

1. Hey Lolly Lolly

2. Buffalo Skinners

3. John Henry

4. Gypsy Davy

5. Worried Man Blues

8. Rangers Command

9. Poor Boy

10. Lonesome Day

11. Pretty Boy Floyd

12. Hard, Ain't It Hard

13. Stackolee

14. Cumberland Gap

15. Old Time Religion

16. Sourwood Mountain

18. Lost John

19. Columbus Stockade

20. Bury Me Beneath The Willow

21. Chain Gang Special

22. Ezekiel Saw The Wheel


Track List: Woody Guthrie Sings Folks Songs

1. Hard Travelin'

2. What Did The Deep Sea Say?

3. The Rising Sun Blues

4. Nine Hundred Miles (Instrumental)

5. John Henry

6. Oregon Trail

7. We Shall Be Free

8. Dirty Overhalls

9. Jackhammer Blues

10. Springfield Mountain

11. Brown Eyes

12. The Boll Weevil

13. Guitar Blues (Instrumental)

14. Will You Miss Me?


Track List: Ballads Of Sacco & Vanzetti

1. The Flood And The Storm

2. Two Good Men

3. I Just Want To Sing Your Name

4. Red Wine

5. Suassos Lane

6. You Souls Of Boston

7. Old Judge Thayer

8. Vanzetti's Rock

9. Vanzetti's Letter

10. Root Hog And Die

11. We Welcome To Heaven

12. Sacco's Letter To His Son


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I will continue giving the gift of Woody to everyone I know until I breath no more. So many have taken up his fight, but there is still so much to do. Fight on family, fight on.
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'Some will rob you with a six-gun....a n d some with a fountain pen.' Perfectly and concisely expressed, and still relevant.
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reminds me of the hobos of old
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I'm just beginning to introduce myself into Folk music so Im trying to learn as much as I can from the great ones like Woody. Thanks Pandora for providing such in depth bio notes..
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Can someone clarify what does alternate version means? I'm hearing Woody's voice sing different words in the recording from the written lyrics..Is it some form of cersorship?
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I hate a song that makes you think you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim. Too ugly or too this or too that. Songs that run you down or poke fun at you on account of your bad luck or hard traveling. I'm out to fight those songs to my very last breath of air and my last drop of blood...WG
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I may not exactly enjoy his singing voice but I still tip my hat to this man who was obviously such an invaluable contributor to American folk music. Credit where credit is due is my motto!
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i hate that hardly anyone knows of him he changed music, he was a pioneer, someone to look up to, now if you go walk up to anyone and say hey do you know woody guthrie i bet you get a funny look and they walk away thinking you are crazy or something.
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Love him
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5 years in a lock down for getting rousted, and being broke....ame r i c a can do better for it's heros....... . . . b u t won't, nothing has changed except now we just get it in -$$
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Jesus Christ!
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You gotta walkkkkk.... t h a t lonesome valky....
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Woody was a bad-a**. He should be on a coin, maybe a 2-cent one. R.I.P., you supreme wonder.
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One of the most influential recording artists of all time
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Happy 100th Birthday, Woody. Thanks for changing the world.
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Pastures of Plenty should be the new American national anthem :)
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If you haven't read Bound For Glory, do yourself a huge favor and pick it up. It's one of the most moving and unforgettabl e books I have ever read -- truly a classic of American literature.
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Probably the most important musician of all time. We'll be celebrating his 100th birthday this July 14
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All this being said, Woody's music is forever some of the best.
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@mcatroppa The music that reflects our current situation is so far underground that most ordinary people can't find it, because what those artists have to say is inflamatory. You want to hear this new music? First check the hardcore of the 80's, then check the underground hip-hop scene. The new music of the Depression isn't sad, it's angry and it's edges are sharp. Much love to Woody, but the new generation is much angrier than he.
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Woody is the most important music figure of ALL times. Without Woody there would be NO Joan Biaez, No Public Enemy, No Black Flag. Woody was the first musician to be told to Shut Up. by our free speech driven congress. He is the JD Salinger of music history.
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@mark, look at seastick steve, or immortal technique for modern day trouble songs. two very different soccio-econo m i c l y depressed generes..
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Music like this and acoustic blues in general came from an era of very very tough times both socially and economically . We're currently in tough times again but where's the music that reflects this now?
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hannahsimms8 2
Christine, you have it exactly right, and I agree with you fully.
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Isn't it a shame that we in this time don't have the courage to fight for the rights of the working man and woman that they did in their time.
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Thanks Woody, wish I could have met you and thanked you in person.
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Woody and I have the same birthdate. If you listen to the words of Woody they can be used for this day and time. Bob Dylan used the music and idea of Woody. Thanks Woody.
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An amazing artist and human being. I saw his son Arlo perform, wonderful.
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gonna go see a big Woody Guthrie tribute at LA Acoustic Festival soon!
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He lived in Brooklyn a while...dust bowl to the Grand Coulee to Coney Island sand and surf...sea to shining sea...Okie very much at home near Steeplechase and the last stop on the BMT Sea Beach line.
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Woody Guthrie....w o w ! . . . I nominate him as the official Poet of the United States...and her shakey history.
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this man is my hero...whoa, i was the last person to a t ' s kinda strange.
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Woody is amazing! His whole family is great too. His son Arlo,and granddaughte r Sarah Lee
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one of the biggest influences of my life
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easy to see how he influenced Bob Dylan...awes o m e !
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I do like Woody Guthrie but the question is does he like me no because he is dead but I like dead people not in that way don't laugh.
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Mr. Guthrie was a real American because he realized that it doesn't matter what piece of dirt you are located on, It's people and their well being that matters.
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i recently discovered woody and i cant beleive he can sing over his badass guitar parts.
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Woody's impact on what we now know to be introspectiv e , singer/songw r i t e r musicians is priceless. It would be fascinating to hear what kind of tales Woody might be spinning out if he were with us today. Pour a sip on the ground. Miss ya.
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I knew of Woody Guthrie, but had no idea how influential he was.
Thank you Pandora.
The stream of consciousnes s music I could never put together, the artist information, the links between artists. Every genre is linked to others. I rarely even listen to my iTunes playlists anymore.
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Without this man, there would be no Bob Dylan, no CCR, no Big Brother and the Holding Company. No Johnny Cash. No folk movement. No Rockabilly movement. No reason for music with a message. No reason for a machine to kill fascists.
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Great messages in his songs, real stories about REAL America, and what makes us the greatest country in the world. We need men like this singing songs for the forgotten ones, the poor and oppressed
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Thank God for plastic. we will have Woody-Hank-J o h n - D y l a n - s o many more forever. ..Thank God for music....
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I love Pete Seeger, remember him from way back in my childhood. Woodie Guthrie to ... and i love Arlo Guthrie too.
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kills fascists
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