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electric rock instrumentation
great musicianship
demanding instrumental part writing
chromatic harmonic structure
mixed acoustic and electric instrumentation
a vocal-centric aesthetic
mixed minor & major key tonality
electric guitar riffs
an electric guitar solo
prominent bass riffs
a dynamic male vocalist
prominent organ
acoustic rhythm guitars
prominent drums
humorous lyrics
vocal harmonies
emphasis on instrumental arranging
intricate arranging
These are just a few of the hundreds of attributes cataloged for this track by the Music Genome Project.
Saw them in Pittsburgh several times too. They opened the roof of the arena to let all the smoke out. One of the tighter bands I've seen. Alan White on drums & percussion is underrated because Squire has such a strong bass line. The entire band was so talented. A treat to watch live. Be blessed, Rev Rob
my first yes recording was topographic oceans on 8-track love at first riff ever since. steve howe amazing!!! chris squire as well ian anderson what a voice enough said the band is excellent!!!
they were the homecoming concert band for the college i attended in the fall of 1972. no kidding!!! millersville,pennsylvania. anyone remember?
bcassiesouter
Live in Joshua Tree Calif, Only 1 station gets here.... I wish they would play Anything like this!!!
azgeo
Every aspect of this prog-rock classic is meticulously crafted. I saw them in Pittsburgh on November 7, 1972. Unlike every other show in its day that desensitized eardrums with overly loud music before the band started, we were greeted with the soothing sounds of nature, just like the record. I was amazed by how fundamental Chris Squire was to their sound. His Rickenbacker bass was fantastic. The musicians were cheered by all, and I'll never forget how much fun they had playing and our joy.
Although this song was the practically the only YES song radio ever played (until Lonely Heart) ,and was the encore for almost every single Yes show,it has endured the test of time ,and it is deffinately NO SLOUCH!
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