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Arthur Fiedler

Easily the most popular conductor of his era, Arthur Fiedler was classical music's greatest ambassador since Mozart, and also one of those rare conductors whose records were not only successful, but serious profit centers, both for his orchestra and his record labels. Without regard to cultural and economic barriers, he promoted symphonic music for the enjoyment and appreciation of all listeners, programming pieces by everyone from Pachelbel to Gershwin to the Beatles and the Bee Gees. Born December 17, 1894 in Boston, Massachusetts, Fiedler was the son of a violinist in the Boston Symphony Orchestra; at the age of 15, he traveled to Berlin to study under the virtuoso Willy Hess, and while there, he also explored chamber music and conducting, in the process gaining an intimate knowledge of the Western European classical tradition. By 1915, Fiedler was back in the U.S., signing on to the Boston Symphony as a violinist; however, his own desires to conduct prompted him to form the Arthur Fiedler Sinfonietta, a tiny orchestra comprising other top BSO players.

With the Sinfonietta, Fiedler introduced his legendary Esplanade Concerts along the banks of the Charles River; the first such American performances of their kind, they combined classical and popular music to appeal to the widest audiences imaginable, and in the years to follow, became a staple of Boston culture, to this day continuing to draw hundreds of thousands of people each year. In 1930, Fiedler was appointed to the conductor's post of the Boston Pops Orchestra, the summer season incarnation of the Boston Symphony Orchestra (excluding their first-chair players). The Pops was already an established institution in Boston, but Fiedler took them further in the direction of popular music, adding show tunes and other material from beyond the concert hall to the waltzes, polkas, and other light classics already in their repertory. This wasn't always easy, as many of the players came from European backgrounds and, as he discovered, were snobbish about music (and, especially, American music). According to his daughter Johanna, he was compelled to explain that there was "no bad music, only boring music," and that was sometimes the fault of players who didn't embrace it; and that they were now playing in America, for American audiences, and would have to adapt.

He held the podium at the Pops for a half-century and turned them into one of the best-known orchestras in the United States. In contrast to most other conductors of his era, who regarded recording as a necessary if unpleasant obligation, Fiedler embraced recorded music and used it to sell music and the Pops to tens of millions who never got anywhere near Boston. One of the more enduring successes of his early career came in 1940, with the Sinfonietta's release of the first-ever recording of Johann Pachelbel's Canon in D, reintroducing to the world a piece of music that would become one of the most widely known works of the Baroque era. The Pops (like the Boston Symphony) were associated with RCA Victor and became a cash cow, not just for their parent orchestra but also for the record label; they were prevailed upon to record as much as possible, often re-doing the same pieces multiple times as technology advanced. In 1950, Fiedler's recording of Manuel Rosenthal's Offenbach pastiche Gaite Parisienne became the first long-playing record ever issued by RCA Victor, and they re-recorded the piece in stereo in 1954, long before that format was established. Their albums had sufficient mass appeal to be used as membership premiums in print advertisements for the RCA Record Club.

Fiedler & the Pops made the leap to multimedia entertainment in 1970 with Evening at the Pops on the PBS network, which offered a featured guest (usually a singer or soloist) each week in tandem with the orchestra. Fiedler's avuncular persona and his sense of humor lent themselves to proceedings that, depending on the guest, ranged from the sublimely beautiful (Judy Collins) to the delightfully ridiculous (Prof. Peter Schickele, aka P.D.Q. Bach), and sometimes both at once (the Muppets). He sometimes seemed more like a ringmaster than conductor, and became a star himself in that role, profiled on national television in his seventies. By that time, the Pops -- in tandem with the Boston Symphony -- had switched labels to Deutsche Grammophon. Fiedler had always kept a finger on the pulse of popular music -- in 1964, he was putting Lennon-McCartney songs into the Pops' repertory -- and his final album, released in 1979, was entitled Saturday Night Fiedler and presented him on the cover dressed like John Travolta from Saturday Night Fever. It might have provoked gasps from some purists, but it did sell, and it may even have gotten some disco listeners to try the Pops' brand of music. Part of the secret of his 50 years of success was that he always engaged top talent behind the scenes: the orchestra's quality was a given, but he also employed talented arrangers, most notably Leroy Anderson, himself later an established composer of light classics; the Pops' renditions of show tunes, rock songs, and even disco numbers were often entertaining, never less than interesting, and sometimes enlightening. In all, he was probably the most recorded conductor, and the Pops the most recorded orchestra of their time, with over 50 million sales of the albums.

Fiedler was a tough act to follow. At the time of his death on July 10, 1979, the Pops had become so important to the orchestra and PBS, that it was necessary to find someone who already had a following. Composer/conductor John Williams, who had soared to fame before the public with his music for the movies Jaws, Star Wars (and its sequels), and Close Encounters of the Third Kind, achieving a recognition level equivalent to that of many movie stars, became his chosen successor in 1980. ~ Bruce Eder & Jason Ankeny
full bio

Selected Discography

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Track List: Saint-Saens: Carnival Of The Animals - Britten: The Young Person's Guide To The Orchestra, Op. 34

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Track List: Greatest Hits

26. Stardust

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Track List: Disco Inferno / Manhattan Skyline [Digital 45] - Single

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Track List: Stayin' Alive / Night Fever [Digital 45] - Single

1. Stayin' Alive

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Track List: Saturday Night Fiedler (Digitally Remastered)

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Track List: Puccini: Madame Butterfly Vol.64

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Track List: Richard Rodgers Greatest Hits

1. Slaughter On Tenth Avenue (From "On Your Toes")

3. March Of The Siamese Children (From "The King And I")

7. Waltzes

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Track List: Fiedler & Friends

1. The Carnival Of Venice (Feat. Al Hirt)

2. Country Gentleman (Feat. Chet Atkins, John Greubel, Henry Strzelecki, Chet Atkins With Arthur Fiedler & The Boston Pops)

3. Love Is Here To Stay (Feat. Peter Nero)

4. The Girl From Ipanema (Feat. Stan Getz)

5. Sophisticated Lady (Feat. Duke Ellington)

6. Because (Feat. Kate Smith)

7. Scherzo (Feat. Leonard Pennario)

8. I Wonder As I Wander (Feat. Leontyne Price)

9. I Got Rhythm (From "Girl Crazy") (Feat. Peter Nero)

10. The Last Waltz (Feat. Robert Moore & Jerry Carrigan)

11. Satin Doll (Feat. Duke Ellington & Boston Pops Orchestra)

12. Orange Blossom Special (Feat. Chet Atkins, John Greubel & Henry Strzelecki)

13. Be My Love (Feat. Kate Smith)

14. Java (Feat. Al Hirt)

15. Embraceable You (Feat. Peter Nero)

16. A Song After Sundown (Feat. Stan Getz)

17. Ave Maria (Feat. Leontyne Price)

18. Caravan (Feat. Duke Ellington)

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Track List: 100 Fiedler Favorites

Disc 1

2. Little Fugue In G Minor, BWV 578

13. William Tell Overture

Disc 2

10. Parade Of The Wooden Soldiers

Disc 3

2. Dance Of The Camorristi

3. Air On The G-String

7. Song Of India

10. Spring Song

14. Liebestraum

15. None But The Lonely Heart

Disc 4

1. Tales From The Vienna Woods, Op. 325

3. Pizzicato Polka

7. Waltzes

10. On The Beautiful Blue Danube (Blue Danube Waltz)

Disc 5

8. March Of The Siamese Children

13. Dixie

18. Funeral March Of A Marionette

19. Pomp And Circumstance March No. 1

Disc 6

1. Cuban Overture

8. George M. Cohan Medley

Disc 7

1. In The Mood

2. Eleanor Rigby

5. Love Is Blue

6. Smoke Gets In Your Eyes

7. Love Me Tender

8. The Syncopated Clock

9. Laura

10. A Man And A Woman

11. Moonlight Serenade

12. The First Time Ever I Saw Your Face

14. Moon River

15. Days Of Wine And Roses

16. Mame

17. I Left My Heart In San Francisco

18. You Are The Sunshine Of My Life

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Track List: Liszt: Piano Concertos Nos. 1 & 2, Hungarian Rhapsody No.2

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Track List: Gaité Parisienne

1. Gaîté Parisienne: Allegro

2. Gaîté Parisienne: Allegro Brillante

3. Gaîté Parisienne: Polka

4. Gaîté Parisienne: Ländler: Allegro

5. Gaîté Parisienne: Mazurka

6. Gaîté Parisienne: Valse

7. Gaîté Parisienne: Allegro

8. Gaîté Parisienne: Polka

9. Gaîté Parisienne: Valse

10. Gaîté Parisienne: Tempo Di Marcia

11. Gaîté Parisienne: Valse

12. Gaîté Parisienne: Allegro Vivo

13. Gaîté Parisienne: Valse

14. Gaîté Parisienne: Allegro Vivace; Misterioso

15. Gaîté Parisienne: Valse

16. Gaîté Parisienne: Allegro Vivo

17. Gaîté Parisienne: Cancan

18. Gaîté Parisienne: Quadrille

19. Gaîté Parisienne: Allegro Moderato

20. Gaîté Parisienne: Allegro

21. Gaîté Parisienne: Vivo

22. Gaîté Parisienne: Vivo

23. Gaîté Parisienne: Barcarolle

24. La Boutique Fantasque: Overture

25. La Boutique Fantasque: Tarantelle

26. La Boutique Fantasque: Vivo

27. La Boutique Fantasque: Mazurka

28. La Boutique Fantasque: Danse Cosaque

29. La Boutique Fantasque: Cancan

30. La Boutique Fantasque: Valse Lente

31. La Boutique Fantasque: Nocturne

32. La Boutique Fantasque: Galop

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Track List: Leroy Anderson Favorites

2. Blue Tango

5. The Waltzing Cat

6. Jazz Pizzicato - Jazz Legato

7. Saraband

8. The Typewriter

10. Classical Juke Box

11. Plink, Plank, Plunk!

12. Belle Of The Ball

13. Serenata

14. Chicken Reel

16. The Irish Suite: The Irish Washerwoman

17. The Irish Suite: The Minstrel Boy

18. The Irish Suite: The Rakes Of Mallow

19. The Irish Suite: The Wearing Of The Green

20. The Irish Suite: The Last Rose Of Summer

21. The Irish Suite: The Girl I Left Behind Me

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Track List: Classics For Children - Prokofiev: Peter And The Wolf / Saint-Saëns: Carnival Of The Animals / Tchaikovsky: Nutcracker Suite

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Track List: Irish Night At The Pops

1. The Irish Suite: The Irish Washerwoman

2. The Irish Suite: The Minstrel Boy

3. The Irish Suite: The Rakes Of Mallow

4. The Irish Suite: The Wearing Of The Green

6. The Irish Suite: The Girl I Left Behind Me

7. Londonderry Air

8. The Count Of Luxembourg: Waltzes

9. Old MacDonald Had A Farm

10. Old Timers' Night At The Pops

11. Look Sharp!

12. George M. Cohan Medley

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Track List: Pops Roundup

1. Pops Roundup

2. O Bury Me Not On The Lone Prairie

4. Home On The Range

5. Whoopie-Ti-Yi-Yo (Git Along Little Dogies)

6. Tumbling Tumbleweeds

8. Wagon Wheels

9. Riders In The Sky

10. Cool Water

11. The Last Roundup

12. Pops Hoe-Down

13. Shenandoah

14. High Noon (Do Not Forsake Me) (From "High Noon")

16. The Streets Of Laredo

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