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Carl Czerny

Selected Discography

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Track List: Carl Czerny: Bel Canto Concertante

1. Introduction, Variations Et Presto Finale Sur Un Theme Favori De L'opera Norma De Bellini, Op. 281: Introduction, Variations Et Presto Finale Sur Un Theme Favori De L'opera Norma De Bellini, Op. 281

2. Grandes Variations De Bravura Sur Deux Motifs De L'opera Fra Diavolo De D.f.e. Auber, Op. 232: Grandes Variations De Bravura Sur Deux Motifs De L'opera Fra Diavolo De D.f.e. Auber, Op. 232

3. Introduction, Variations Et Polacca Dans Le Style Brillant Sur La Cavatine Favorite "Tu Vedrai La Sventurata" Chantee Par M. Rubini Dans L'opera Il Pirata De Bellini, Op. 160: Introduction, Variations Et Polacca Dans Le Style Brillant Sur La Cavatine Favorite "Tu Vedrai La Sventurata" Chantee Par M. Rubini Dans L'opera Il Pirata De Bellini, Op. 160

4. Introduction And Variations Brillantes Sur Le Marche Favori De L'opera Gli Arabi Nelle Gallie De Pacini, Op. 234: Introduction And Variations Brillantes Sur Le Marche Favori De L'opera Gli Arabi Nelle Gallie De Pacini, Op. 234

x

Track List: Carl Czerny: Piano Sonatas, Vol. 3

Disc 1
Title: Piano Sonata No. 10 In B-flat, Op. 268
Title: Rondino No. 6 On An Original Theme "Les Jours Passées" In E-flat, Op. 42
Title: Sonatine In G, For Piano, Op. 261
Title: Gran Capriccio In C Minor, For Piano, Op. 172
Disc 2
Title: Piano Sonata No. 3 In F Minor, Op. 57
Title: Andante & Allegro, For Piano
Title: Romance, For Piano, Op. 755/13
Title: Capriccio À La Fuga, For Piano, Op. 89
Title: Piano Sonata No. 4 In G Major, Op. 65
x

Track List: Karl Czerny: The Art of Finger Dexterity, Op. 740

Title: Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740

1. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Articulation Of The Fingers With Quiet Hand

2. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: The Passage Of The Thumb

3. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Clarity In The Speed

4. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Light Articulation In Half-staccato

5. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Evenness In Double Runs

6. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Clarity In Broken Chords

7. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Exchange Of The Fingers On The Same Key

8. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Light Articulation Of The Left Hand

9. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Delicacy In Skips And Staccattos

10. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Exercise For Third

11. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Skill In Alternating Fingers

12. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Flexibility Of The Left Hand

13. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Maximum Velocity

14. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Chords Passages

15. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Wide Position In Fortissimo

16. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Alternating Fingers At Speed

17. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Minor Scales At High Speed

18. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Crossing The Hands Naturely And With A Fine Touch

19. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Tense Positions With Calm Hand

20. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Double Octaves

21. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Parallel Movement Of The Hands

22. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Exercise For The Trill

23. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Light Touch Of The Left Hand

24. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: The Thumb On The Black Keys With Absolutely Calm Hand

25. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Agility And Clarity

26. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Maximum Velocity In Arpeggios

27. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Independence Of The Fingers

28. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Calm Hand With Fast Articulation Of The Fingers

29. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Exercise For The Turn

30. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: In Order To Acquire A Firm Touch

31. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Exercise For The Passing Of The Thumbs

32. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Uniformity In Raising The Fingers

33. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Light Hand In Octave Skips

34. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Trills Of Thirds

35. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Changing Fingers On The Same Key

36. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Lightness Of The Arm And Agility Of The Fingers

37. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Strength And Clarity

38. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Uniform Movement In Raising The Hands

39. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Exercise For Thirds

40. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Light Or Half-staccato In Chords

41. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Fluency Of The Fingers Of The Left Hand

42. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Exercise For Double Turns

43. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Skill In Passing Of The Thumbs

44. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: The Lightest Touch Together With The Greatest Mobility Of The Fingers

45. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Legato Melody With Spread Chords

46. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Ease Of Touch And Velocity

47. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Clear Touch In Spread Chords

48. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Exercise For The Shake

49. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Octaves With Bravura

50. Die Kunst Der Fingerfertigkeit, For Keyboard, Op. 740: Ease Of Touch And Velocity 2

x

Track List: Czerny: Symphonies No. 2 & 6

Title: Symphony No. 6 In G Minor

1. Symphony No. 6 In G Minor: I. Andante Maestoso-allegro Con Brio

2. Symphony No. 6 In G Minor: II. Andante Un Poco Sostenuto

3. Symphony No. 6 In G Minor: III. Scherzo-trio

4. Symphony No. 6 In G Minor: IV. Finale

Title: Symphony No. 2 In D Major, Op. 781

5. Symphony No. 2 In D Major, Op. 781: I. Andante Maestoso Ma Con Moto-allegro Vivace

6. Symphony No. 2 In D Major, Op. 781: II. Andantino Grazioso Un Poco Moto

7. Symphony No. 2 In D Major, Op. 781: III. Scherzo-molto Vivace-trio

8. Symphony No. 2 In D Major, Op. 781: IV. Finale-allegro Vivace

Comments

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One is never to old to yearn Italian Proverb
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Unrequited
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According to the liner notes of a CD of his three horn sonatas on Et Cetera, he never married, but kept three cats.

Many other works have been recorded, including some more of, but not enough of his chamber and piano works, including some for six hands (three pianists on the same bench).
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Absolutely amazing!!! How come it took me over 50- years to stumble across this guy? Is he a secret or something???
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I'm actually quite fond of Czerny's piano exercises. My mother is a piano teacher and I grew up playing piano under her instruction ... and while I hated to practice, I'd willingly throw myself into my Czerny warm-ups. No idea why.

Beethoven is my favorite, although I would never have guessed a connection between the two. Maybe I should learn more Czerny...
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Here's a suggestion: Prelude and Fugue in E Minor by Mendelssohn. I used to play it. It's not too awfully romantic. Although I love Chopin.
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There is a piano transcriptio n of the Toccata and Fugue in D Minor going on. Why on earth would one want to hear it on anything but a pipe organ. Or course, much of it is rather catchy on the keyboard, but it just isn't the same.
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My piano teacher, Leon Frank, believed in Czerny. So I played plenty of Czerny. Has anyone reading this studied under Leon Frank in Nashville, TN; or Werner Zepernick, Nashville; or Dr.Phil Howard,MTSU, Murfreesboro , TN?
Report as inappropriate
ednbobbie
I can still remember my years as a piano student playing Czerny's piano exercises, but unfortunatel y I never played ANY of his "real" music, which I like very much (but only as an occasional change of pace). I'm very glad you choose to include a little of it from time to time. Thanks a lot. Ed

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