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Jimmy Reed

There's simply no sound in the blues as easily digestible, accessible, instantly recognizable, and as easy to play and sing as the music of Jimmy Reed. His best-known songs -- "Baby, What You Want Me to Do," "Bright Lights, Big City," "Honest I Do," "You Don't Have to Go," "Going to New York," "Ain't That Lovin' You Baby," and "Big Boss Man" -- have become such an integral part of the standard blues repertoire, it's almost as if they have existed forever. Because his style was simple and easily imitated, his songs were accessible to just about everyone from high-school garage bands having a go at it, to Elvis Presley, Charlie Rich, Lou Rawls, Hank Williams, Jr., and the Rolling Stones, making him -- in the long run -- perhaps the most influential bluesman of all. His bottom-string boogie rhythm guitar patterns (all furnished by boyhood friend and longtime musical partner Eddie Taylor), simple two-string turnarounds, country-ish harmonica solos (all played in a neck-rack attachment hung around his neck), and mush-mouthed vocals were probably the first exposure most white folks had to the blues. And his music -- lazy, loping, and insistent and constantly built and reconstructed single after single on the same sturdy frame -- was a formula that proved to be enormously successful and influential, both with middle-aged blacks and young white audiences for a good dozen years. Jimmy Reed records hit the R&B charts with amazing frequency and crossed over onto the pop charts on many occasions, a rare feat for an unreconstructed bluesman. This is all the more amazing simply because Reed's music was nothing special on the surface; he possessed absolutely no technical expertise on either of his chosen instruments and his vocals certainly lacked the fierce declamatory intensity of a Howlin' Wolf or a Muddy Waters. But it was exactly that lack of in-your-face musical confrontation that made Jimmy Reed a welcome addition to everybody's record collection back in the '50s and '60s. And for those aspiring musicians who wanted to give the blues a try, either vocally or instrumentally (no matter what skin color you were born with), perhaps Billy Vera said it best in his liner notes to a Reed greatest-hits anthology: "Yes, anybody with a range of more than six notes could sing Jimmy's tunes and play them the first day Mom and Dad brought home that first guitar from Sears & Roebuck. I guess Jimmy could be termed the '50s punk bluesman."

Reed was born on September 6, 1925, on a plantation in or around the small burg of Dunleith, MS. He stayed around the area until he was 15, learning the basic rudiments of harmonica and guitar from his buddy Eddie Taylor, who was then making a name for himself as a semi-pro musician, working country suppers and juke joints. Reed moved up to Chicago in 1943, but was quickly drafted into the Navy where he served for two years. After a quick trip back to Mississippi and marriage to his beloved wife Mary (known to blues fans as "Mama Reed"), he relocated to Gary, IN, and found work at an Armour Foods meat packing plant while simultaneously breaking into the burgeoning blues scene around Gary and neighboring Chicago. The early '50s found him working as a sideman with John Brim's Gary Kings (that's Reed blowing harp on Brim's classic "Tough Times" and its instrumental flipside, "Gary Stomp") and playing on the street for tips with Willie Joe Duncan, a shadowy figure who played an amplified, homemade one-string instrument called a Unitar. After failing an audition with Chess Records (his later chart success would be a constant thorn in the side of the firm), Brim's drummer at the time -- improbably enough, future blues guitar legend Albert King -- brought him over to the newly formed Vee-Jay Records, where his first recordings were made. It was during this time that he was reunited and started playing again with Eddie Taylor, a musical partnership that would last off and on until Reed's death. Success was slow in coming, but when his third single, "You Don't Have to Go" backed with "Boogie in the Dark," made the number five slot on Billboard's R&B charts, the hits pretty much kept on coming for the next decade.

But if selling more records than Muddy Waters, Howlin' Wolf, Elmore James, or Little Walter brought the rewards of fame to his doorstep, no one was more ill-equipped to handle them than Jimmy Reed. With signing his name for fans being the total sum of his literacy, combined with a back-breaking road schedule once he became a name attraction and his self-description as a "liquor glutter," Reed started to fall apart like a cheap suit almost immediately. His devious schemes to tend to his alcoholism -- and the just plain aberrant behavior that came as a result of it -- quickly made him the laughingstock of his show-business contemporaries. Those who shared the bill with him in top-of-the-line R&B venues like the Apollo Theater -- where the story of him urinating on a star performer's dress in the wings has been repeated verbatim by more than one old-timer -- still shake their heads and wonder how Reed could actually stand up straight and perform, much less hold the audience in the palm of his hand. Other stories of Reed being "arrested" and thrown into a Chicago drunk tank the night before a recording session also reverberate throughout the blues community to this day. Little wonder then that when he was stricken with epilepsy in 1957, it went undiagnosed for an extended period of time, simply because he had experienced so many attacks of delirium tremens, better known as the "DTs." Eddie Taylor would relate how he sat directly in front of Reed in the studio, instructing him while the tune was being recorded exactly when to start to start singing, when to blow his harp, and when to do the turnarounds on his guitar. Jimmy Reed also appears, by all accounts, to have been unable to remember the lyrics to new songs -- even ones he had composed himself -- and Mama Reed would sit on a piano bench and whisper them into his ear, literally one line at a time. Blues fans who doubt this can clearly hear the proof on several of Jimmy's biggest hits, most notably "Big Boss Man" and "Bright Lights, Big City," where she steps into the fore and starts singing along with him in order to keep him on the beat.

But seemingly none of this mattered. While revisionist blues historians like to make a big deal about either the lack of variety of his work or how later recordings turned him into a mere parody of himself, the public just couldn't get enough of it. Jimmy Reed placed 11 songs on the Billboard Hot 100 pop charts and a total of 14 on the R&B charts, a figure that even a much more sophisticated artist like B.B. King couldn't top. To paraphrase the old saying, nobody liked Jimmy Reed but the people.

Reed's slow descent into the ravages of alcoholism and epilepsy roughly paralleled the decline of Vee-Jay Records, which went out of business at approximately the same time that his final 45 was released, "Don't Think I'm Through." His manager, Al Smith, quickly arranged a contract with the newly formed ABC-Bluesway label and a handful of albums were released into the '70s, all of them lacking the old charm, sounding as if they were cut on a musical assembly line. Jimmy did one last album, a horrible attempt to update his sound with funk beats and wah-wah pedals, before becoming a virtual recluse in his final years. He finally received proper medical attention for his epilepsy and quit drinking, but it was too late and he died trying to make a comeback on the blues festival circuit on August 29, 1976.

All of this is sad beyond belief, simply because there's so much joy in Jimmy Reed's music. And it's that joy that becomes self-evident every time you give one of his classic sides a spin. Although his bare-bones style influenced everyone from British Invasion combos to the entire school of Louisiana swamp blues artists (Slim Harpo and Jimmy Anderson in particular), the simple indisputable fact remains that -- like so many of the other originators in the genre -- there was only one Jimmy Reed. ~ Cub Koda
full bio

Selected Discography


Track List: Grabaciones 1953-1959

1. High And Lonesome

2. Roll And Rhumba

3. Boogie In The Dark

4. You Don't Have To Go

5. Jimmies Boogie

6. I Found My Baby

7. I'm Gonna Ruin You

8. Pretty Thing

9. Honest I Do

10. Down In Virginia

11. I Know Its a Sin

12. Caress Me Baby

13. Baby What You Want Me To Do


Track List: Jimmy Reed Is Back

1. Ain't No Time For Fussin'

2. Keep The Faith

3. Wake Up At Daybreak

4. Turn Me On Like A TV

5. Knocking On Your Door

6. Just A Poor Country Boy

7. Tribute To A Friend

8. Crazy About Oklahoma

9. When I Woke Up This Morning

10. I'm Leaving

11. I Got To Keep Rolling

12. My Baby Told Me


Track List: Legacy

1. Hush, Hush

2. Honest I Do

3. Found Love

4. Ain't That Lovin' You Baby

5. Little Rain

6. Boogie In The Dark

7. Cold And Lonesome

8. Close Together

9. Caress Me Baby

10. I'm Nervous

11. Oh, John

12. Shame, Shame, Shame

13. You're Something Else

14. I Ain't Got You

15. Going Fishing


Track List: Found Love (Expanded Edition)

1. Baby What You Want Me To Do

2. Found Love

3. Meet Me

4. I Was (So) Wrong

5. Going By The River, Part 2

6. Big Boss Man

7. Hush, Hush

8. Where Can You Be

9. I'm Nervous

11. I Ain't Got You

12. Come Love


Track List: Jimmy Reed Selected Hits Vol. 1

1. Crazy 'Bout Oklahoma - Original

2. Cousin Peaches - Original

3. Come Back - Original

4. Cherry Red - Original

5. Blues For Twelve Strings - Original

6. Baby Don't Say That No More - Original

7. Dedicated To Sonny - Original

8. Ain't Gonna Cry No More - Original

9. A New Leaf - Original

10. How Long Blues - Original

11. Help Yourself - Original

12. Heading For A Fall - Original

13. Got Me Chasing You - Original

14. Fifteen Years - Original

15. Down The Road - Original

16. Don't Think I'm Through - Original


Track List: The Best Of The Vee-Jay Years

2. You Don't Have To Go

3. I Ain't Got You

4. Ain't That Lovin' You Baby

5. Can't Stand To See You Go

6. You've Got Me Dizzy

7. Little Rain

8. Honey, Where You Going?

9. Honest I Do

10. I'm Gonna Get My Baby

11. Take Out Some Insurance

12. Going To New York

13. Baby What You Want Me To Do

14. Hush-Hush

15. Big Boss Man

16. Bright Lights Big City

17. Oh John

18. Shame Shame Shame


Track List: Introduction To Jimmy Reed

1. Why Can't I Come In

2. Shame, Shame, Shame

3. I'll Be Home Some Day

4. Run Here To Me Baby

5. Poor Country Boy

6. Texas Is So Doggone Big

7. My Baby Told Me

8. Life Is Funny

9. Just Can't Sleep At Night

10. Five Years Of Good Lovin'

11. I Got To Keep Rolling

12. I'm Leavin'

13. If You Don't Want Me Baby

14. When I Woke Up This Morning

15. If The Four Winds Don't Change

16. When Two People Are In Love


Track List: Story Songs And Voices Of The Blues

1. Bright Lights, Big City

2. Big Boss Man

3. Baby What You Want Me To Do

4. Honest I Do

5. I Wanna Be Loved

6. Take Out Some Insurance

7. Baby What's Wrong

8. I'll Change My Style

9. Hush Hush

10. Ain't That Lovin' You Baby


Track List: Essential Boss Man

Disc 1

2. You Don't Have To Go

3. Boogie In The Dark

4. I'm Gonna Ruin You

5. Pretty Thing

6. I Ain't Got You

7. She Don't Want Me No More

8. Come On Baby

9. I Don't Go For That

10. Baby, Don't Say That No More

12. Can't Stand To See You Go

13. When You Left Me

14. I Love You, Baby

15. My First Plea

16. You Got Me Dizzy

17. Honey, Don't Let Me Go

18. It's You Baby

19. Honey, Where You Going?

20. Do The Thing

21. Little Rain

22. Signals Of Love

23. The Sun Is Shining

24. Baby, What's On Your Mind?

25. Odds And Ends

Disc 2

1. Honest I Do

2. My Bitter Seed

3. Ends And Odds (Instrumental)

4. You're Something Else

5. A String To Your Heart

6. Go On To School

7. You Got Me Crying

8. Down In Virginia

9. I'm Gonna Get My Baby

10. I Wanna Be Loved

11. Caress Me Baby

12. I Know It's A Sin

13. You'n That Sack

14. Going To New York

15. I Told You, Baby

16. Take Out Some Insurance

17. I'm Nervous

18. Baby, What You Want Me To Do

19. Going By The River (Part 1)

20. Where Can You Be

21. Hush, Hush

22. I Was (So) Wrong

23. Blue, Blue Water

24. Please Don't

25. Found Love

Disc 3

1. Big Boss Man

2. Hold Me Close

3. Close Together

4. You Know You're Looking Good

5. Kind Of Lonesome

6. Found Joy

7. Bright Lights, Big City

8. Baby, What's Wrong

9. Aw Shucks, Hush Your Mouth

10. I'm Mr Luck

12. Good Lover

13. Down In Mississippi

14. Too Much

15. Let's Get Together

16. Shame, Shame, Shame

17. Cold And Lonesome

18. Up Tight

19. Mixed Up

20. Wear Something Green

21. When You're Doing All Right

22. I'm Going Upside Your Head

23. I'm The Man Down There

24. When Girls Do It

25. Knockin' At Your Door


Track List: The Sun Is Shining

2. You Don't Have To Go

3. I Don't Go For That

4. Ain't That Lovin' You Baby

5. I Ain't Got You

6. Rockin' With Reed

7. Honest I Do

8. Little Rain

9. I Know It's A Sin

10. Go On To School

11. Going To New York

12. Take Out Some Insurance

13. Found Love

14. Baby, What You Want Me To Do

15. Bright Lights, Big City

16. Shame Shame Shame

17. She Don't Want Me No More

18. Big Boss Man

19. The Sun Is Shining

20. Ends & Odds


Track List: The Very Best Of Jimmy Reed

1. Baby, What You Want Me To Do

2. You Got Me Dizzy

3. I Ain't Got You

4. Take Out Some Insurance

5. Shame Shame Shame

6. Big Boss Man

7. Going To New York

8. The Sun Is Shining

9. Bright Lights, Big City

10. Hush, Hush

11. Ain't That Lovin' You Baby

12. Aw Shucks, Hush Your Mouth

13. Honest I Do

14. Found Love

15. Little Rain

16. You Don't Have To Go


Track List: T'Aint No Big Thing But He Is... Jimmy Reed

1. Shame Shame Shame

2. Mary, Mary

3. Ain't No Big Deal

4. Baby's So Sweet

5. Mixed Up

6. There'll Be A Day

7. Up Tight

8. Cold And Lonesome

9. I'm Gonna Help You

10. Upside The Wall

11. I'm Trying To Please You


Track List: Boss Man

Disc 1

1. You Don't Have To Go

3. Boogie In The Dark

4. You Upset My Mind

5. I Ain't Got You

6. Come On Baby

7. Ain't That Lovin' You Baby

8. My First Plea

9. You Got Me Dizzy

10. Little Rain

11. The Sun Is Shining

12. Honest I Do

13. Ends And Odds

14. You're Something Else

15. Down In Virginia

16. I'm Gonna Get My Baby

17. Going To New York

18. Take Out Some Insurance

Disc 2

1. Baby, What You Want Me To Do

2. Hush Hush

3. Found Love

4. Big Boss Man

5. Close Together

6. I'm A Love You

7. Bright Lights, Big City

8. Aw Shucks, Hush Your Mouth

9. Down In Mississippi

10. Let's Get Together

11. Oh John

12. Ain't No Big Deal

13. Help Yourself

14. Left Handed Woman

15. I'm Going Upside Your Head

17. I'm The Man Down There

18. When Girls Do It


Track List: Blues Routes Jimmy Reed

1. Baby What's Wrong

2. The Moon Is Rising

3. Tell Me You Love Me

4. Honest I Do

5. I'll Change My Style

6. Odds And Ends

7. I'm Going Upside Your Head

8. Take Out Some Insurance

9. My Bitter Seed

10. Pretty Thing

11. She Don't Want Me No More

12. Too Much

13. Shame Shame Shame

14. I'm Gonna Ruin You

15. Lets Get Together


Track List: The Blues Of Jimmy Reed

1. You Don't Have To Go

2. I Ain't Got You

3. Can't Stand To See You Go

4. You Got Me Dizzy

5. Honest I Do

6. Down In Virginia

7. Too Much

8. I'm Gonna Get My Baby

9. I Wanna Be Loved

10. Baby, What You Want Me To Do

11. Hush, Hush

12. Big Boss Man

13. Bright Lights, Big City

14. Down The Road

15. I'm Going Upside Our Head

16. Shame Shame Shame

17. Take Out Some Insurance

18. Found Love


Track List: His Greatest Recordings

1. You Don't Have To Go

2. I Ain't Got You

3. She Don't Want Me No More

4. Ain't That Lovin' You Baby

5. You Got Me Dizzy

6. The Sun Is Shining

7. Honest I Do

8. Down In Virginia

9. I Wanna Be Loved

10. Take Out Some Insurance

11. Baby What You Want Me To Do

12. Hush Hush

13. Found Love

14. Big Boss Man

17. Bright Lights Big City

18. Close Together

19. Shame Shame Shame


Track List: Big Legged Woman

1. Hard Walking Hanna

2. Cry Before I Go

4. Big Legged Woman

6. Crying Blind

7. Over The Hump

8. Christmas Present Blues

9. Jumpin' Jimmy

10. Good Is Catching Up With Me


Track List: Bright Lights, Big City (His Greatest Hits) - Charly Blues Masterworks Vol.17

1. You Don't Have To Go

2. I Don't Go For That

3. Ain't That Lovin' You Baby

4. Can't Stand To See You Go

5. I Love You Baby

6. You Got Me Dizzy

7. Honey, Where You Going

8. Little Rain

9. The Sun Is Shining

10. Honest I Do

11. Down In Virginia

12. I'm Gonna Get My Baby

13. Baby What You Want Me To Do

14. Found Love

15. Hush, Hush

16. Big Boss Man

17. Bright Lights, Big City

18. Aw Shucks, Hush Your Mouth

19. Good Lover

20. Shame Shame Shame


Track List: Cry Before I Go

1. Hard Walking Hanna

2. Cry Before I Go

3. Can't Stand To Leave

4. Big Legged Woman

5. Funky Funky Soul

6. Crying Blind

7. Over The Hump

8. Christmas Present Blues

9. Jumpin' Jimmy

10. Good Is Catching Up With Me


Track List: Blues Is My Business

1. You'n That Sack

2. I Told You, Baby

3. When You Left Me

4. Please Don't

5. You Gonna Need My Help

6. My Baby

7. I Ain't Got You

8. Come On Baby

9. Shoot My Baby

10. Go Get My Baby

11. Red Light's The Stop Light

12. I'm Gonna Love You


Track List: Wailin' The Blues (Digitally Remastered)

1. I Was (So) Wrong

2. Where Can You Be

3. Go On To School

4. My First Plea

5. Little Rain

6. Goin' Fishin' (Ain't Got No Pole)

7. Help Yourself

8. Wear Something Green

9. When You're Doing Alright

10. A New Leaf


Track List: Jimmy Reed At Carnegie Hall

1. Bright Lights, Big City

2. I'm Mr. Luck

3. Baby What's Wrong

4. Found Joy

5. Kind Of Lonesome

6. Aw Shucks, Hush Your Mouth

7. Tell Me You Love Me

8. Blue Carnegie

9. I'm A Love You

10. Hold Me Close

11. Blue Blue Water

12. Baby What You Want Me To Do

13. You Don't Have To Go

14. Hush Hush

15. Found Love

16. Honest I Do

17. You Got Me Dizzy

18. Big Boss Man

19. Take Out Some Insurance

20. Boogie In The Dark

21. Going To New York

22. Ain't That Lovin' You Baby

23. The Sun Is Shining


Track List: Found Love

1. Baby, What You Want Me To Do

2. Found Love

3. Meet Me

4. I Was (So) Wrong

5. Going By The River (Part 2)

6. Big Boss Man

7. Hush, Hush

8. Where Can You Be

9. I'm Nervous

10. Going By The River (Part 1)

11. I Ain't Got You

12. Come Love


Track List: I'm Jimmy Reed

1. Honest I Do

2. Go On To School

3. My First Plea

4. Boogie In The Dark (Instrumental)

5. You Got Me Crying

6. Ain't That Lovin' You Baby

7. You Got Me Dizzy

8. Little Rain

9. Can't Stand To See You Go

10. Roll & Rhumba

11. You're Something Else

12. You Don't Have To Go


Track List: Rockin' With Reed

1. Going To New York

2. A String To Your Heart

3. Ends & Odds

4. Caress Me Baby

5. Take Out Some Insurance

6. The Moon Is Rising

7. Down In Virginia

8. I Know It's A Sin

9. I Wanna Be Loved

10. Baby, What's On Your Mind

11. My Bitter Seed

12. Rockin' With Reed


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Ugh! At this point, why not just append (original version) after I'm Nervous on Essential Boss Man and Found Love! I know it's not you're fault that compilation album creatures frequently mistitle Come Love (I think that's the correct title) as I'm Nervous!

I love Jimmy Reed and all, but Come Love is really not up to par for him - and I'd much rather actually hear I'm Nervous than hear that song!
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I guess I should say something positive. Pandora, I greatly appreciate that you're adding more stuff for Jimmy Reed and other classic blues artists. As a major blues fan, I greatly appreciate it.

I hope that, after you roll put Pandora Premium, you'll give us more options to pick specific tracks that we wanna hear - so that we can ensure that we get the exact version we want on our station.
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Or the track called I'm Nervous on Found Love. That's the correct song, as well. If you really need to include that crappy other song - then maybe call it something like *I'm Nervous (Mumble Drunk Version)*. Then I can safely thumb down *I'm Nervous (Mumble Drunk Version)* and still be able to hear regular correct the *only* legitimate *I'm Nervous*!
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Seriously, Pandora? Please stop switching out one of my favourite Jimmy Reed songs *actually* entitled I'm Nervous for this completely terrible tune that, for some reason, tends to get *misidentifi e d * as I'm Nervous on some compilation albums. The song that's entitled I'm Nervous on Essential Boss Man? That one is the correct one, the one I had initially thumbed up, *and* the one that I bloody well wanna hear!!
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Sang Jimmy Reed's 'Big Boss Man' under my breath at more than one job in my life. For that alone, I can tolerate the repetition.
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Some say all Jimmy Reed songs sound alike - I agree THEY ALL SOUND GREAT
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Eddie Taylor's guitar playing was as integral to Reed's sound as Jimmy himself.
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Don't read this. You will be kissed by the move of your life on the nearest Friday. Tomorrow will be the best day of your life. Now that you've started reading this don't stop or you will have bad luck. Post this on 15 songs in the next 143 minutes. Press the space bar and your crushes name will appear
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Fucken terrible man :( : p
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Oh Jimmy, I mean Oh John lol
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WOW... This man lived on hell of a life...... God Bless him.....
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Enjoy NY if possible right now!!!!
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I started learning the harp when 10 years old after hearing Jimmy Reed.Too cool for school,baby.
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Deborah, if you were referring to blues in general - I think some people think that all blues music sounds like Albert/BB/Fr e d d i e King... when that's really not the case at all. There's a lot of blues music I love that really doesn't sound at all like these guys... including, of course, Jimmy Reed.
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That being said, one can hardly say that songs like Big Boss Man and Going to New York are depressing. The main reason why I find some of his songs to be bittersweet is because I really can't fathom walking out on Jimmy Reed. I know, in real life, he and his wife did separate a few times - but they always worked things out and got back together.
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To be fair, Jimmy Reed does have some bittersweet type songs - but, man, that voice!! There's just something about that voice that really touches the heart. I think he was so cute back in the '50s, and he passed away before I was even born (sadly). But even so, I have sort of a crush on him... for a very loose definition of the word crush.

Sure, he had troubles with alcohol - but he was a very nice man. He was a very loving husband and father.
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Jimmy Reed was often played by the Bossman Porky on WAMO in Pittsburgh
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I wish i could of seen him play some people say this kind of music depressed them makes them sad..... and it just takes me to another level i love it rip bbking love this music
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Only a black man with a southern-acc e n t e d soft voice could sing like Jimmy Reed. That's the secret to his charming vocal style.
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Although, come to think of it, I dunno if Jimmy Reed is exactly old-school. His music career started a few years before rock and roll arguably started, but I know the blues as a genre existed for a few decades prior to him. As someone who is also a hard rock fan, though - the late-'40s is about as far back as I go, as far as blues music goes.
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Anyone looking for contemporary blues artists that build more off of Jimmy Reed's style than Albert King's style, I'd recommend these following: Mark Hummel, Charlie Musselwhite , William Clarke, Gary Primich, Dennis Gruenling, and Teddy Morgan... to start out with.

But, if you like only the old-school blues... that's fine, too.
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If you like Jimmy Reed... you might also like Slim Harpo, Lazy Lester, and Duster Bennett. Some of their songs really have the Jimmy Reed vibe to it, and all seemed to be directly influenced by him.
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Jimmy Reed big with the Bossman Porky
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Jimmy Reed one of the best blues players of all time !
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He is the best and Big Boss Man is the best song, a favorite dance sound at Carolina Beaches
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love it
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reed the man rog the real deal
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Love this song
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Jimmy Reed.....
A true bluesman, it just does not get any better,Mr Reed thanks for all the great music you gave us.
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I'm gonna ruin you.
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nice way 2 began my weekend
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love me some jimmy reed puts me in a zone
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back in my garage band days there was a term called the reed beat and every one knew what you meant.

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There was only one and there will never be another Jimmy Reed, the blues godfather.
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Alright Now
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really good
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Proper paragraph breaks are essential to writing that flows well
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Bright Light , Big City ANOTHER great one by Jimmy Reed
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Shame Shame Shame...anot h e r great one
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Big Bossman>>>>A n o t h e r one of Jimmy Reed's best
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one of about 100 great songs Jimmy Reed turned out
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Jimmy don't get much better than Down In Mississippi
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Hey Boss Man----you ain't so big, you just dumb that's all!
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Jimmy Reed the king of the blues. The best of the best.
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Honest I Do another one of Jimmy Reed's great ones
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Baby, What you want me to do? one of Porky's favorites { and mine too }
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