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Joe Jackson

In his 1999 memoir, A Cure for Gravity: A Musical Pilgrimage, Joe Jackson writes approvingly of George Gershwin as a musician who kept one foot in the popular and one in the classical realms of music. Like Gershwin, Jackson possesses a restless musical imagination that has found him straddling musical genres unapologetically, disinclined to pick one style and stick to it. The word "chameleon" often crops up in descriptions of him, but Jackson prefers to be thought of as "eclectic." Is he the Joe Jackson he appeared to be upon his popular emergence in 1979, a new wave singer/songwriter with a belligerent attitude derisively asking, "Is She Really Going Out with Him?" The reggae-influenced Joe Jackson of 1980's Beat Crazy? The jump blues revivalist of 1981's Joe Jackson's Jumpin' Jive? The New York salsa-styled singer of 1982's "Steppin' Out"? The R&B/jazz-inflected Jackson of 1984's Body & Soul? Or is he David Ian Jackson, L.R.A.M. (Licentiate of the Royal Academy of Music), who composes and conducts instrumental albums of contemporary classical music such as 1987's Will Power and 1999's Grammy-winning Symphony No. 1? He is all of these, Jackson himself no doubt would reply, and a few others besides.

The roots of that eclecticism lie in the conflicts of his youth. He was born David Ian Jackson on August 11, 1954 (not 1955, as some references mistakenly state) in Burton-upon-Trent, Staffordshire, England. His parents had met when his father was in the Navy and his mother was working in her family's pub in Portsmouth on the south coast of England. They initially settled in his father's hometown, Swadlincote, on the border of Staffordshire and Derbyshire, but when Jackson was a year old, they moved back to his mother's hometown, and he was raised in Portsmouth and nearby Gosport. His father, Ronald Jackson, became a plasterer.

Growing up in working-class poverty, Jackson was a sickly child, afflicted with asthma, first diagnosed when he was three and producing attacks that lasted into his twenties. Prevented from playing sports, he turned to books and eventually music. At 11, he began taking violin lessons, later studying timpani and oboe at school. His parents got him a secondhand piano when he was in his early teens, and he began taking lessons, soon deciding that he wanted to be a composer when he grew up. He played percussion in a citywide student orchestra. But his social milieu was more accepting of different forms of popular music than it was of the classics, and he developed a taste for that, too. Becoming interested in jazz, he formed a trio and, at the age of 16, began playing piano in a pub, his first professional gig.

By the early '70s, Jackson, who had paid little attention to rock before, became a fan of progressive rock, notably such British groups as Soft Machine. Meanwhile, in 1972, he passed an advanced "S" level exam in music that entitled him to a grant to study music, and he was accepted at the Royal Academy of Music in London. Rather than moving to the city, he spent his grant money on equipment and commuted several days a week to attend classes while continuing to live at home and play pop music locally. He switched from writing classical compositions to pop songs. Invited to join an established band called the Misty Set, he sang his first lead vocal on-stage. He moved to another established band called Edward Bear (the name taken from a character in Winnie the Pooh, not to be confused with the Canadian band of the same name that recorded for Capitol Records in the early '70s). Deciding that he resembled the title character on a television puppet show called Joe 90, his bandmates began calling him "Joe," and it stuck. After six months, the two principals in Edward Bear decided to retire from music, and with their permission he took over the name and the group's bookings and brought in a couple of his friends, lead singer/guitarist Mark Andrews (later of Mark Andrews & the Gents) and bassist Graham Maby.

Jackson continued to attend the Royal Academy, where he studied composition, orchestration, and piano while majoring in percussion. He also occasionally played piano in the National Youth Jazz Orchestra. He graduated from the academy after three years in 1975. By then, Edward Bear (forced to change its name to Edwin Bear because of the more successful Canadian band, and then to Arms & Legs) were attracting more attention and acquired management, which in turn signed the band to MAM Records. In April 1976, MAM released the first Arms & Legs single, with Andrews' "Janie" on the A-side and Jackson's "She'll Surprise You" on the B-side. Second and third singles followed in August and February 1977, but the records did not sell. Meanwhile, in October 1976, Jackson quit the band to become pianist and musical director at the Playboy Club in Portsmouth. He was determined to save enough money to record his own album and release it himself. In August 1977, he played his first gigs as the leader of the Joe Jackson Band, singing and playing keyboards, backed by Andrews (sitting in temporarily and soon replaced by Gary Sanford), Maby, and drummer Dave Houghton. At the same time, he quit the Playboy Club job to become pianist/musical director for a cabaret act, Koffee 'n' Kream, that was beginning a national tour in the wake of their triumph on the TV amateur show Opportunity Knocks.

Jackson toured with Koffee 'n' Kream from the fall of 1977 to the spring of 1978, and the money he made enabled him to move to London in January 1978 and continue recording his album in a Portsmouth studio. He began shopping demo tapes to record labels in London without success until he was heard by American producer David Kershenbaum. Kershenbaum was scouting for talent on behalf of A&M Records, and he arranged for Jackson to be signed to A&M on August 9, 1978, after which they immediately re-recorded Jackson's album. They completed it quickly, and at the end of the month the Joe Jackson Band embarked on an extensive national tour.

Despite his classical education and background playing many types of pop music in pubs and clubs, Jackson had become genuinely enamored of the punk/new wave movement of the late '70s in England, especially attracted by the energy and simplicity of the music and the angry, aggressive tone of the lyrics. He had no trouble incorporating these elements into his own music, and if he was, to an extent, using the new wave label as a flag of convenience, the style nevertheless was a valid vehicle of expression for him. Of course, first impressions can be lasting, and to many people he would, ever after, be an angry new wave singer/songwriter, no matter what else he did.

In October 1978, A&M released the first Joe Jackson single, "Is She Really Going Out with Him?," a rhythmic ballad in which the singer ponders why "pretty women" are attracted to "gorillas" and worries about his own inadequacy. The record failed to chart, but Jackson and his band continued to tour around the U.K. and began to attract press attention. Look Sharp!, his debut album, followed in January 1979, again, to no significant sales at first. The LP contained more songs in the vein of "Is She Really Going Out with Him?," many of them uptempo rockers with strong melodies and lyrics full of romantic disappointment and social criticism, bitterly expressed and with more than a touch of self-deprecation. (One, "Got the Time," was sufficiently raucous to be covered by heavy metal band Anthrax in essentially the same arrangement on their Persistence of Time album in 1990.) A&M released "Sunday Papers," an attack on the salaciousness of tabloid newspapers, as a single in February, again without reaction. But in March, Look Sharp! finally broke into the charts, eventually peaking at the bottom of the Top 40. The same month, A&M released the album in the U.S., and it quickly charted, reaching the Top 20 after "Is She Really Going Out with Him?" was released as a single in May (while Jackson toured North America) and became a Top 40 hit; in September, the LP was certified gold in the U.S. In the U.K., "Is She Really Going Out with Him?" was re-released in July and charted in August, making the Top 20. Jackson was nominated for a 1979 Grammy Award for Best Rock Vocal Performance, Male, for the single.

Meanwhile, Jackson toured more or less continually, playing dates in Continental Europe in June and then back in the U.K. through August before returning to North America. But he had found the time and inspiration to craft a quick follow-up to Look Sharp!, and his second LP, I'm the Man, was released on October 5. That was a little too soon for the U.S. market, where Look Sharp! had not yet exhausted its run, and while the album made the Top 40, it was a relative sales disappointment, with the single "It's Different for Girls" failing to enter the Hot 100. The story was different in the U.K., however, where I'm the Man made the Top 20 and "It's Different for Girls" reached the Top Five. Critically, the album was considered a continuation of Look Sharp!, an opinion shared by Jackson himself. The first blush of his emergence fading, Jackson was beginning to be viewed by critics as the third in a line of angry British singer/songwriters starting with Graham Parker and continuing with Elvis Costello, and his commercial success created resentment, especially because he was not as forthcoming with the media as the garrulous Costello.

The U.S. tour ran into November, followed by more shows in the U.K. in November and December. Jackson went back on the road in February 1980 with a few U.S. dates, followed by some U.K. shows and a European tour that ran from March to May. Like other punk/new wave acts, he had used reggae rhythms on occasion, notably on "Fools in Love" on Look Sharp! and "Geraldine and John" on I'm the Man. In May, he released an EP in the U.K. including a cover of Jimmy Cliff's "The Harder They Come." In acknowledgment of his group's importance to his sound, the disc was billed to the Joe Jackson Band. After dates in the U.K. in May and June, the Joe Jackson Band returned to North America for a tour that lasted into August; they finally took a break after a few more shows at the end of the month.

Beat Crazy, released in October, also was billed to the Joe Jackson Band. The album featured less of the frantic punk sound of its predecessors, instead absorbing the dub-reggae and ska influences that were topping the British charts just then in the music of bands like the Specials and the English Beat. But it was a relative disappointment commercially, peaking in the 40s in both the U.S. and U.K., with its singles failing to chart. One reason for the reduced sales in America may have been that the group did not tour to support it there. The Joe Jackson Band played a monthlong tour from October to November in the U.K., followed by a month in Europe from November to December, after which it split up, according to Jackson because Houghton no longer wanted to tour. Sanford became a session musician, while Maby stuck with Jackson.

Jackson, in ill health following more than two years of continual touring, retreated to his family home, where he became increasingly immersed in the jump blues of 1940s star Louis Jordan. He organized a new band in the style of Jordan's Tympany 5 featuring three horn players (Pete Thomas on alto saxophone, Raul Oliveria on trumpet, and David Bitelli on tenor saxophone and clarinet) along with pianist Nick Weldon and drummer Larry Tolfree, plus Maby and Jackson himself, who played vibes and sang. The group, dubbed Joe Jackson's Jumpin' Jive, played a collection of swing and jump blues standards such as "Jumpin' with Symphony Sid," "Is You Is or Is You Ain't My Baby," and "Tuxedo Junction." The resulting Joe Jackson's Jumpin' Jive LP, released in June 1981, was a hit in Britain, where it reached the Top 20. In the U.S., the album was not so much 35 years behind the times as 15 years ahead of them; had it appeared in the mid-'90s, it would have fit right in with releases by the Brian Setzer Orchestra and Big Bad Voodoo Daddy as part of the neo-swing movement. As it was, America circa 1981 was baffled, but Jackson's core audience was sufficiently curious to push the album into the Top 50 while he toured the country with the band in July in between British dates in June and from August to September.

Jackson went through more personal changes over the next year. He and his wife divorced, and he moved to New York City, where, true to form, he began to immerse himself in new musical genres, particularly attracted to salsa and the classic songwriting styles of Gershwin and Cole Porter. The result was Night and Day, released in June 1982, Jackson's first album to put his keyboard playing at the center of his music, with percussionist Sue Hadjopoulas also given prominence. Jackson seemed to have abandoned new wave rock for a catchy pop-jazz-salsa-dance hybrid, and he backed the release with a yearlong world tour as A&M put considerable promotional muscle behind the LP. "Steppin' Out" became a multi-format hit, earning airplay on album-oriented rock (AOR) radio before spreading to the pop and adult contemporary charts, placing in the Top Ten all around and eventually earning Grammy nominations for Record of the Year and Best Pop Vocal Performance, Male. With that stimulus, the album reached the Top Ten and went gold, spawning a second Top 20 single in "Breaking Us in Two."

Jackson finished the Night and Day tour in May 1983. He had been asked to contribute a song to Mike's Murder, a film written and directed by James Bridges (The China Syndrome, Urban Cowboy) and starring Debra Winger (Urban Cowboy, An Officer and a Gentleman). He ended up writing both a handful of songs and a few instrumental pieces that were released on a soundtrack album in September. Unfortunately, the film itself was not ready for release then, since it was the subject of a dispute between Bridges and the movie studio that had financed it, the result being reshooting and re-editing, such that the film did not open until March 1984, by which time it had a score by John Barry and only a little of Jackson's music remaining, and then it earned only one million dollars during a few weeks of theatrical showings, making it a disastrous flop. The orphaned soundtrack album, however, managed to get into the Top 100 and even spawned a chart single in the Jackson composition "Memphis," while "Breakdown" earned a Grammy nomination for Best Pop Instrumental Performance.

Jackson returned to the studio and emerged in March 1984 with Body & Soul, an album with a cover photograph showing him clutching a saxophone in the style of the 1950s LP covers of Blue Note Records. The disc inside was a follow-up to Night and Day in style, however, with a bit more of an R&B tilt, and it was another commercial success, if a more modest one, reaching the Top 20 and spawning a Top 20 single in "You Can't Get What You Want (Till You Know What You Want)." After the four-month Body & Soul world tour concluded in July 1984, Jackson retreated. The tour had been, he later wrote, "the hardest I ever did; it came too soon after the last one, and by the end of it I was so burned out I swore I'd never tour again." He re-emerged after 18 months in January 1986 for a series of live recording sessions at the Roundabout Theatre in New York conducted for his next album. Audiences were invited to attend, but instructed to hold their applause as the performances were cut direct to a two-track tape recorder. The resulting album, Big World, released in March, had a one-hour running time, making it an ideal length for the new CD format, though it had to be pressed on two LPs with the second side of the second LP left blank. Press reaction to these two aspects of the album tended to overshadow consideration of the material, which ranged from politically charged rockers like "Right or Wrong," a direct challenge to the Reagan administration, to heartfelt ballads like "Home Town," a reflection on memory and loss. Jackson undertook another extensive tour lasting from May to December (one he reported enjoying much more than the last one), and the album spent six months in the charts, but only peaked in the Top 40.

In the winter of 1985, Jackson had been commissioned to write a 20-minute score for a Japanese film, Shijin No Ie (House of the Poet), and the orchestral piece was recorded with the Tokyo Symphony Orchestra. He adapted it into "Symphony in One Movement" and added a few other instrumental pieces to create his next album, Will Power, his first disc to reflect his classical background. A&M gave the LP a surprising promotional push that included releasing the title track as a single, and Jackson fans were sufficiently intrigued to push the album into the lower reaches of the pop chart upon its release in April 1987. But his increasing desire to include classical elements in his popular work and to issue outright "serious" compositions tended to put him in a no man's land where reviewers were concerned, since rock critics were for the most part incapable of judging such works and preferred that he stick to rock-based music, while classical critics simply ignored him. Had they been paying attention, however, they might not have approved of what they heard, anyway. An unrepentant Beethoven fan, Jackson had disliked his exposure to serial music and other contemporary trends in classical music when he encountered them in college; his serious compositions tended to reflect his taste for conventional concert music of the romantic and classical periods.

While staying off the road, Jackson had two albums in release in 1988. In May, he issued the double-disc set Live 1980/86, chronicling his tours over the years. It reached the Top 100. In August came his swing-styled soundtrack to the Francis Ford Coppola film Tucker: The Man and His Dream, an effort that probably would have attracted more attention if the film had been more successful (it grossed less than $20 million). Nevertheless, the album earned a Grammy nomination for Best Album of Original Instrumental Background Score Written for a Motion Picture or TV. His next LP, released in April 1989, was Blaze of Glory, another modest seller with a peak only in the Top 100 despite radio play for the single "Nineteen Forever." Jackson, who felt the album was one of his best efforts and toured to support it with an 11-piece band in the U.S. and Europe from June to November, was disappointed with both the commercial reaction and his record company's lack of support. He parted ways with A&M, which promptly released the 1990 compilation Steppin' Out: The Very Best of Joe Jackson, a Top Ten hit in the U.K.

Jackson wrote his third movie score for 1991's Queens Logic; no soundtrack album was issued. Signing to Virgin Records, he released his next album, Laughter & Lust, in April 1991. Here, he expressed some of his frustration with the record business in the appropriately catchy, '60s-styled "Hit Single," while the socially conscious "Obvious Song" and a percussion-filled cover of Fleetwood Mac's "Oh Well" attracted radio attention. But the album continued his gradual sales decline, failing to reach the Top 100 in the U.S. Another world tour stretched from May to September, after which Jackson was not heard from on record for three years. In the interim, he wrote music for two movies, the interactive film I'm Your Man (1992) and the feature Three of Hearts (1993), neither of which produced soundtrack albums featuring his music. He reappeared in record stores in October 1994 with Night Music, a low-key album that attempted to fuse his pop and classical styles, including instrumentals and guest vocals by Máire Brennan of Clannad. The album, which did not chart, was supported with a world tour that ran from November to May 1995. After it, Jackson left Virgin and signed to Sony Classical, a label more accepting of his musical ambitions. In September 1997, it released Heaven & Hell, a song cycle depicting the seven deadly sins, billed to Joe Jackson & Friends; the friends included such guest vocalists as folk-pop singers Jane Siberry and Suzanne Vega and opera singer Dawn Upshaw. The album reached number three in Billboard's Classical Crossover chart. A tour ran from November to April 1998.

Jackson worked on two projects in the late '90s, both of which appeared in October 1999. Sony Classical issued his Symphony No. 1, which was played not by an orchestra, but by a band of jazz and rock musicians including guitarist Steve Vai and trumpeter Terence Blanchard, and it won the 2000 Grammy Award for Best Pop Instrumental Album. And publishers Public Affairs came out with Jackson's book, A Cure for Gravity: A Musical Pilgrimage, in which he wrote about his love of all kinds of music and recounted his life from his birth up to the point of his emergence as a public figure in the late '70s. Bringing his story up to date, he wrote, "So I'm still making music, no longer a pop star -- if I ever really was -- but just a composer, which is what I wanted to be in the first place."

Having released only semi-classical works on his last three recordings, Jackson was thought to have abandoned pop/rock music completely, but that proved not to be true. The early years of the 21st century found him in a flurry of activity, much of it returning him to the pop music realm. In June 2000, Sony Classical, through Jackson's imprint, Manticore, issued Summer in the City: Live in New York, an album drawn from an August 1999 concert that featured him playing piano and singing, backed only by Maby and drummer Gary Burke, performing some of his old songs along with covers of tunes by the Lovin' Spoonful, Duke Ellington, and the Beatles, among others. Four months later came Night and Day II, a new set of songs in the spirit of his most popular recording. Touring to promote the album in Europe and North America from November to April 2001, Jackson recorded the concert CD Two Rainy Nights: Live in the Northwest (The Official Bootleg), released in January 2002 on his own Great Big Island label through his website, (The album was reissued to retail by Koch in 2004.)

Later in 2002, Jackson surprised longtime fans by reuniting with the original members of the Joe Jackson Band, Graham Maby, Gary Sanford, and Dave Houghton, to record a new studio album, Volume 4 (the first three volumes having been Look Sharp!, I'm the Man, and Beat Crazy), released by Restless/Rykodisc in March 2003, and to embark on a world tour running through September 2003 that resulted in the live album Afterlife, issued in March 2004. As he made television appearances to promote the latter, he insisted that the reunion had been a one-time thing. Meanwhile, his recording of "Steppin' Out" was being used in a television commercial for Lincoln Mercury automobiles, and he was preparing to score his next film, The Greatest Game Ever Played, for a 2005 release. Jackson released a new studio album, Rain, in 2008, followed by 2011's Live Music: Europe 2010, which was recorded live in Europe during his 2010 Joe Jackson Trio tour with Dave Houghton and Graham Maby.

In 2012, Jackson released the Duke Ellington tribute album The Duke. Though a long-avowed fan of the legendary jazz pianist and bandleader, Jackson didn't want his tribute to follow the standard reverent approach, and instead he filtered these timeless compositions through various unexpected rhythms, arrangements, and musical pairings, including a duet with punk icon Iggy Pop on "It Don't Mean a Thing (If It Ain't Got That Swing)." The year 2015 brought another ambitious project from Jackson; the album Fast Forward found him recording in four cities with four different sets of musicians, with each capturing a different aspect of the songwriter's musical personality. ~ William Ruhlmann
full bio

Selected Discography


Track List: Fast Forward

1. Fast Forward

2. If It Wasn't For You

3. See No Evil

4. King Of The City

5. A Little Smile

6. Far Away

7. So You Say

8. Poor Thing

9. Junkie Diva

10. If I Could See Your Face

11. The Blue Time

12. Good Bye Jonny

13. Neon Rain

14. Satellite

15. Keep On Dreaming

16. Ode To Joy


Track List: The Duke

1. Isfahan

2. Caravan

3. I'm Beginning To See The Light/Take The 'A' Train/Cotton Tail

4. Mood Indigo

5. Rockin' In Rhythm

6. I Ain't Got Nothin' But The Blues/Do Nothin' 'Til You Hear From Me

7. I Got It Bad (And That Ain't Good)

8. Perdido/Satin Doll

9. The Mooche/Black And Tan Fantasy

10. It Don't Mean A Thing (If It Ain't Got That Swing)


Track List: Live At The BBC

Disc 1

1. One More Time (Joe Jackson Session 21/02/1979)

2. Got The Time (Joe Jackson Session 21/02/1979)

3. Fools In Love (Joe Jackson Session 21/02/1979)

4. I'm The Man (Joe Jackson Session 21/02/1979)

5. Look Sharp! (In Concert: Joe Jackson Hammersmith Odeon 02/10/1982)

6. Cancer (In Concert: Joe Jackson Hammersmith Odeon 02/10/1982)

7. Real Men (In Concert: Joe Jackson Hammersmith Odeon 02/10/1982)

8. Breaking Us In Two (In Concert: Hammersmith Odeon 02/10/1982)

9. Fools In Love (In Concert: Joe Jackson Hammersmith Odeon 02/10/1982)

10. Chinatown (In Concert: Joe Jackson Hammersmith Odeon 02/10/1982)

11. Target (In Concert: Joe Jackson Hammersmith Odeon 02/10/1982)

12. T.V. Age (In Concert: Joe Jackson Hammersmith Odeon 02/10/1982)

13. It's Different For Girls (In Concert: Joe Jackson Hammersmith Odeon 02/10/1982)

14. Tuxedo Junction (In Concert: Joe Jackson Hammersmith Odeon 02/10/1982)

15. Steppin' Out (In Concert: Joe Jackson Hammersmith Odeon 02/10/1982)

Disc 2

1. Sunday Papers (Rock Goes To College: Joe Jackson (2) 14/01/1980)

2. One More Time (Rock Goes To College: Joe Jackson (2) 14/01/1980)

3. Friday (Rock Goes To College: Joe Jackson (2) 14/01/1980)

4. It's Different For Girls (Rock Goes To College: Joe Jackson (2) 14/01/1980)

5. Don't Wanna Be Like That (Rock Goes To College: Joe Jackson (2) 14/01/1980)

6. Happy Loving Couples (Rock Goes To College: Joe Jackson (2) 14/01/1980)

7. I'm The Man (Rock Goes To College: Joe Jackson (2) 14/01/1980)

8. Got The Time (Rock Goes To College: Joe Jackson (2) 14/01/1980)

9. Is She Really Going Out With Him? (Rock Goes To College: Joe Jackson (2) 14/01/1980)

10. Come On (Rock Goes To College: Joe Jackson (2) 14/01/1980)

11. On Your Radio (Sight And Sound In Concert:Joe Jackson (2) 22/01/1983)

12. Another World (Sight And Sound In Concert:Joe Jackson (2) 22/01/1983)

13. Sunday Papers (Sight And Sound In Concert:Joe Jackson (2) 22/01/1983)

14. Look Sharp! (Sight And Sound In Concert:Joe Jackson (2) 22/01/1983)

15. Is She Really Going Out With Him? (Sight And Sound In Concert:Joe Jackson (2) 22/01/1983)

16. Steppin' Out (Sight And Sound In Concert:Joe Jackson (2) 22/01/1983)

17. A Slow Song (Sight And Sound In Concert:Joe Jackson (2) 22/01/1983)


Track List: Is She Really Going Out With Him / (Do The) Instant Mash (Single)

1. Is She Really Going Out With Him?

2. (Do The) Instant Mash


Track List: King Pleasure Time (The Remixes)

1. King Pleasure Time (John Morales Downtown Escape Edit Mix)

2. King Pleasure Time (John Morales Uptown Express Edit Mix)

3. King Pleasure Time (John Morales Downtown Escape Mix)

4. King Pleasure Time (John Morales Uptown Express Mix)


Track List: Rain (W/ Bonus Dvd)

1. Invisible Man

2. Too Tough

3. Citizen Sane

4. Wasted Time

5. The Uptown Train

6. King Pleasure Time

7. Solo (So Low)

8. Rush Across The Road

9. Good Bad Boy

10. A Place In The Rain


Track List: Invisible Man

1. Invisible Man


Track List: Afterlife (Live)

1. Steppin' Out (Live)

2. One More Time (Live)

3. Take It Like A Man (Live)

4. Awkward Age (Live)

5. Look Sharp! (Live)

6. Down To London (Live)

7. Beat Crazy (Live)

8. Fools In Love (Live)

9. Love At First Light (Live)

10. Fairy Dust (Live)

11. Sunday Papers (Live)

12. Don't Wanna Be Like That (Live)

13. Got The Time (Live)


Track List: The Best Of Joe Jackson - 20th Century Masters - The Millennium Collection

1. Is She Really Going Out With Him?

2. Sunday Papers

3. It's Different For Girls

4. Beat Crazy

5. Jumpin' Jive

6. Steppin' Out

7. Breaking Us In Two

8. You Can't Get What You Want

9. Be My Number Two

10. Right And Wrong

11. Home Town

12. Nineteen Forever


Track List: Joe Jackson: The Collection

1. Nocturne

2. Is She Really Going Out With Him?

3. Happy Loving Couples

4. Fools In Love

5. Friday

6. It's Different For Girls

7. Mad At You

8. Kinda Kute

9. Tuxedo Junction

10. Another World

11. Target

12. Steppin' Out

13. Breaking Us In Two

14. Be My Number Two

15. You Can't Get What You Want

16. Soul Kiss

17. Tonight And Forever

18. Me And You


Track List: Steppin' Out: The Very Best Of Joe Jackson

Disc 1

1. Is She Really Going Out With Him?

2. Sunday Papers

3. One More Time

4. Got The Time

5. Look Sharp!

6. Fools In Love

7. On Your Radio

8. It's Different For Girls

9. I'm The Man

10. Friday

11. Don't Wanna Be Like That

12. The Harder They Come

13. Enough Is Not Enough

14. Beat Crazy

15. One To One

16. Biology

17. Someone Up There

18. Jumpin' Jive

19. Real Men

20. A Slow Song

Disc 2

1. Another World

2. Steppin' Out

3. Breaking Us In Two

4. Memphis

5. You Can't Get What You Want (Till You Know What You Want)

6. Happy Ending (Feat. Elaine Caswell)

7. Be My Number Two

8. Right And Wrong

9. Home Town

10. Precious Time

11. Down To London

12. Me And You (Against The World)

13. Rant And Rave

14. Nineteen Forever

15. Obvious Song

16. Stranger Than Fiction

17. The Man Who Wrote Danny Boy

18. Stranger Than You


Track List: Night And Day II

1. Prelude

2. Hell Of A Town

3. Stranger Than You

4. Why

5. Glamour And Pain

6. Dear Mom

7. Love Got Lost

8. Just Because...

9. Happyland

10. Stay


Track List: Summer In The City (Live In New York)

1. Summer In The City (Live)

2. Obvious Song (Live)

3. Another World (Live)

4. Fools In Love / For Your Love (Live)

5. Mood Indigo (Live)

6. The In Crowd / Down To London (Live)

7. Eleanor Rigby (Live)

8. Be My Number Two (Live)

9. Home Town (Live)

10. It's Different For Girls (Live)

11. King Of The World (Live)

12. You Can't Get What You Want (Live)

13. One More Time (Live)


Track List: Joe Jackson: Symphony No. 1

1. Symphony No. 1: First Movement

2. Symphony No. 1: Fast Movement

3. Symphony No. 1: Slow Movement

4. Symphony No. 1: Last Movement (Variations)


Track List: Greatest Hits: Joe Jackson

1. Is She Really Going Out With Him?

2. Look Sharp!

3. Sunday Papers

4. I'm The Man

5. It's Different For Girls

6. Beat Crazy

7. Jumpin' Jive

8. Breaking Us In Two

9. Steppin' Out

10. A Slow Song

11. Memphis

12. You Can't Get What You Wantt

13. Be My Number Two

14. Right And Wrong

15. Home Town

16. Down To London

17. Nineteen Forever


Track List: Laughter And Lust

1. Obvious Song

2. Goin' Downtown

3. Stranger Than Fiction

4. Oh Well

5. Jamie G.

6. Hit Single

7. It's All Too Much

8. When You're Not Around

9. The Other Me

10. Trying To Cry

11. My House

12. The Old Songs

13. Drowning


Track List: Blaze Of Glory

1. Tomorrow's World

2. Me And You (Against The World)

3. Down To London

4. Sentimental Thing

5. Acropolis Now

6. Blaze Of Glory

7. Rant And Rave

8. Nineteen Forever

9. The Best I Can Do

10. Evil Empire

11. Discipline

12. The Human Touch


Track List: Joe Jackson Live 1980 - 1986

Disc 1

1. One To One (Live From The Beat Crazy Tour / 1980)

2. I'm The Man (Live From The Beat Crazy Tour / 1980)

3. Beat Crazy (Live From The Beat Crazy Tour / 1980)

4. Is She Really Going Out With Him? (Live From The Beat Crazy Tour / 1980)

5. Don't Wanna Be Like That (Live From The Beat Crazy Tour / 1980)

6. Got The Time (Live From The Beat Crazy Tour / 1980)

7. On Your Radio (Live From The Night And Day Tour / 1983)

8. Fools In Love (Live From The Night And Day Tour / 1983)

9. Cancer (Live From The Night And Day Tour / 1983)

10. Is She Really Going Out With Him? (A Capella Version) (Live From The Night And Day Tour / 1983)

11. Look Sharp! (Live From The Night And Day Tour / 1983)

Disc 2

1. Sunday Papers (Live From The Body And Soul Tour / 1984)

2. Real Men (Live From The Body And Soul Tour / 1984)

3. Is She Really Going Out With Him? (Acoustic Version) (Live From The Body And Soul Tour / 1984)

4. Memphis (Live From The Body And Soul Tour / 1984)

5. A Slow Song (Live From The Body And Soul Tour / 1984)

6. Be My Number Two (Live From The Big World Tour / 1986)

7. Breaking Us In Two (Live From The Big World Tour / 1986)

8. It's Different For Girls (Live From The Big World Tour / 1986)

9. You Can't Get What You Want (Till You Know What You Want) (Live From The Big World Tour / 1986)

10. Jumpin Jive (Live From The Big World Tour / 1986)

11. Steppin' Out (Live From The Big World Tour / 1986)


Track List: Tucker Soundtrack - The Man And His Dream

1. Captain Of Industry (Overture)

2. The Car Of Tomorrow - Today

3. No Chance Blues

4. (He's A) Shape In A Drape

5. Factory

6. Vera

7. It Pays To Advertise

8. Tiger Rag

9. Showtime In Chicago

10. Lone Bank Loan Blues

11. Speedway

12. Marilee

13. Hangin' In Howard Hughes' Hangar

14. Toast Of The Town

15. Abe's Blues

16. The Trial

17. Freedom Swing - Tucker Jingle

18. Rhythm Delivery


Track List: Will Power

1. No Pasaran

2. Solitude

3. Will Power

4. Nocturne

5. Symphony In One Movement


Track List: Big World

1. Wild West

2. Right And Wrong

3. (It's A) Big World

4. Precious Time

5. Tonight And Forever

6. Shanghai Sky

7. Fifty Dollar Love Affair

8. We Can't Live Together

9. Forty Years

10. Survival

11. Soul Kiss

12. The Jet Set

13. Tango Atlantico

14. Home Town

15. Man In The Street


Track List: Body And Soul

1. The Verdict

2. Cha Cha Loco

3. Not Here, Not Now

4. You Can't Get What You Want

5. Go For It

6. Loisaida

7. Happy Ending

8. Be My Number Two

9. Heart Of Ice


Track List: Mike's Murder

1. Cosmopolitan

2. 1-2-3 Go (This Town's A Fairground)

3. Laundromat Monday

4. Memphis

5. Moonlight

6. Zemeo

7. Breakdown

8. Moonlight Theme


Track List: Night and Day (Deluxe Edition)

Disc 1

1. Another World

2. Chinatown

3. T.V. Age

4. Target

5. Steppin Out

6. Breakin Us In Two

7. Cancer

8. Real Men

9. A Slow Song

Disc 2

1. Steppin' Out (Original Demo)

2. Chinatown (Original Demo)

3. Breaking Us In Two (Original Demo)

4. Cancer (Original Demo)

5. Real Men (Original Demo)

6. Target (Original Demo)

7. Cosmopolitan (From 'Mike's Murder' Soundtrack)

8. 1-2-3 Go (This Town's A Fairground) (From 'Mike's Murder' Soundtrack)

9. Laundromat Monday (From 'Mike's Murder' Soundtrack)

10. Memphis (From 'Mike's Murder' Soundtrack)

11. Moonlight (From 'Mike's Murder' Soundtrack)

12. On Your Radio (Live)

13. Fools In Love (Live)

14. Cancer (Live)

15. Is She Really Going Out With Him (A Capella Version) (Live)

16. Look Sharp! (LIve)


Track List: Night And Day

1. Another World

2. Chinatown

3. T.V. Age

4. Target

5. Steppin' Out

6. Breaking Us In Two

7. Cancer

8. Real Men

9. A Slow Song


Track List: Jumpin' Jive

1. Jumpin' With Symphony Sid

2. Jack, You're Dead

3. Is You Is Or Is You Ain't Ma Baby

4. We The Cats (Shall Hep Ya)

5. San Francisco Fan

6. Five Guys Named Moe

7. Jumpin' Jive

8. You Run Your Mouth (And I'll Run My Business)

9. What's The Use Of Getting Sober (When You're Gonna Get Drunk Again)

10. You're My Meat

11. Tuxedo Junction

12. How Long Must I Wait For You


Track List: Beat Crazy

1. Beat Crazy

2. One To One

3. In Every Dream Home (A Nightmare)

4. The Evil Eye

5. Mad At You

6. Crime Don't Pay

7. Someone Up There

8. Battleground

9. Biology

10. Pretty Boys

11. Fit


Track List: I'm The Man

1. On Your Radio

2. Geraldine And John

3. Kinda Kute

4. It's Different For Girls

5. I'm The Man

6. The Band Wore Blue Shirts

7. Don't Wanna Be Like That

8. Amateur Hour

9. Get That Girl

10. Friday

11. Come On


Track List: Look Sharp! (Bonus Tracks)

1. One More Time

2. Sunday Papers

3. Is She Really Going Out With Him?

4. Happy Loving Couples

5. Throw It Away

6. Baby Stick Around

7. Look Sharp!

8. Fools In Love

9. (Do The) Instant Mash

10. Pretty Girls

11. Got The Time

12. Don't Ask Me (Single Version)

13. You Got The Fever (Single Version)


Track List: Look Sharp!

1. One More Time

2. Sunday Papers

3. Is She Really Going Out With Him?

4. Happy Loving Couples

5. Throw It Away

6. Baby Stick Around

7. Look Sharp!

8. Fools In Love

9. (Do The) Instant Mash

10. Pretty Girls

11. Got The Time


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Joe's discography is the sound track of my life. Been listening to him since 1978. It's time for him to be inducted into the Rock and Roll Hall of Fame.
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No, I am the Man!
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I saw Joe, Donald, and Boz about 10 years ago. If you need last names...
Change the station.
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Joe Jackson. Amazing artist.
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Central Park, 1980. Definitely worth the $3.50 ticket price. August 2,1980 the skies parted and it poured on us, but it just added to the beauty of the music. Miss you Joe
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I never really followed Joe's music career but I can say that his Steppin Out will always be a favorite of mine. I couldn't make it through the entire exhaustive Pandora Bio but this artist has certainly earned the Bio's personal categorizati o n of him being a Chameleon! I need to hear more of his music!
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Syracuse 79 Landmark Theater. Cool baby Cool.
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Love joe's music. Timeless
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Look Sharp ! Killer Album !
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Great writer!
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mysteriousst r a n g e r s 8 6
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Joe Jackson and Elvis Costello -- best of the '70s new wave.
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you've got to have no illusions - just keep going your way - looking over your shoulder - yep that's it exactly
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Fast Forward is a fabulous album!! He still "has it"". Keep on going Joe!
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This man gives talent a new meaning.
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I love this song nice melody . Joe cool!!!!!
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Going to see him tonight (10/20/2015) in NYC!!!
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Listening to his music takes me back to my early 20's running at 0430 on brisk Denver, Co. mornings...
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This guy is way, way, waaaaaaaaay underrrated. He could have kept making variations of Is she really going out with him and sold a bazillion records over the years. Instead he experimented with styles that interested him. Songwriting and lyric quality has always remained stellar even if sales don't show it. Well done sir.
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They don't make music like this anymore it's sad
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excellent writing William, thank you
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A** kicking piano playing
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mikepascarel l o
Joe coolest!
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one of the worlds most underrated musicians
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Was on a reggae and then punk groove and "be my number two" popped out of nowhere. Wow. The memories.. I love pandora!
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It's a big world... don't ya know?
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Great showman great writer. Saw him a couple times. Once after jumpin jive came out. Great album big departure at the time. Who knew big band was so hot. Sunday papers always makes me smile.
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saw him at college on his first tour - amazing live performance
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Night and Day is one of the most creative and brilliantly done recordings of the 80's, and to this day remains as fresh and fascinating as ever. Well done, Joe Jackson!
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Jackson always had a hot band with him too, that added a lot to his sound and his songs
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The reason why I love Joe Jackson so much is because he is so different than what I normally listen to
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Big World is a great record :)
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Joe Jackson is the man!
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moonshadowba b a
One of my favorites in the 80's and rediscovered on Pandora!
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just waiting for a soul kiss... love you Joe!!!
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A unparalleled musical chameleon - equally brilliant with each evolution of his craft.
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This album was life changing for me when it first came out. Opened up whole new worlds.
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Rainbow rock
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took our lil bro to his first concert,joe jackson,at pine knob in mi.r.i.p randy
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Pandora needs Live 1980-86
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Joe has been, and continues to be my musical favorite since the 70's. As a musician he and his cast are unparalled. Graham as a bass player is the most versitile I have ever had the pleasure to listen to. imagine my surprise when 20 years ago i saw him in the park next to my house and discovered he was my neighbor!
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Steppin out cool song
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Not crazy about his recent stuff, but back in the late 70's, when I saw pretty woman out walking with gorillas down my street when I stepped out to get the Sunday paper, JJ was the man who looked sharp! Awesome music; I argee with you Colin!
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rbeilin,I was at that show was great won tickets from wplj met jim kerr lol wow memories.wou l d love to see joe again he is the man
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Saw him in a great small theater (Capitol Theater, in Passaic NJ, no longer there, sadly), right after Night and Day came out. One of the very best shows I've ever seen, by anyone. Incredible range of styles, great emotion, just a wonderful night.
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I'm not a huge fan of all of his work, but Steppin' Out has to be one of my all time favorite songs. Even after listening to it as much as I have, the song still strikes me hard.
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I agree 100% penny
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Wonderful just wonderful!!
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I have seen Joe about 12 times, and it's always interesting. His take on the songs is always different than the album versions. Rumor has it that he will tour supporting a new album in 2012. Highly recommended!
BTW-my favorite show was March 2001 supporting Night and Day2
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Easily one of the greatest concerts I've ever been to was to see Joe Jackson during his Big World Tour at the Berkeley Greek Theater. Pure Magic..
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