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John Hicks

A longtime fixture of the New York City jazz landscape, pianist John Hicks was an artist of uncommon versatility, moving effortlessly from pop standards to the avant-garde while retaining the dense physicality and intense energy that were the hallmarks of his approach. Born December 12, 1941, in Atlanta, Hicks was still an infant when his preacher father relocated the family to Los Angeles. He spent the better part of his teen years in St. Louis, and counted among his classmates there the young Lester Bowie. Hicks' mother was his first piano teacher, and after a stint at Lincoln University in Missouri he attended the Berklee School of Music and the Juilliard School; he later cited influences spanning from Fats Waller to Thelonious Monk to Methodist church hymns, and his catholic listening tastes were instrumental in shaping his far-ranging skills as a player. After touring in support of bluesman Albert King and hard bop tenor saxophonist Johnny Griffin, Hicks backed singer Della Reese during a 1963 New York club residency, and the city remained his home for the rest of his life. In the wake of stints with Kenny Dorham and Joe Henderson, Hicks joined Art Blakey's Jazz Messengers in 1964, collaborating alongside the likes of trumpeters Lee Morgan and Freddie Hubbard. Two years later, he signed on with singer Betty Carter, like Blakey a keen judge of emerging talent. Upon exiting Carter's band in 1968, Hicks spent the remainder of the decade with Woody Herman and entered the decade to follow as a first-call sideman. He also moonlighted as an educator, and during the early '70s taught jazz and improvisation at Southern Illinois University.

After backing Carter on her 1976 date Now It's My Turn, Hicks returned to her backing group full-time. The exposure vaulted him to new renown, and in 1979 he finally led his own studio effort, After the Morning. With 1981's Some Other Time, cut with bassist Walter Booker and drummer Idris Muhammad, Hicks also emerged as a gifted composer, writing his best-known effort, "Naima's Love Song," in honor of his young daughter. He recorded prolifically in the years to follow, concentrating on solo and small ensemble work including stints as member of the Power Trio and the Keystone Trio. He also served as the regular pianist with the Mingus Dynasty Band and for a time led his own big band. Hicks enjoyed his greatest commercial success with a series of tribute LPs celebrating the music of his mentors and influences, highlighted by 1998's Something to Live For (a collection of Billy Strayhorn compositions), 2000's Impressions of Mary Lou (Williams, of course), and 2003's Fatha's Day (honoring Earl Hines). Hicks' longest and most rewarding collaboration was his partnership with flutist Elise Wood, which launched in 1983 and after several studio sessions and tours culminated in marriage in 2001, around the time of the release of their duo recording Beautiful Friendship. Hicks died suddenly on May 10, 2006. Just three days earlier, he delivered his final performance at Harlem's St. Mark's United Methodist Church, where his father served as a minister prior to his own death. Hicks was 64 years old. ~ Jason Ankeny, Rovi
full bio

Selected Discography

Comments

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jazzdadman
a must have artist/music i a n in u'r music library!!!!
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Funny thing too. This song was on an album which was a tribute to Sonny Clark which was my mother's last name, only with an "e". Also equally weird is his affinity for NYC where I was born (Brooklyn to be exact) and there is an intersection (Yes, in Brooklyn) where both Hicks and Clark streets cross...
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Wondering if he's my cousin...Hmm m
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obama, ebola, xbxxa, coincidence ?
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Radness
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Never Let Me Go: Could this be any more elegant? Music to make you glad you have ears.......
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Never let me go- absolutely incredible!
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dan hicks has hot licks
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April. Eyes
by. John Hicks
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That. Was. Blood Count. By
Mr. John. Hicks . Cool. Title
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Love this gents sweetly lyrical approach -he takes you along with him to another place --my kinda keyboard playin - really cool!!
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crusadersfor j a z z
John Hicks had way of making a piano that was out of tune sound in tune. And what a beautiful God given spirit he had.. Brother Rich Henderson
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Completely excellent!
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outstanding bassist, at least on hold it down.....
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First heard him when he was with Bety Carter; got to see them when they recorded The audience with Betty Carter at SF's Great American Music Hall. What a great record. Surprising the bio doesn't mention his long term association with Pharoah Sanders...
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lovansia
THIS IS WHAT I CALL THE DANSANT PIANO . EXCELLENT - ENJOYABLE WITHOUT EMOTIONAL PARTICIPATIO N DURING THE WORKING DAY.
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pasqualini
Now one of my favorite artists.
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jdclapp7
awesome player, surprised I haven't heard his name more often...
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I AM LISTENING TO A VERY SOOTHING SOUND AND IS QUITE RELAXING. THIS IS THE FIRST TIME I AM LISTENING TO HIS MUSIC AND ... I LIKE IT. I WILL BE PLAYING A LOT MORE OF JOHN HICKS.
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beakmanbob
Had never heard of John Hicks until Pandora. I absolutely love everything of his that I have heard. Beautiful music.
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I have never heard of this cat - I love his playing he really swings - I must admit I have been listening to too much new age and progressive rock lately - This is a fantastic change of pace some real jazz- I love the acoustic piano. I will look out for more john hicks.
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I absolutely love this song.... It makes me happy.
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linedeckerfa m
He plays well.
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Beautiful song.(Someth i n g To Live For)
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new 2 me i am now a fan thxs.
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Again - a most talented individual who uses his God Given gifts
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One of the Extraordinar i l y Talented pianists in Jazz.
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Very Nice!

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