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Sir Mix-A-Lot

Inextricably linked with his pop culture touchstone "Baby Got Back," Sir Mix-A-Lot parlayed a gonzo tribute to women with large buttocks into hip-hop immortality, even despite his failure to score another hit of its magnitude. But even before he struck crossover gold, Sir Mix-A-Lot was one of rap's great D.I.Y. success stories. Coming from a city -- Seattle -- with barely any hip-hop scene to speak of, Mix-A-Lot co-founded his own record label, promoted his music himself, produced all his own tracks, and essentially pulled himself up by the proverbial American bootstraps. Even before "Baby Got Back," Mix-A-Lot was a platinum-selling album artist with a strong following in the hip-hop community, known for bouncy, danceable, bass-heavy tracks indebted to old-school electro. However, it took signing with Rick Rubin's Def American label -- coupled with an exaggerated, parodic pimp image -- to carry him into the mainstream. Perceived as a one-hit novelty, he found it difficult to follow his breakout success, but kept on recording, and even toured as part of a rap-rock supergroup called Subset, a collaboration with the Presidents of the United States of America.

Sir Mix-A-Lot was born Anthony Ray in Seattle on August 12, 1963. An eclectic music fan but a rabid hip-hop devotee, he was already actively rapping in the early '80s, and co-founded the Nastymix record label in 1983 with his DJ, Nasty Nes, who also hosted Seattle's first hip-hop radio show. His first single was 1987's "Posse on Broadway," which referred to a street in Seattle, not New York; it became a local hit, and paved the way for his first LP, 1988's Swass, which also featured the popular novelty "Square Dance Rap," and a Run-D.M.C.-style cover of Black Sabbath's "Iron Man," with backing by Seattle thrashers Metal Church. The video for "Posse on Broadway" landed some airplay on MTV, and became Sir Mix-A-Lot's first national chart single in late 1988; that in turn pushed Swass into the Top 20 of the R&B album chart, and by 1989, it had sold over a million copies. Also in 1989, Mix-A-Lot released his follow up album Seminar, which produced three charting singles in "Beepers," "My Hooptie," and "I Got Game"; while none were significant crossover hits with pop or R&B audiences, all performed well on the rap singles chart, and helped Seminar become Mix-A-Lot's second straight platinum album.

Financial disputes with Nastymix resulted in a fierce court battle and ended Mix-A-Lot's association with the label. Fortunately, Def American head Rick Rubin stepped in to offer him a major-label contract. Mix-A-Lot had long had a knack for mimicking (and mocking) the pimps he'd watched while growing up in Seattle, and adopted their visual style with Rubin's encouragement. He debuted for Def American with 1992's Mack Daddy, whose first single, "One Time's Got No Case," was a critique of racial profiling by police. It went virtually unheard, but the follow-up, "Baby Got Back," became a pop phenomenon virtually from the moment MTV aired its provocative video (which was eventually consigned to evening-hours only).

Seldom does a comic novelty song spark such a fierce cultural debate: no matter how ridiculous it sounded, "Baby Got Back" touched on highly sensitive, hot-button issues of race and sex with a cheerful, good-natured crudeness that was guaranteed to offend more than a few. Was it a token of appreciation for women whose body types were rarely given positive cultural attention, or just another sexist objectification? Was it an indictment of narrow, white-dictated beauty standards that left many typical black women (and the black men who loved them) out in the cold, or did it simply build up one type of woman by denigrating another? Feminists picketed Sir Mix-A-Lot concerts all across the country that summer, but despite their efforts, record buyers sided with the rapper: "Baby Got Back" spent five weeks atop the pop charts, selling over two million copies; it also pushed Mack Daddy into the Top Ten, and went on to win a Grammy for Best Rap Solo Performance. Billboard magazine ranked it as the second biggest single of the year, behind only Boyz II Men's juggernaut "End of the Road."

With 1994's Chief Boot Knocka, Sir Mix-A-Lot tried to follow Mack Daddy -- and "Baby Got Back" in particular -- with a set of danceable party tunes that, like the strip-club anthem "Put 'Em on the Glass," often played up his obsession with the female form. Although it sold respectably among R&B audiences, the mainstream -- perhaps assuming they had already heard Mix-A-Lot's best shot -- virtually ignored it. Personnel shakeups at American Recordings preceded 1996's Return of the Bumpasaurus, ensuring that it ranked a very low promotional priority for the label. Mix-A-Lot dissolved his relationship with them, and spent several years off record -- partly for legal reasons, partly because of a simple frustration with the music industry in general.

During that time, he managed to hook up with the similarly frustrated members of the grunge/novelty band the Presidents of the United States of America. Mix-A-Lot had long been interested in rap-rock fusions -- in addition to his Metal Church collaboration, he'd also teamed up with Mudhoney on the Judgment Night soundtrack tune "Freak Momma" -- and started playing with PUSA in 1998. Eventually, they adopted the name Subset, and worked on some material in the studio; they also mounted a small-scale tour in 2000, but subsequently went their separate ways, partly owing to musical differences and partly to a lack of enthusiasm for the process of putting out a record. Some of their studio recordings were leaked over the Internet, but were never officially released. Solo again, Sir Mix-A-Lot signed with the small Artist Direct label and released his sixth album, Daddy's Home, in 2003; the lead single, "Big Johnson," was a satire of men who exaggerated their manhood, written at the behest of female fans who wanted equal treatment in Mix-A-Lot's sex rhymes. ~ Steve Huey
full bio

Selected Discography

x

Track List: Return Of The Bumpasaurus (Explicit)

3. Buckin' My Horse

4. Mob Style

5. Top 10 List

8. Bumpasaurus Cometh

9. Bumpasaurus

11. Aunt Thomasina

12. Jump On It

14. Sag

16. Lead Yo Horse

19. Slide

x

Track List: Chief Boot Knocka

1. Sleepin' Wit My Fonk

2. Let It Beaounce

3. Ride

4. Take My Stash

5. Brown Shuga

6. What's Real

7. Double Da Pleasure

8. Put 'em On The Glass

9. Chief Boot Knocka'

10. Don't Call Me Da Da

11. Nasty Dog

12. Monsta' Mack

13. Just Da Pimpin' In Me

14. I Checks My Bank

x

Track List: Mack Daddy (Explicit)

1. One Time's Got No Case

2. Mack Daddy

3. Baby Got Back

4. Swap Meet Louie

5. Seattle Ain't Bullshittin'

6. Lockjaw

7. The Boss Is Back

8. Testarossa

9. A Rapper's Reputation

10. Sprung On The Cat

11. The Jack Back

12. I'm Your New God

13. No Holds Barred

x

Track List: Seminar (Explicit)

1. Seminar

2. Beepers

3. National Anthem

4. My Hooptie

5. Gortex

6. The ((Peek-A-Boo)) Game

7. I Got Game

8. I'll Roll You Up

9. Something About My Benzo

10. My Bad Side

x

Track List: Swass (Explicit)

1. Buttermilk Biscuits (Keep On Square Dancin')

2. Posse On Broadway

3. Gold

4. Swass

6. Attack On The Stars

8. Hip Hop Soldier

9. Iron Man

10. Bremelo

11. Square Dance Rap

12. Romantic Interlude

13. F The Bs

x

Track List: Return Of The Bumpasaurus

1. You Can Have Her

2. Da Bomb

3. Buckin' My Horse

4. Mob Style

5. Top Ten List

6. Man U Luv Ta Hate

7. Bark Like You Want It

8. Bumpasaurus Cometh

9. Bumpasaurus

10. Denial

11. Aunt Thomasina

12. Jump On It

13. Aintsta

14. Sag

15. Message To A Drag Artist

16. Lead Yo Horse

17. Playthang

18. Funk Fo Da Blvd.

19. Slide

Comments

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Omg lol baby got back
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S-o-o-o you got some 'SWAGGER'... . . . . . G E A R E D - U P like a NEW 'gentlemens quarterly... . . . . e a t i n g oysters -on-thehalf- s h e l l . . . . . . . . W h a t s ' g o i n g to happen when The BROADWAY is re-developed ?
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This is on an anime crack
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I love this station
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36 24 36 only if shes 5'3
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this was my theme song in h.s 2010 so many chicks like bouncing on top to this song keep tht in mind fellas
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madisonv2023
Love this song even tho it came way before I was born I know it by heart��
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Amazing that know...White WOMAN like me from DOWN SOUTH could ever figure that EVERYONE wants a big a**....lol.. . D i d ya ever think..??? I work in NYC an it's the NEW RAVE bcz EVERYONE wants to be KIM K....Lmào..I LOVE MY BODY an Shake it....hahaha
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I remember when this song came out,me and my younger uncle use to bumped this in the car while my was sitting in the passenger side,while my uncle was driving he was about 14,15 yrs old driving,beli e v e it or not.
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The fist song I ever heard telling women it's ok not to be a stick..I will always love this song !
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My girl got that Jurassic a**
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My girl got back
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Sir mix-a-lot on unsung next fall...
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Love your songs sir Mix-A-Lot
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Thank u sir mix-a-lot for this eternal classic. Baby will always have back!!
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Omg :-) baby got back all good ladies
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Classic..."P o s s e Up"
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FU
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s**t
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hell yes
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uhuhuhuhuhuh u h u
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f**k girl
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f**k yes
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big a**
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Check out AheartMadeof R o c k s on Wattpad if you love Marvel!
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I love this song hello
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OMG Becky look at my butt!!!
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This baby got back. And plenty for an army
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This band cracks me up����
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Omg Becky look at her butt
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Classic.....
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doll_face113 8 1
My dad does not like rappers I love em
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See you at unsung.
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SIR-MIX-A-LO T : L I V I N G LEGEND!!!A-T O W N CLASSIC WORLD WIDE CLASSIC!!!
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valencas2
Respect sir mix-a-lot
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Deadpool is awesome
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Deadpool awesome
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Jordon
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I have a huge a**
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XD I LAUGH EVERY TIME HE SAYS "I like big butts"
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Hahahaha!!!
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best song ever!!!!!!
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cp101381
������‍❤️‍��
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cp101381
Love this song. Omg look at her butt it is like so big
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c4irvin
JURASSICWORL D
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dean.thorton
I used to bump this s**t in my parents station wagon back in high school driving home from my job at chuckle cheese.
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My Posse on Broadway (Posse up)
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Boooooooooo
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Hell booooooooooo o o o o o o o o o o o o o o o o
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floralovesca t s
Booo
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